Alexander Louis Bigard, Jr. (September 25, 1899, New Orleans - June 27, 1978, New Orleans) was an American jazz drummer. He was the brother of Barney Bigard and a cousin of Natty Dominique and A.J. Piron, and was involved for decades with the New Orleans jazz scene.
Bigard studied drums under Louis Cottrell, Sr., and played (sometimes with Cottrell) in A.J. Piron's band in the 1910s. He played with the Excelsior Brass Band and Maple Leaf Orchestra, as well as with Peter DuConge, Buddy Petit, and Chris Kelly in the late 1910s and early 1920s. He was a member of Sidney Desvigne's band in 1925, and soon after that with Kid Shots Madison; he worked with John Robichaux for much of the 1930s. In the mid-1940s he was in Kid Rena's band, then formed his own ensemble, the Mighty Four, in the 1950s.
During the Dixieland revival period of the 1960s, he was a regular at Preservation Hall, and performed or recorded with Harold Dejan, Kid Howard, Punch Miller, De De Pierce, Billie Pierce. He went deaf around 1967 and left active performance.
Edward "Kid" Ory was an American jazz composer, trombonist and bandleader. One of the early users of the glissando technique, he helped establish it as a central element of New Orleans jazz.
Albany Leon "Barney" Bigard was an American jazz clarinetist known for his 15-year tenure with Duke Ellington. He also played tenor saxophone.
Armand John "A.J." Piron was an American jazz violinist who led dance bands during the 1910s thru the 1930s.
American Music Records is a jazz record company and label that was established by Bill Russell in 1944.
The Preservation Hall Jazz Band is a New Orleans jazz band founded in New Orleans by tuba player Allan Jaffe in the early 1960s. The band derives its name from Preservation Hall in the French Quarter. In 2005, the Hall's doors were closed for a period of time due to Hurricane Katrina, but the band continued to tour.
Lorenzo Tio Jr. was an American clarinetist from New Orleans, Louisiana, United States.
New Orleans is a 1947 American musical romance film starring Arturo de Córdova and Dorothy Patrick, and directed by Arthur Lubin. Though it features a rather conventional plot, the film is noteworthy both for casting jazz legends Billie Holiday as a singing maid romantically involved with bandleader Louis Armstrong, and extensive playing of New Orleans-style Dixieland jazz: over twenty songs are featured in whole or part.
Albert Nicholas was an American jazz clarinet player.
Arthur Budd Scott was an American jazz guitarist, banjoist and singer. He was one of the earliest musicians associated with the New Orleans jazz scene. As a violinist he performed with James Reese Europe's Clef Club Orchestra at a historic 1912 concert at Carnegie Hall, and the following year worked with Europe's ensemble on the first jazz recordings on the Victor label.
Louis Cottrell was an influential American jazz drummer. "Old Man" Cottrell was the father of Louis Cottrell Jr. and great-grandfather of New Orleans jazz drummer Louis Cottrell.
Louis Albert Cottrell Jr. was a Louisiana Creole jazz clarinetist and tenor saxophonist. He was the son of the influential drummer Louis Cottrell, Sr., and grandfather of New Orleans jazz drummer Louis Cottrell III. As leader of the Heritage Hall Jazz Band, he performed at Carnegie Hall in 1974.
Louis Freddie Kohlman was an American jazz drummer, vocalist, and bandleader who was a native of New Orleans. He studied under the famed drummer Louis Cottrell, Sr., and Manuel Manetta.
The Olympia Orchestra was an American jazz dance band active in New Orleans from around 1906 into the late 1910s.
Josiah "Cie" Frazier was an American jazz drummer.
Emanuel Sayles was an American jazz banjoist chiefly active in the New Orleans jazz scene.
Alcide Louis "Slow Drag" Pavageau was an American jazz double bassist and guitarist.
Chester Zardis was an American jazz double-bassist.
Wilhelmina Madison Goodson, known professionally as Billie Pierce, was an American jazz pianist and singer, who performed and recorded with her husband De De Pierce. Her style has been described as a "potent mixture of barrelhouse, boogie-woogie, and ragtime". After settling in New Orleans in 1930, she played in the bands of A.J. Piron, Alphonse Picou, Emile Barnes, and George Lewis.
John "Johnny" Lindsay or John Lindsey was an American jazz double-bassist and trombonist, active in the New Orleans and Chicago jazz scenes.
Blanche Thomas was an American blues and jazz singer, based in New Orleans.