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Paul Leroy Robeson was an American bass-baritone concert artist, actor, professional football player, and activist who became famous both for his cultural accomplishments and for his political stances.
The Emperor Jones is a 1920 tragic play by American dramatist Eugene O'Neill that tells the tale of Brutus Jones, a resourceful, self-assured African American and a former Pullman porter, who kills another black man in a dice game, is jailed, and later escapes to a small, backward Caribbean island where he sets himself up as emperor. The play recounts his story in flashbacks as Brutus makes his way through the jungle in an attempt to escape former subjects who have rebelled against him.
The Provincetown Players was a collective of artists, people and writers, intellectuals, and amateur theater enthusiasts. Under the leadership of the husband and wife team of George Cram “Jig” Cook and Susan Glaspell from Iowa, the Players produced two seasons in Provincetown, Massachusetts and six seasons in New York City, between 1916 and 1922. The company's founding has been called "the most important innovative moment in American theatre." Its productions helped launch the careers of Eugene O'Neill and Susan Glaspell, and ushered American theatre into the Modern era.
Charles Sidney Gilpin was a stage actor of the 1920s. He played in two New York City debuts: the 1919 premier of John Drinkwater's Abraham Lincoln and the lead role of Brutus Jones in the 1920 premiere of Eugene O'Neill's The Emperor Jones. In 1920, he was the first black person to receive The Drama League's annual award as one of ten people who had done the most that year for American theatre.
Robert Adams was a British Guyanese actor of stage and screen. He was the founder and director of the Negro Repertory Arts Theatre, one of the first professional black theatre companies in Britain, and became the world's first black television actor when he appeared in Theatre Parade: Scenes From Hassan on BBC TV in 1937. He was also the first Black actor to play a Shakespearian role on television, in 1947.
All God's Chillun Got Wings may refer to:
All God's Chillun Got Wings (1924) is an expressionist play by Eugene O'Neill about miscegenation inspired by the old Negro spiritual. He began developing ideas for the play in 1922, emphasising its authenticity in his notes: "Base play on his experience as I have seen it intimately." O'Neill wrote the play in the autumn of 1923 and revised the text only slightly for its 1924 publication. Arguably one of his most controversial of plays, it starred Paul Robeson in the premiere, in which he portrayed the Black husband of an abusive White woman, who, resenting her husband's skin colour, destroys his promising career as a lawyer.
André van Gyseghem was an English actor and theatre director who also appeared in many British television programmes.
All God's Children may refer to:
The Provincetown Playhouse is a historic theatre at 133 MacDougal Street between West 3rd and 4th streets in the Greenwich Village neighborhood of Manhattan in New York City. It is named for the Provincetown Players, who converted the former stable and wine-bottling plant into a theater in 1918.
Pauline Clothilde Henriques, popularly known as "Paul," was a Jamaican-born English actress. In 1946, she became the first black female actress for British television. She was also the first black female Justice of the Peace, and was appointed an Officer of the Order of the British Empire (OBE) in 1969.
"All God's Chillun Got Rhythm" is a 1937 jazz standard. It was written by Walter Jurmann, Gus Kahn and Bronisław Kaper especially for Ivie Anderson, who performed it in the Marx Brothers' 1937 film A Day at the Races, the tune was also used for the opening theme.
Frank Henry Wilson was an American stage, radio, and film actor and writer.
Joan Kemp-Welch was a British stage and film actress, who later went on to become a television director. After making her stage debut in 1926 at the Q Theatre, Kemp-Welch made her film debut in 1933 and appeared in fifteen films over the next decade largely in supporting or minor roles. Occasionally she played more substantial parts as in Hard Steel and They Flew Alone.
Flying Africans are figures of African diaspora legend who escape enslavement by a magical passage back over the ocean. Most noted in Gullah culture, they also occur in wider African-American folklore, and in that of some Afro-Caribbean peoples.
Nights at the Vanguard is an album by jazz pianist Tommy Flanagan, with bassist George Mraz and drummer Al Foster.
Miriam Orleska was an actress in the Vilna Yiddish theatre, best known for her role as Leah in S. Ansky's The Dybbuk.
Ida Shepley born Ida Mary Humphrey was a British actress and singer. She began as a singer and worked with the BBC before expanding her career into acting appearing on the London stage and television.
Dora Cole Norman was an African-American educator, dancer, theater producer, playwright and sportswoman. As a young woman she played basketball for one of the first African-American women's basketball teams, the New York Girls. She taught for the New York Public School System and was the founder-director of the Colored Players Guild at the Harlem YWCA. She collaborated with W. E. B. Dubois on the 1913 production of his historical pageant The Star of Ethiopia, and gave Paul Robeson his first acting roles in the early 1920s.
James Light was an American theatre director, actor, and educator. He is best remembered as a champion of the playwright Eugene O'Neill, and he directed many of his plays both on Broadway and in regional theaters. He was a member of the Provincetown Players, and he succeeded George Cram Cook as director of that organization in 1922. During the Great Depression, he was director of the "Philadelphia Black Unit" of the Federal Theatre Project; an organization dedicated to fighting racial discrimination in hiring practices in the American theatre by producing plays with all-black casts. He taught on the faculties of the Yale School of Drama and The New School for Social Research; serving as the dean of the drama school at the latter institution from 1939 to 1942.
References
- ↑ "Eugene O'Neill: A controversial play". PBS: American Experience. Retrieved 2012-03-18.
