| Annie Award for Animated Effects in an Animated Television/Broadcast Production | |
|---|---|
| Awarded for | Excellence in animated effects |
| Country | United States |
| Presented by | ASIFA-Hollywood |
| First awarded | 2018 |
| Currently held by | Thomas Decaens, Karl Burtin, Laurent Bretonniere – Blue Eye Samurai (2023) |
| Website | annieawards |
The Annie Award for Animated Effects in an Animated Television/Broadcast Production is an Annie Award given annually to the best animated effects in television or broadcast productions. It was first presented at the 46th Annie Awards.
| Year | Program | Episode(s) | Recipient(s) | Network/Company |
|---|---|---|---|---|
| 2018 (46th) [1] [2] | ||||
| Trollhunters: Tales of Arcadia | "The Eternal Knight Pt. 2" | David M.V. Jones (Visual Effects Supervisor); Vincent Chou (Overseas FX Supervisor); Clare Yang (Overseas Lead FX Artist) | Netflix | |
| DreamWorks Theatre Presents Kung Fu Panda | Zach Glynn, Shyh-Chyuan Huang, Michael Losure, K.C. Ong, Alex Timchenko (FX Artists) | DreamWorks Animation | ||
| Rise of the Teenage Mutant Ninja Turtles | Jeffrey Lai (FX Animator) | Nickelodeon | ||
| SuperMansion | "Debbie Does Debizo" | Mike Spitzmiller (VFX Supervisor); Steve Gallant (VFX Lead Artist); Iain Collins, Daniel Craven, Lynda Rollins (VFX Artists) | Crackle | |
| Watership Down | "The Journey" | Philip Child (VFX Supervisor); Nilesh Sardesai (CG Supervisor) | Netflix | |
| 2019 (47th) [3] [4] | ||||
| Love, Death & Robots | "The Secret War" | Viktor Németh, Szabolcs Illés, Ádám Sipos, Vladimir Zhovna (FX Artists) | Netflix | |
| How to Train Your Dragon: Homecoming | Manuel Reyes Halaby (VFX Supervisor); Cristiana Covone, Koya Masubuchi, Jean Claude Nouchy (FX Artists); Dustin Henning (Compositing Lead) | NBC | ||
| My Moon | Stéphane Coëdel (Compositing Director); Natan Moura (Animation Director) | Eusong Lee / Chromosphere | ||
| Star Wars: Galaxy of Adventures | "Stormtroopers vs. Rebels – Soldiers of the Galactic Empire" | Araiza Tokumasu Naoki (FX Animator) | Lucasfilm / Titmouse, Inc. | |
| 3Below: Tales of Arcadia | "A Glorious End Part 1" | Greg Lev, Igor Lodeiro (Visual Effects Supervisors); Chen Ling (Overseas FX Supervisor); Brandon Tyra (Compositing Supervisor) | Netflix | |
| Year | Program | Episode(s) | Recipient(s) | Network/Company |
|---|---|---|---|---|
| 2020 (48th) [5] [6] | ||||
| Jurassic World Camp Cretaceous | "Welcome to Jurassic World" | Emad Khalili, Ivan Wang, Chris Wombold, Kyle Goertz, Kathy D. Tran | Netflix | |
| Lamp Life | Greg Gladstone, Keith Daniel Klohn, Matthew Wong | Disney+ | ||
| Fast & Furious Spy Racers | "Sirocco Fire" | Chris Browne, Russell Richardson, Ardy Ala, Reggie Fourmyle, Brandon Webb | Netflix | |
| Wizards: Tales of Arcadia | "Killahead, Part Two" | Greg Lev, Igor Lodeiro, Brandon Tyra, Cui Wei, Ma Xiao | ||
| Transformers: War for Cybertron Trilogy | "Chapter 1: Siege" | Masanori Sakakibara | ||
| 2021 (49th) [7] [8] | ||||
| Arcane | "Oil and Water" | Guillaume Degroote, Aurélien Ressencourt, Martin Touzé, Frédéric Macé, Jérôme Dupré | Netflix | |
| Castlevania | "The Endings" | Tam Lu, Adam Deats, Sam Deats | Netflix | |
| Maya and the Three | "The Sun and the Moon" | Alexander Feigin, Graham Wiebe, Pradeep Mynam, Michael Sun, Sergen Eren | ||
| Shaun The Sheep: The Flight Before Christmas | Jim Lewis | |||
| Trollhunters: Rise of the Titans | Greg Lev, Brandon Tyra, Prakash Dcunha, Vincent Chou, Chen Ling | |||
| 2022 (50th) [9] | ||||
| Love Death + Robots | "Bad Traveling" | Kirby Miller, Igor Zanic, Joseph H. Coleman, Steven Dupuy, Josh Schwartz | Netflix | |
| Cars on the Road | "Road Rumblers" | Christopher Foreman, Elana Lederman, John Lockwood, Jae Jun Yi, Justin Ritter | Disney+ | |
| The House | Germán Díez, Álvaro Alonso Lomba, Hugo Vieites Caamaño | Netflix | ||
| Prehistoric Planet | "Coasts" | MPC | Apple TV+ | |
| The Boy, the Mole, the Fox and the Horse | Peter Baynton, Raymond Pang, Martial Coulon | |||
| 2023 (51st) [10] [11] | ||||
| Blue Eye Samurai | "All Evil Dreams and Angry Words" | Thomas Decaens, Karl Burtin, and Laurent Bretonniere | Netflix | |
| The Bad Guys: A Very Bad Holiday | Sateesh Malla, Russell Richardson Jr., Akash Gopal, Basavaraj P, and Kevin Rumold | Netflix | ||
| Kizazi Moto: Generation Fire | "Moremi" | Matthew Dunwoody, Dmitry Sarkisov, Podchasha Yuri Anatolyevich, Richard Bothma, and Emile Van Straaten | Disney+ | |
| Star Wars: Visions | "Sith" | Jonatan Catalán, Alberto Sánchez, Phoebe Arjona, Virginia Cantaro, and Rubén Hinarejos | ||
| What If...? | "What If... Kahhori Reshaped the World?" | Ryan Barringer, Rajkumar Gurudu, Bipin Kumar Patra, and Pranil Ravindra Mahajan | ||
The Annie Award for Best General Audience Animated Television Broadcast Production is an Annie Award, awarded annually to the best adult animated television/broadcasting productions.
