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Demetrius II, also known as Demetrius "Aetolicus", was king of the Ancient Greek kingdom of Macedonia from 239 until his death in 229 BC.
Antiochus I Soter was a Greek king of the Seleucid Empire. Antiochus succeeded his father Seleucus I Nicator in 281 BC and reigned during a period of instability which he mostly overcame until his death on 2 June 261 BC. He is the last known ruler to be attributed the ancient Mesopotamian title King of the Universe.
Antiochus II Theos was a Greek king of the Hellenistic Seleucid Empire who reigned from 261 to 246 BC. He succeeded his father Antiochus I Soter in the winter of 262–61 BC. He was the younger son of Antiochus I and princess Stratonice, the daughter of Demetrius Poliorcetes.
Seleucus II Callinicus Pogon, was a ruler of the Hellenistic Seleucid Empire, who reigned from 246 BC to 225 BC. Faced with multiple enemies on various fronts, and not always successful militarily, his reign was a time of great turmoil and fragmentation for the Seleucid empire, before its eventual restoration under his second son and eventual successor, Antiochus III.
Eumenes II Soter was a ruler of Pergamon, and a son of Attalus I Soter and queen Apollonis and a member of the Attalid dynasty of Pergamon.
Stratonice or Stratonica of Syria was Queen of the Seleucid Empire from 300 BC until 294 BC and from 281 BC until 261 BC.
Stratonice is a one-act opéra comique by Étienne Méhul to a libretto by François-Benoît Hoffman, first performed at the Théâtre Favart in Paris, on 3 May 1792. The plot is taken from De Dea Syria concerning an incident from the history of the Seleucid dynasty which ruled much of the Middle East during the Hellenistic era of the ancient world.
Erasistratus Discovering the Cause of Antiochus' Disease is a 1774 oil painting by French neoclassical artist Jacques-Louis David. The work is a history painting depicting an episode from Plutarch's Lives in which Greek court physician Erasistratus diagnoses the illness of Antiochus, the son of Seleucus I, as lovesickness for his stepmother Stratonice. The painting was awarded the 1774 Prix de Rome by the Académie royale de peinture et de sculpture.
The Sickness of Antiochus or Stratonice and Antiochus is an 1840 painting by the French artist Jean-Auguste-Dominique Ingres. It is now in the Musée Condé in Chantilly.
The Imperial Captives is a 1720 tragedy by the British writer John Mottley.
Busiris, King of Egypt is a 1719 tragedy by the British writer Edward Young. It is set in Ancient Egypt during the reign of Busiris. It was considered a success, enjoying a good run and was subsequently published by Jacob Tonson. The work was dedicated to the Duke of Newcastle who as Lord Chamberlain oversaw the theatres.
The Revenge is a 1721 tragedy by the British writer Edward Young, set in 16th-century Spain. Although initially it did not enjoy the same success as his previous play Busiris, King of Egypt, it later became a much-revived work during the eighteenth century particularly popular because of the Othello-like role of the Moorish character Zanga. John Philip Kemble revived the work briefly in 1798 before Edmund Kean in 1815 did so with great success and it became part of his repertoire.
King Charles I is a 1737 tragedy by the British writer William Havard. Written as an imitation of the style of Shakespeare's history plays, it focuses on the imprisonment of Charles I following his defeat in the Civil War and execution by the English Republic. It was a major success and anticipated later works by portraying Charles as a devoted family man who is undone by the scheming of Oliver Cromwell and his allies.
The Christian Hero is a 1735 tragedy by the British writer George Lillo. It is based on the life of Skanderbeg who led a rebellion against the Ottoman Empire in the fifteenth century. Two years earlier William Havard had written Scanderbeg, another work based on his life.
Sophonisba is a 1730 tragedy by the British writer James Thomson. It is based on the story of the Carthaginian noblewoman Sophonisba who committed suicide rather than be paraded in a Roman triumph at the end of the Second Punic War. The story has been made into a number of plays including Nathaniel Lee's restoration tragedy Sophonisba and Voltaire's later Sophonisbe.
Orestes is a 1731 tragedy with musical elements by the British writer Lewis Theobald, based on the Ancient Greek story of Orestes.
The Mother-in-Law is a 1734 comedy play by the British writer James Miller. Also known by the longer title The Mother-in-Law, or the Doctor the Disease it debuted at the Haymarket Theatre in London.
Antiochus the Great is a 1701 tragedy by the English writer Jane Wiseman. It is also known by the longer title of Antiochus the Great, or, The Fatal Relapse. It is based on the life of Antiochus the Great, the Greek ruler of Ancient Syria.
The Triumphs of Love and Honour is a 1731 tragedy by the British writer Thomas Cooke.
The Non-Juror is a 1717 comedy play by the British writer Colley Cibber. It is inspired by Molière's 1664 work Tartuffe.
References
- ↑ Burling p.90
