Amrita Sher-Gil Self-Portrait 7 (1930)

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Self-Portrait 7 is a self-portrait by Hungarian-Indian artist Amrita Sher-Gil, one of several of her self-portraits completed in 1930 in Paris. [1] It shows her as a "vivacious and jovial" character. [2] In the portrait, Sher-Guil's hair falls freely and she is wearing a dress that reveals her shoulders. [3] She appears leaning forward towards the viewer, and looks seductive. [2] It has been likened to Renoir's portrait of the Actress Jeanne Samary (1877), and Raja Ravi Varma's late 19th century painting, Lady Holding a Fruit. [2] It is one of her 19 known self-portraits created in Europe. [4]

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<i>South Indian Villagers going to Market</i> 1937 painting by Amrita Sher-Gil

South Indian Villagers going to Market is an oil on canvas painting by Hungarian-Indian artist Amrita Sher-Gil. It was painted at Sher-Gil's home, The Holme, Shimla, India, around October- November 1937, along with the two smaller compositions, The Story Teller and Siesta. It is one of her large compositions and one of her South Indian trilogy, along with Bride's Toilet and Brahmacharis. In 1937 it was displayed at her Lahore exhibition for a price of ₹1,500.

Woman on Charpoy is an oil on canvas painting depicting an Indian woman in red, lying on a charpoy with one leg bent. It was completed in 1940 by Hungarian-Indian artist Amrita Sher-Gil.

References

  1. Sundaram, p. 798
  2. 1 2 3 Shaw-Johnson, Amanda (2021). Why Now?: The Euro-U.S. Canon Adopts Tarsila do Amaral and Amrita Sher-Gil Almost 90 Years Later (Thesis). UC Davis.
  3. Dalmia, p.54
  4. Sundaram, pp. 412-413

Bibliography