The Annie Award for Best Animated Short Subject is an Annie Award given annually to the best animated short film.
The Annie Award for Best Animated Television Production for Children is an Annie Award, awarded annually to the best animated television/broadcasting productions for children audiences. It was first given at the 31st Annie Awards.
The Annie Award for Best Animated Feature – Independent is an Annie Award introduced in 2015, awarded annually.
The Annie Award for Best Animated Special Production is an Annie Award, given annually to a non-theatrical animated production since 2011.
The Annie Award for Character Design in an Animated Feature Production is an Annie Award awarded annually to the best character designer and introduced in 2002. It rewards the design and look of characters for animated feature films.
The Annie Award for Storyboard in an Animated Feature Production is an Annie Award awarded annually to the best storyboard artist and introduced in 1995. It rewards animation of characters for animated feature films.
The Annie Award for Best Animated Television Production for Preschool is an Annie Award, awarded annually to the best animated television/broadcasting productions for preschool audiences.
The Annie Award for Best Student Film is an Annie Award given annually to the best animated films by students, the category was first presented at the 40th Annie Awards.
The Annie Award for Editorial in a Feature Production is an Annie Award given annually to recognize the excellence by the work of editors and editing teams in animated feature films. It was first presented at the 40th Annie Awards.
The Annie Award for Character Animation in a Live Action Production is an Annie Award given annually to the best character animation for live action productions, including feature films and television series. It was first presented at the 38th Annie Awards.
The Annie Award for Animated Effects in an Animated Production is an Annie Award given annually to the best animated effects in animation feature productions. It was first presented at the 25th Annie Awards.
The Annie Award for Directing in an Animated Television/Broadcast Production is an Annie Award given annually to the best animated direction in animated television or broadcast productions. Directing for television productions was first recognized at the 24th Annie Awards alongside feature film in the Best Achievement in Directing, though the next year a separate category would be created resulting in two directing categories, one for television/broadcasting productions and another for animated feature films.
The Annie Award for Writing in a Television/Broadcasting Production is an Annie Award given annually to the best writing in animated television or broadcasting productions. From 1995 to 1996, both films and television productions were included in the Best Individual Achievement for Writing in the Field of Animation award. A separate category for writing in animated television/broadcasting productions was created at the 26th Annie Awards.
The Annie Award for Music in an Animated Television/Broadcasting Production is an Annie Award given annually to the best music composed for animated television or broadcasting productions. It was first given at the 25th Annie Awards, initially the category included both scores and songs from television productions.
The Annie Award for Character Animation in an Animated Television/Broadcast Production is an Annie Award given annually to the best character animation for television or broadcasting productions. It was first presented at the 34th Annie Awards.
The Annie Award for Production Design in an Animated Television/Broadcast Production is an Annie Award given annually to the best production design in animated television or broadcasting productions. Prior to the creation of the category in 1997, television productions competed alongside feature films in the Best Individual Achievement for Artistic Excellence in the Field of Animation award, presented in 1994, later renamed Best Individual Achievement for Production Design in the Field of Animation to for 1995 and 1996.
The Annie Award for Storyboarding in an Animated Television/Broadcast Production is an Annie Award given annually to the best storyboarding in animated television or broadcasting productions. It was first presented at the 25th Annie Awards.
The Annie Award for Character Animation in a Video Game is an Annie Award given annually to the best character animation in video games. It was first presented at the 42nd Annie Awards.
The Annie Award for Editorial in an Animated Television/Broadcast Production is an Annie Award given annually to the best editing in a television, or broadcast productions. It was first presented at the 39th Annie Awards with the name Best Editing in a Television Production, the name was changed to its current name the following year.