Borgosatollo is a comune in the province of Brescia, in Lombardy, Italy. It is bounded by other communes of Brescia, Castenedolo, Montirone, Poncarale and San Zeno Naviglio, and situated directly south of Brescia, in the plain.
Borgosatollo's area include also two frazioni, Gerole and Piffione.
Collebeato is a town and comune in the province of Brescia, in Lombardy, Italy. It is located on the right bank of the river Mella, 5 kilometres (3.1 mi) north of Brescia.
Gasparo da Salò is the name given to Gasparo Bertolotti, one of the earliest violin makers and an expert double bass player. Around 80 of his instruments are known to have survived to the present day: violins, alto and tenor violas, viols, violones and double basses, violas designed with only a pair of corners, and ceteras.
The Republic of Brescia was a temporary French client republic in Italy. Established March 18, 1797, in the wake of the French occupation of Brescia and Bergamo, it became part of the Cisalpine Republic November 20, 1797.
Paris Francesco Alghisi was an Italian organist and composer. He was born in and died in Brescia.
Joan Maria da Bressa was a Brescian lyre maker active in Venice in the first decades of the 16th century. One of the best lyres in the world made by him, with a very fine decorated and gilt head (palette) dated around 1525 by David Boyden, but more probably of the middle of the century, is now in the Ashmolean Museum in Oxford. Some scholars claim that he was the father of Giovan Giacomo Dalla Corna. A Zuanmaria de Antonio Bressan dai violini is found in some venetian documents dating from 1562 to 1601 testifying his work also like a maker of violini, lire e lironi. Another man with similar name is Joan Maria Dalla Corna, father of Jo Jacobo Dalla Corna, a brescian maker born around 1484.
Giovan Giacomo Dalla Corna was an Italian violin maker. He was one of the first in what is now known as the "Brescian school". He appears in Brescian tax documents for 1524, 1534 and 1548 as a merchant, in addition to being a violin and lute maker. He is mentioned in the music treatise Scintille di Musica, edited in Brescia in 1533 by Giovan Maria Lanfranco, who says "Luths, Violones, Lyras and similar, very clear and resonant are constructed by the two Brescians Giovan Giacobo dalla Corna and Zanetto Micheli". Some scholars believe that he was the son of Joan Maria da Bressa, who was an active instrument maker in the early decades of 1500 in Venice.
Zanetto Micheli was the first representative of the oldest known family of string instrument makers from the famous Renaissance Brescian school of strings and violin making, from which many very clear archive documents but some perhaps 20 original instruments seems to survive. Micheli was born in the Italian village of Montichiari, and later moved to the nearby town of Brescia. The birth date is deduced from a document of 1550 in which Zanetto declared to be over 60 years old. The oldest record of Micheli is in the 1527 Custodie notturne with the designation "Ioannettus de li violettis", but without the being described as a "sonator" (player) of that instrument as is in other instances of the documents. Other documents testify to his long and successful career as a "magister" (master) of string instruments. In 1533, he was quoted by Giovanni Maria Lanfranco in his musical and organological treatise Scintille di Musica edited in Brescia in 1533. In 1537 a notarial act is written that Zanetto has to make a consort 5 viols with alla the accessories like the bows and a good varnishing. In almost all the many documents on his activity the string instruments are predominant, and that the customers of the maker are the most distinguish nobles of Brescia. And more, in the archive documents Zanetto is called "master of violins" like all the other Brescian makers starting surely from 1558. But we have to remember that the word violin appear in Brescia in 1530 and 20 years later il all part of Italy and Europe. Some very rare and good instruments created by Micheli survive in museums and private collections around the world. Some were exhibited at the Maggini exposition in Brescia 2007.
Pellegrino Micheli da Montechiaro is one of the most important figures in the early history of the violin. He was one of the first makers of the Brescian school and a contemporary of Gasparo da Salò.
Gasparo Cairano, also known as Gasparo da Cairano, de Cayrano, da Milano, Coirano, and other variations, was an Italian sculptor of the Renaissance.
Brescia is a city and comune in the region of Lombardy, Northern Italy. It is situated at the foot of the Alps, a few kilometers from the lakes Garda and Iseo. With a population of more than 200,000, it is the second largest city in the administrative region and the fourth largest in northwest Italy. The urban area of Brescia extends beyond the administrative city limits and has a population of 672,822, while over 1.5 million people live in its metropolitan area. The city is the administrative capital of the Province of Brescia, one of the largest in Italy, with over 1,200,000 inhabitants.
Ugo Orlandi is a musicologist, a specialist in the history of music, a university professor and internationally renowned mandolinist virtuoso. Among worldwide musicians, professional classical musicians are a small group; among them is an even smaller group of classical mandolinists. Among members of this group, Ugo Orlandi is considered "distinguished." Music historian Paul Sparks called him "a leading figure in the rehabilitation of the eighteenth-century mandolin repertoire, having recorded many concertos from this period."
Salomé is an oil painting on canvas, by Moretto da Brescia, executed c. 1540. It is kept in the collection of the Pinacoteca Tosio Martinengo in Brescia.
Bernardino delle Croci was an Italian goldsmith and sculptor of the Brescian Renaissance. He was the founder of the Delle Croci family of important goldsmiths and sculptors, known for their specialism in processional crosses, reliquaries and altars.
The Caprioli Adoration is an Italian Renaissance sculpture, a relief in marble by Gasparo Cairano, dated between 1495 and 1500, placed in the Church of St Francis of Assisi in Brescia as a frontal for the high altar.
The Basilica of San Pietro de Dom was a church in Brescia built in the early Christian era on the east side of the Piazza del Duomo. After numerous mishaps, it was demolished at the beginning of the seventeenth century to build the New Cathedral.
Christ in Glory with Saint Peter and Saint Paul is an oil on canvas painting by Moretto da Brescia, executed c. 1540, displayed on the altar dedicated to St Peter in the abbey church of San Nicola in Rodengo-Saiano, where it has been since its production. It shows Christ handing the keys of the kingdom to Saint Peter and the book of doctrine to Paul of Tarsus. It was probably commissioned by one or more of the Olivetan monks of the church, probably by Tommaso da Gussago, as referred to by Luigi Fé d'Ostiani in 1886 on the basis of an unidentified document.
The Dead Christ Adored by Saint Jerome and Saint Dorothy or Saint Jerome and Saint Dorothy Adoring Christ in the Tomb is a 1520-1521 tempera verniciata on canvas painting by Moretto da Brescia. It is on show above the left-hand side door to the church of Santa Maria in Calchera in Brescia, though it is not thought to have originally been produced for that church as neither Jerome nor Dorothy had an active cult in that parish and they rarely appear in art together.
Massacre of the Innocents is an oil painting by Moretto da Brescia, executed in 1531–1532, originally painted on panel but later transferred to canvas. It is on display on a side altar in San Giovanni Evangelista church in Brescia.
The Monumental Cemetery of Brescia is one of the first and most ancient monumental cemetery in Italy. It was the first construction project by the Neoclassical architect Rodolfo Vantini, who started its erection in 1813 and dedicated his whole life to its creation.
