 | This article includes a list of references, related reading, or external links, but its sources remain unclear because it lacks inline citations .(November 2019) |
Amico Ricci Petrocchini, Petruccini or Petruchini (1794-1862) was an Italian art historian and marquess. He is most notable for his 1834 Memorie storiche delle arti e degli artisti della Marca di Ancona, the first systematic survey of art history in the Marche. He also composed a number of cantatas for viola (1862).
Born in Macerata to a noble family from that town, he was a knight of the Ordine Mauriziano and was made a member of Macerata's Accademia dei Catenati as recognition for his "dissertazioni". He died in Modena.
Count Leopoldo Cicognara was an Italian artist, art collector, art historian and bibliophile.
The Salimbeni Prize is awarded by the Fondazione Salimbeni per le Arti Figurative of San Severino Marche to honour excellence in the writing of art history on an Italian subject. The Premio Salimbeni was established in 1983.
The Accademia di Belle Arti di Bologna is a public tertiary academy of fine art in Bologna, in Emilia-Romagna in northern Italy. It has a campus in Cesena.
Giuseppe Ghezzi was an Italian painter of the Baroque period, active mainly in Rome.
Antonio Randa was an Italian painter of the classicist period, active in Ferrara, Modena, Rovigo, Florence, Comacchio and his native Bologna.
Vincenzo Pagani was an Italian painter of the Renaissance period.
Lorenzo d’Alessandro was an Italian painter and interpreter of late gothic style. He is known by different authorities and authors by different names, including:
Francesco Mancini was an Italian painter whose works are known between 1719 and 1756. He was the pupil of Carlo Cignani.
The Academy of Sciences of the Institute of Bologna is an academic society in Bologna, Italy, that was founded in 1690 and prospered in the Age of Enlightenment. Today it is closely associated with the University of Bologna.
Aliguccio Ciccarelli, also known as Ciccarello d'Aliguzio is an Italian painter of the 15th century, allegedly active in Loreto, Camerino, and Ancona. Little biographical details are known and his identity is difficult to assign with any certainty to any work. Corrado Ferretti cites a notes by Amico Ricci and Giuseppe Vogel who saw a contemporary document by the lawyer from Recanati, Ser Giacomo di Maestro Pietruccio, about a painter (1429) in the Basilica in Loreto.
Giovanni Domenico Ferracuti was an Italian painter, active in Macerata concentrating on landscapes, especially on wintry landscapes.
Pio Panfili was an Italian painter and engraver.
Camerino Cathedral is a Neoclassical Roman Catholic cathedral and minor basilica, dedicated to the Annunciation, in Camerino, Region of Marche, Italy. Since 1987 it has been the seat of the Archbishop of Camerino-San Severino Marche, having been the seat of the Archbishops of Camerino from 1787 and previously that of the Bishops of Camerino.
Pasquale Ciaramponi was an Italian painter active in the Marche region in a late-Baroque style.
Andrea Pasqualino Marini was an Italian painter active in the Marche region in a late-Baroque style.
Cipriano Divini was an Italian painter of the Baroque period.
Giangentile di Lorenzo was an Italian painter. Along with his two brothers, Antonio and Sanseverino, he learned his craft initially from his father the painter Lorenzo d'Alessandro of Sanseverino. In the town of Sanseverino, Ricci claims they likely came in contact with Pinturicchio. Antonio and Giangentile painted a Madonna and St Martin (1560) for the San Severino Cathedral; they also painted for the church of Santa Maria Assunta, Sarnano. Giangentile also painted a Madonna and Child for the church of the Madonna dei Lumi, San Severino Marche. He is said to have died on 19 December 1576.
Sforza Compagnoni was an Italian author and painter.
Gioacchino Di Marzo was an Italian art historian, librarian and Jesuit. He was librarian to the Comunale di Palermo as well as a historiographer and one of the founders of modern Sicilian art history.
