Andreas Hofer | |
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Directed by | Hans Prechtl |
Written by | Hans Prechtl |
Produced by | Albert Lohner |
Starring | |
Cinematography | |
Music by | Björn Maseng |
Production company | Hofer-Film |
Distributed by | Union Film (Germany) |
Release date |
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Running time | 91 minutes |
Country | Germany |
Languages |
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Andreas Hofer is a 1929 German silent historical film directed by Hans Prechtl and starring Fritz Greiner, Maly Delschaft and Carl de Vogt. It is based on the story of the Tyrolean innkeeper and patriot Andreas Hofer who led an Austrian uprising against Bavarian and French troops during the Napoleonic Wars. [1]
Andreas Hofer was a Tyrolean innkeeper and drover, who in 1809 became the leader of the Tyrolean Rebellion against the revolutionary Napoleonic invasion during the War of the Fifth Coalition. He was subsequently captured and executed.
Carl de Vogt was a German film actor who starred in four of Fritz Lang's early films. He attended the acting school in Cologne, Germany. Together with acting he was also active as a singer and recorded several discs. His greatest hit was "Der Fremdenlegionär". An extremely successful actor in his early career, he died in relative obscurity in 1970.
Mariandl is a 1961 Austrian drama film directed by Werner Jacobs and starring Cornelia Froboess, Rudolf Prack and Waltraut Haas. It was followed by a sequel Mariandl's Homecoming in 1962. A girl living in a hotel aspires to a musical scholarship.
Mariandl's Homecoming is a 1962 Austrian musical drama film directed by Werner Jacobs and starring Cornelia Froboess, Rudolf Prack and Waltraut Haas. It is a sequel to the 1961 film Mariandl.
A Song Goes Round the World is a 1933 German drama film directed by Richard Oswald and starring Joseph Schmidt, Viktor de Kowa and Charlotte Ander. An English-language version of the film was made My Song Goes Round the World by British International Pictures, also directed by Richard Oswald. The film serves as a semi-biopic of Joseph Schmidt, who appears in it himself. A 1958 film of the same name was also a biopic of Schmidt, who was by then dead.
The Eleven Schill Officers is a 1926 German silent historical film directed by Rudolf Meinert and starring Meinert, Gustav Adolf Semler, Grete Reinwald, and Leopold von Ledebur. The film depicts the failed 1809 uprising of Prussian soldiers led by Ferdinand von Schill against the occupying French during the Napoleonic War. The film received poor reviews from critics, but earned enough at the box office to offset its production costs.
Number 17 is a 1928 German-British silent crime film directed by Géza von Bolváry and starring Guy Newall, Lien Deyers, and Carl de Vogt.
William Tell is a 1934 German-Swiss historical drama film directed by Heinz Paul and starring Hans Marr, Conrad Veidt and Emmy Göring. It is based on the 1804 play William Tell by Friedrich Schiller about the Swiss folk hero William Tell. It was made in Germany by Terra Film, with a separate English-language version supervised by Manning Haynes also being released. It was shot at the Marienfelde Studios of Terra Film in Berlin with location shooting in Switzerland. While working on the film Veidt, who had recently given sympathetic performances of Jews in Jew Suss (1934) and The Wandering Jew, was detained by the authorities. It was only after pressure from the British Foreign Office that he was eventually released. It is also known by the alternative title The Legend of William Tell.
Martha Amalia "Maly" Delschaft was a German stage and film actress. After beginning in theatre, Delschaft switched to silent films. She appeared in mainly supporting roles during the Weimar and Nazi eras. After the Second World War she worked in East Germany for the state-controlled studio DEFA.
Nathan the Wise is a 1922 German silent historical film directed by Manfred Noa and starring Fritz Greiner, Carl de Vogt and Lia Eibenschütz. It is based on the 1779 play Nathan the Wise by Gotthold Ephraim Lessing. It was made by Bavaria Film at the Emelka Studios. The film provoked protests in Munich from far-right groups who felt it was too pro-Jewish.
The Last Horse Carriage in Berlin is a 1926 German silent comedy drama film directed by Carl Boese and starring Lupu Pick, Hedwig Wangel, and Maly Delschaft. The film's art direction was by Franz Schroedter. The film premiered in Berlin on 18 March 1926.
The Man Without Sleep is a 1926 German silent film directed by Carl Boese and starring Harry Liedtke, Maly Delschaft, and Fritz Kampers. It premiered in Berlin on 12 February 1926. The film's art direction was by Julius von Borsody.
The Private Life of Louis XIV or Liselotte of the Palatinate is a 1935 German historical film directed by Carl Froelich and starring Renate Müller, Eugen Klöpfer and Maria Krahn. It was shot at the Tempelhof Studios in Berlin and premiered at the city's UFA-Palast am Zoo. The sets were designed by the art directors Walter Haag and Franz Schroedter. The film's English language release title is a reference to the hit British film The Private Life of Henry VIII (1933).
Three Waiting Maids is a 1925 German silent comedy film directed by Carl Boese and starring Hanni Weisse, Maly Delschaft, and Bruno Kastner. It was remade in 1932 as Mrs. Lehmann's Daughters and the 1933 Swedish film Marriageable Daughters.
Duty Is Duty is a 1931 German comedy film directed by Carl Boese and starring Fritz Spira, Ralph Arthur Roberts, and Maly Delschaft.
The Curse of Vererbung is a 1927 German silent film directed by Adolf Trotz and starring Marcella Albani, Maly Delschaft and Carl de Vogt.
Caught in Berlin's Underworld is a 1927 German silent drama film directed by Martin Berger and starring Fritz Kortner, Maly Delschaft and Hans Stüwe.
Linden Lady on the Rhine is a 1927 German silent film directed by Rolf Randolf and starring Maly Delschaft, Carl de Vogt and Alfred Solm.
Master and Mistress is a 1928 German silent film directed by Alfred Theodor Mann and starring Hans Albers, Maly Delschaft and Carl de Vogt.
The Fate of the House of Habsburg is a 1928 German silent drama film directed by Rolf Raffé and starring Fritz Spira, Alfons Fryland, and Leni Riefenstahl. It is based on the Mayerling incident of 1889, wherein a Crown Prince of Austria killed his mistress and himself.