A clown is a person who performs comedy and arts in a state of open-mindedness using physical comedy, typically while wearing distinct makeup or costuming and reversing folkway-norms.
Harlequin is the best-known of the zanni or comic servant characters from the Italian commedia dell'arte, associated with the city of Bergamo. The role is traditionally believed to have been introduced by Zan Ganassa in the late 16th century, was definitively popularized by the Italian actor Tristano Martinelli in Paris in 1584–1585, and became a stock character after Martinelli's death in 1630.
Harlequinade is a British comic theatrical genre, defined by the Oxford English Dictionary as "that part of a pantomime in which the harlequin and clown play the principal parts". It developed in England between the 17th and mid-19th centuries. It was originally a slapstick adaptation or variant of the Commedia dell'arte, which originated in Italy and reached its apogee there in the 16th and 17th centuries. The story of the Harlequinade revolves around a comic incident in the lives of its five main characters: Harlequin, who loves Columbine; Columbine's greedy and foolish father Pantaloon, who tries to separate the lovers in league with the mischievous Clown; and the servant, Pierrot, usually involving chaotic chase scenes with a bumbling policeman.
The Hundred Days, also known as the War of the Seventh Coalition, marked the period between Napoleon's return from eleven months of exile on the island of Elba to Paris on 20 March 1815 and the second restoration of King Louis XVIII on 8 July 1815. This period saw the War of the Seventh Coalition, and includes the Waterloo Campaign, the Neapolitan War as well as several other minor campaigns. The phrase les Cent Jours was first used by the prefect of Paris, Gaspard, comte de Chabrol, in his speech welcoming the king back to Paris on 8 July.
Michel Ney, 1st Duke of Elchingen, 1st Prince of the Moskva was a French military commander and Marshal of the Empire who fought in the French Revolutionary Wars and the Napoleonic Wars.
Philip Astley was an English equestrian, circus owner, and inventor, regarded as being the "father of the modern circus". Modern circus, as an integrated entertainment experience that includes music, domesticated animals, acrobats, and clowns, traces its heritage to Astley's Amphitheatre, a riding school that Astley founded in London following the success of trick-riding displays given by him and his wife Patty Jones in 1768. Astley's first competitor was equestrian Charles Hughes, who had previously worked with Astley. Together with Charles Dibdin, a famous author of pantomimes, Hughes opened a rival amphitheatre in London, which Dibdin called the Royal Circus and Equestrian Philharmonic Academy.
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there.
The Waterloo campaign was fought between the French Army of the North and two Seventh Coalition armies, an Anglo-allied army and a Prussian army. Initially the French army was commanded by Napoleon Bonaparte, but he left for Paris after the French defeat at the Battle of Waterloo. Command then rested on Marshals Soult and Grouchy, who were in turn replaced by Marshal Davout, who took command at the request of the French Provisional Government. The Anglo-allied army was commanded by the Duke of Wellington and the Prussian army by Prince Blücher.
Joseph Grimaldi was an English actor, comedian and dancer, who became the most popular English entertainer of the Regency era. In the early 1800s, he expanded the role of Clown in the harlequinade that formed part of British pantomimes, notably at the Theatre Royal, Drury Lane and the Sadler's Wells and Covent Garden theatres. He became so dominant on the London comic stage that the harlequinade role of Clown became known as "Joey", and both the nickname and Grimaldi's whiteface make-up design were, and still are, used by other types of clowns. Grimaldi originated catchphrases such as "Here we are again!", which continue to feature in modern pantomimes.
Clowns have always been an integral part of the circus, offering a source of amusement for patrons and providing relief from the array of animal acts and performances by acrobats and novelty artistes.
Pantomime is a type of musical comedy stage production designed for family entertainment. It was developed in England and is performed throughout the United Kingdom, Ireland and in other English-speaking countries, especially during the Christmas and New Year season. Modern pantomime includes songs, gags, slapstick comedy and dancing. It generally combines gender-crossing actors and topical humour with a story more or less based on a well-known fairy tale, fable or folk tale. Pantomime is a participatory form of theatre, in which the audience is encouraged and expected to sing along with certain parts of the music and shout out phrases to the performers.
Harry Relph, professionally known as Little Tich, was a 4-foot-6-inch-tall (137 cm) English music hall comedian and dancer during the late 19th and early 20th centuries. He was best known for his acrobatic and comedic "Big-Boot Dance", which he performed in Europe and for which he wore boots with soles 28 inches (71 cm) long. Aside from his music hall appearances, he was also a popular performer in Christmas pantomimes and appeared in them annually at theatres throughout the English provinces. He repeated this success in London, where he appeared in three pantomimes at the Theatre Royal, Drury Lane, between 1891 and 1893 alongside Dan Leno and Marie Lloyd.
George Washington Lafayette Fox was an American actor and dancer who became known for his pantomime Clown roles, and who based the characterizations for these roles on his inspiration Joseph Grimaldi.
Memoirs of Joseph Grimaldi is the 1838 autobiography of the pioneering nineteenth-century clown Joseph Grimaldi. It was edited by Charles Dickens who as a seven-year-old had first seen Grimaldi perform.
Joseph Samuel William Grimaldi, better known as J. S. Grimaldi or JS Grimaldi, was an English stage actor, comedian and dancer, who frequently played the role of Clown in the harlequinades that accompanied nineteenth-century pantomimes. He was the son of Joseph Grimaldi, who popularised the role of Clown in the early 1800s.
John Peter Bologna (1775 –1846), known as Jack Bologna on stage, was an Italian actor and dancer, who spent much time in England popularising the role of Harlequin in Georgian pantomimes and harlequinades in the early part of the 1800s at the Sadler's Wells and Covent Garden Theatres.
Charles Isaac Mungo Dibdin, or Charles Pitt or Charles Dibdin the younger, as he was professionally known, was an English dramatist, composer, writer and theatre proprietor. He was perhaps best known for his proprietorship of the Sadler's Wells Theatre and for the pantomimes and satirical farces that he wrote, and which were staged at many theatres across London. He employed Joseph Grimaldi at Sadler's Wells where Grimaldi appeared in many of his most successful pantomimes. He was the son of Charles Dibdin, brother of Thomas John Dibdin and godson of David Garrick.
Richard Findlater (1921–1985) was a British theatre critic and biographer.
William Henry Schofield Payne was an actor, dancer and pantomimist, who created much of the stage business connected with the character Harlequin in 19th-century harlequinades. He was the father of the Victorian era pantomime clowns the Payne Brothers.
Sarah Baker was an English actress and theatre manager of the late Georgian era whose career in Kent lasted more than 50 years. Despite her being illiterate and facing fierce opposition from male rivals, her business acumen led her to becoming one of the most successful self-made women of her time.
