An opera house is a theatre building used for opera performances that consists of a stage, an orchestra pit, audience seating, and backstage facilities for costumes and set building.
The Shanghai Grand Theatre is one of the largest and best-equipped automatic stages in the world. Since the theatre opened on August 27, 1998, it has staged over 6,000 performances of operas, musicals, ballets, symphonies, chamber music concerts, spoken dramas and various Chinese operas. The site is located at the intersection of Central Boulevard and Huangpi Road South in the northern part of the People's Square in Huangpu District, Shanghai. It is the home of the Shanghai Opera House Company; however, the title "Shanghai Opera House" officially applies to only the performing company and not to the building. The Shanghai Grand Theatre is also the resident for other performing companies.
The Opéra Bastille is a modern opera house in Paris, France. Inaugurated in 1989 as part of President François Mitterrand’s “Grands Travaux”, it became the main facility of the Paris National Opera, France's principal opera company, alongside the older Palais Garnier; most opera performances are shown at the Bastille along with some ballet performances and symphony concerts, while Palais Garnier presents a mix of opera and ballet performances.
The Opéra-Comique is a Parisian opera company, which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with, and for a time took the name of its chief rival the Comédie-Italienne at the Hôtel de Bourgogne, and was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart, is located in Place Boïeldieu, in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France, and to French opera. Its current mission is to reconnect with its history, and discover its unique repertoire, to ensure production and dissemination of operas for the wider public. Mainstays of the repertory at the Opéra-Comique during its history have included the following works which have each been performed more than 1,000 times by the company: Cavalleria Rusticana, Le chalet, La dame blanche, Le domino noir, La fille du régiment, Lakmé, Manon, Mignon, Les noces de Jeannette, Le pré aux clercs, Tosca, La bohème, Werther and Carmen, the last having been performed more than 2,500 times.
The Denver Performing Arts Complex located in Denver, Colorado, is one of the largest performing arts centers in the United States. The DPAC is a four-block, 12-acre (49,000 m2) site containing ten performance spaces with over 10,000 seats connected by an 80 ft (24 m) tall glass roof. It is home to a theatre company, Broadway touring productions, contemporary dance and ballet, chorales, a symphony orchestra, opera and more.
The Ellie Caulkins Opera House, which opened on September 10, 2005, is located in Denver, Colorado as part of the large Denver Performing Arts Complex. It seats 2,225. The Caulkins family pledged $7 million towards the enhancement of the lyric opera house and adjacent public spaces which were constructed inside of the Newton Auditorium.
L’Opéra de Marseille, known today as the Opéra Municipal, is an opera company located in Marseille, France. In 1685, the city was the second in France after Bordeaux to have an opera house which was erected on a tennis court.
The Crescent Theatre is a non-professional theatre run mostly by volunteers, in Sheepcote Street, Brindleyplace, in Birmingham, England.
The Municipal Theatre of Ho Chi Minh City, also known as Saigon Municipal Opera House, is an opera house in Ho Chi Minh City, Vietnam. It is an example of French Colonial architecture in Vietnam.
The Théâtre du Capitole de Toulouse is an opera house located within the main administration buildings, the Capitole, of the city of Toulouse in south-west France. It houses an opera company, ballet company and symphony orchestra, Orchestre national du Capitole de Toulouse.
The Théâtre Graslin is a theatre and opera house in the city of Nantes in France. Created in a new district of the city in the late 18th Century by the local architect Mathurin Crucy and named after the owner of the land, Jean-Louis Graslin. Built in the Italian style, the auditorium holds 823 people.
The Orchestre national des Pays de la Loire (ONPL) is a French symphony orchestra based in Angers and Nantes. The orchestra receives support from the Regional Council of the Pays de la Loire, the French Ministry of Culture, the municipalities of Nantes and of Angers, and the General Councils of Loire-Atlantique, Maine-et-Loire, and La Vendée.
The Grand Théâtre de Luxembourg, inaugurated in 1964 as the Théâtre Municipal de la Ville de Luxembourg is the city's major venue for drama, opera and ballet. It underwent renovation work in 2002–2003 resulting in substantial improvements to the stage technology, acoustics and lighting facilities.
Brandon Jovanovich is an American operatic tenor whose repertoire encompasses Wagner, Puccini, Strauss, Britten, and from early Baroque to world premiere operas. He is most known for his passionate portrayals of Slavic, French and German operas. His signature roles include Don José in Bizet's Carmen, B. F. Pinkerton in Puccini's Madama Butterfly, Cavaradossi in Puccini's Tosca, and the title role in Wagner's Lohengrin.
Delphine Galou is a French contralto. She was born in Paris, and studied philosophy at the Sorbonne while also studying piano and singing. She was the "Discovery of the Year" of the French Association for the Promotion of Young Artists in 2004.
Éric Huchet is a French contemporary lyric tenor.
Bruno Comparetti is a contemporary Franco-Sicilian tenor. He studied singing in Barcelona with the Spanish tenor Edouardo Gimenez who taught him the art of bel canto as well as the singing technique inherited from his friend and teacher, Spanish tenor Alfredo Kraus.
