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A troubadour was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word troubadour is etymologically masculine, a female troubadour is usually called a trobairitz.
Peire Cardenal was a troubadour known for his satirical sirventes and his dislike of the clergy. Ninety-six pieces of his remain, a number rarely matched by other poets of the age.
The sirventes or serventes, sometimes translated as "service song", was a genre of Old Occitan lyric poetry practiced by the troubadours.
Guillem AugierNovella was a troubadour from Vienne in the Dauphinois who lived most of his adulthood in Lombardy and was active as a minstrel in the early or mid thirteenth century. According to his late thirteenth-century vida, "he composed good descartz and sirventes in the manner of jongleurs, in which he praised some and blamed others."
Guillem or Guilhem Figueira or Figera was a Languedocian jongleur and troubadour from Toulouse active at the court of the Emperor Frederick II in the 1230s. He was a close associate of both Aimery de Pégulhan and Guillem Augier Novella.
Na Gormonda de Monpeslier or Montpelher was a trobairitz from Montpellier in Languedoc. Her lone surviving work, a sirventes, has been called "the first French political poem by a woman."
Bonifaci, Bonifatz, or Bonifacio Calvo was a Genoese troubadour of the late thirteenth century. The only biographical account of his life is found in the vida of Bertolome Zorzi. He is, however, the most notable Genoese troubadour after Lanfranc Cigala. In total, nineteen of his poems and two descorts have survived.
Luchetto Gattilusio was a Genoese statesman, diplomat, and man of letters. As a Guelph he played an important role in wider Lombard politics and as a troubadour in the Occitan language he composed three poems descriptive of his times.
Peire Guillemde Tolosa was a 13th-century troubadour from Toulouse. Only one sirventes he wrote, a tenso with the contemporary Italian poet Sordello, survives.
Bertran d'Alamanon, also spelled de Lamanon or d'Alamano, was a Provençal knight and troubadour, and an official, diplomat, and ambassador of the court of the Count of Provence. Twenty-two of his works survive, mainly provocative tensos and sirventes, many dealing with Crusading themes.
Bernat or Bernart d'Auriac was a minor troubadour notable mainly for initiating a cycle of five short sirventes in the summer of 1285. According to a rubric of the chansonnier in which the cycle is preserved, Bernart was a mayestre de Bezers.
Folquet de Lunel was a troubadour from Lunel in the Languedoc. He left behind nine recorded lyric poems, including five cansos, two partimens, and two sirventes. He also wrote one longer work, the Romans de mondana vida. Folquet's birth date can be known precisely because he tells us in his Romans, written in 1284, that he was forty years old at the time.
Falquetde Romans was the most famous troubadour attached to the court of Frederick II, Holy Roman Emperor, where he garnered a high reputation despite the fact that his career began as a jongleur. His surviving work consists of fourteen or fifteen pieces: seven sirventes, three tensos, two or three cansos on courtly love, a salut d'amor of 254 lines, and a religious alba. His poetry is, in general, clear and elegant, and he was apparently very religious.
Bertran de Born, called lo Filhs, was a Limousin knight and troubadour. He wrote two sirventes and has three other works attributed to him. He participated in the wars of John Lackland in France.
A gab or gap is a troubadour boasting song. It is often considered related to the tenso and partimen, two types of debate poem. Sometimes the gab is not considered a separate genre of poetry but simply a boast found within another genre, commonly the sirventes.
Turc Malec was a minor troubadour and nobleman, probably from Quercy. He wrote the cobla esparsaEn Raimon, be.us tenc a grat, the first in a series of four poems, constituting a debate with Raimon de Durfort, and Arnaut Daniel. All three sirventes were written in monorhyming stanzas of nine lines, the first two of seven syllables and the last seven of eight, mirroring the structure of Turc's single one.
Guillem de Berguedà (c.1130–1195/6; fl.1138–1192), or Guilhem de Berguedan in Occitan, was a Catalan troubadour and viscount of Berguedà. He was the most prolific Catalan poet of the twelfth century, though he composed in Occitan, and thirty-one of his poems survive. Most are sirventes, "typically violent and obscene, reflecting his character and turbulent life," but there are a few cansos. Most of what is known about him derives from his vida and his songs.
Duran Sartor de Paernas or Duran Sartre de Carpentras was a Provençal troubadour from Pernes near Carpentras. The nickname sartor means "tailor". Two sirventes have been attributed to him, both reflect opposition to the royal crusade in Occitania: "Vil sirventes leugier e venassal" was written towards 1210, certainly before 1220, and "En talent ai qu'un sirventes encoc," which was written in 1242, during the Saintonge War. Although Duran criticises the crusade against alleged heretics, he encourages further efforts at crusading against Muslims.
Raimon de Castelnou was an Occitan writer and troubadour of the second half of the 13th century. He wrote five cansos and one treatise on Catholic doctrine and ethics. There is a sirventes attributed to him in some manuscripts, but its attribution is disputed.
References
- Bibliografia Elettronica dei Trovatori, v. 2.0. Retrieved 4 October 2011.