Alphonse Leroy (4 June 1820 - 26 June 1902) was a French engraver and photographer.
He was born in Lille into a family that is known to have been active in the oil industry in the city since at least the 18th century. This technical background enabled him to add and adapt the possibilities available in the 19th century in both photography and engraving. He began his artistic career in 1844. He was trained by the engraver Charles Cousin in the latter's studio in the Louvre, where Leroy became a friend of Carolus-Duran, Camille Corot, Cabanel, the Goncourt brothers and Hector Hanoteau. He also befriended Paul Gachet, whom he taught engraving. He was noted, befriended and supported by Émilien de Nieuwerkerke, superintendent of the Academie des Beaux-arts. During the Paris Commune he took seven photographs of the barricades and the death of Monseigneur d'Arboy after drawings by Félix Philippoteaux.
In 1872 he and Gachet joined the Société des éclectiques, a society of aesthetes, engravers and poets which gathered around Achille Ricourt, Aglaüs Bouvenne and Eva Gonzalès and which aimed to help artists in financial difficulties. It organised a monthly dinner, often the subject of an engraving by one of its members. Leroy returned to Lille in 1888 and became professor of engraving in the academic schools. His pupils Georges Buisset, Louis Danel, Arthur Mayeur, Edmond Pennequin and Émile Théodore were all successful, as was Omer Désiré Bouchery, who still spoke affectionately of Leroy forty years after the later's death. His portrait was also painted by his friends and students François Bonvin, Omer Bouchery, Désiré-Auguste Ghesquière, Hector Hanoteau and Arthur Mayeur.
Leroy was also one of the founders of the Union artistique du Nord and president of the commission of Lille's musée Wicar (later known as the Palais des Beaux-Arts). Leroy excelled in all engraving techniques but particularly in the field of interpretative engraving. He produced three large folios of engravings after the masters, several illustrations and several photographs of artists such as Corot and Manet as well as gathering a large collection of drawings and engravings (including 65 copper-plate engravings now in the Louvre and 188 numbered engravings). He died in Lille and its Palais des beaux-arts has several of his drawings and engravings, though others are to be found elsewhere in France, the USA and Mexico (Biblioteca Panizzi, San Fernando, Santa Fe).
Henri Fantin-Latour was a French painter and lithographer best known for his flower paintings and group portraits of Parisian artists and writers.
The Beaux-Arts de Paris, formally the École nationale supérieure des beaux-arts, is a French grande école whose primary mission is to provide high-level fine arts education and training. The art school, which is part of the Paris Sciences et Lettres University, is located on two sites: Saint-Germain-des-Prés in Paris, and Saint-Ouen.
Simon Vouet was a French painter who studied and rose to prominence in Italy before being summoned by Louis XIII to serve as Premier peintre du Roi in France. He and his studio of artists created religious and mythological paintings, portraits, frescoes, tapestries, and massive decorative schemes for the king and for wealthy patrons, including Richelieu. During this time, "Vouet was indisputably the leading artist in Paris," and was immensely influential in introducing the Italian Baroque style of painting to France. He was also, according to Pierre Rosenberg, "without doubt one of the outstanding seventeenth-century draughtsmen, equal to Annibale Carracci and Lanfranco."
François-Louis Français (1814–1897), usually known as Louis Français, was a French painter, lithographer and illustrator who became one of the most commercially successful landscape painters of the 19th century. A former pupil of Gigoux, he began his career by studying lithography and wood engraving, becoming a prolific illustrator and printmaker. His work as an illustrator is to be found in around forty books and numerous magazines from the late 1830s to the 1860s. Français also produced a large number of pen and ink drawings, enhanced by sepia, notable for their attention to detail and for their technical adroitness and conciseness.
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Adolphe Hervier, in full: Louis-Henri-Victor-Jules-François-Adolphe Hervier was a French painter and engraver, known for his rural genre scenes. Over his lifetime, his style changed from a strict Romanticism to an early type of Impressionism.
Abel Mignon was a French artist and engraver. He engraved postage stamps for France, its colonies and for Czechoslovakia, as well as posters and currency. He studied at the Paris Académie des Beaux-Arts and was a Legion of Honour awardee.
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