Anton Giuseppe Barbazza (c. 1720- died after 1771) was an Italian painter and engraver of the Baroque period. He was born in Rome, moved to Bologna, and in 1771 moved to Spain. In Rome, he had engraved the prints for Francesco Bianchini's L'istoria universale provata coi monumenti, published first in 1697 and reissued in 1747.
Giovanni Balducci, called Il Cosci after his maternal uncle, was an Italian mannerist painter.
Mario Balassi (1604–1667) was an Italian painter of the Baroque period, active in Florence and Rome.
Andrea dell'Asta was an Italian painter of the late-baroque period.
Giovanni Biliverti was an Italian painter of the late-Mannerism and early-Baroque period, active mainly in his adoptive city of Florence, as well as Rome.
Durante Alberti was an Italian painter of the late-Renaissance period.
Ambrogio Besozzi or Giovanni Ambrogio Besozzi (1648–1706) was an Italian painter of the Baroque period.
Pietro Aquila was an Italian painter and printmaker of the Baroque period. He was born in Palermo. He mentored his nephew, the printmaker Francesco Faraone Aquila.
Marcantonio Bellavia was a Sicilian painter and etcher active in Sicily and Rome. He moved to Rome to work under Pietro da Cortona in ca. 1668. Several of his works were later erroneously attributed to Carracci.
Valerio Belli, also known as Valerio Vicentino, was a celebrated medallist, gem engraver, goldsmith, who with Giovanni Bernardi, who was twenty years younger, was the leading specialist in intaglios engraved in rock crystal, a difficult luxury form which Belli pioneered. These were highly sought after by wealthy Italian collectors. Though described as being "engraved", the intaglios are cut by drills, sometimes quite deeply, and developed their style from classical coins and engraved gems, to give "smoothly and eloquently orchestrated figural compositions". Castings of many of the crystal carvings were taken in wax and them used to make metal plaquettes, which Belli also designed and made de novo. He was described as a goldsmith, though no surviving works are known, and had some role at the Papal mint, though no coins are clearly attributable to him.
Cavaliere Giacinto Bellini was an Italian painter active in the Baroque period.
Giovanni Maria Bottala (1613–1644) was an Italian painter active in the Baroque period.
Giuseppe Bottani was an Italian painter active in the Baroque period.
Antonio Barberi was an Italian engraver. He published a print of Plattemontagne's canvas formerly in the cathedral of Notre-Dame de Paris and now in the Louvre depicting Saints Paul and Silas liberated from prison, and also a large-scale map of the 14 rioni of Rome.
Jacopo Bertucci was an Italian painter of the Renaissance period. He is also known as Jacopone da Faenza. He was born in Faenza, and worked under Raphael in Rome. One of his pupils was Taddeo Zuccari. He was active c. 1530 and painted in the manner of Raphael. He painted for the church of San Vitale at Ravenna. He died at the age of 20.
Guido Ubaldo Abbatini (1600–1656) was an Italian painter of the Baroque period, active mainly in Rome and Usigni.
Giuseppe Cades was an Italian sculptor, painter, and engraver.
Martino Rota, also Martin Rota and Martin Rota Kolunić was an artist, now mainly known for his printmaking, from Dalmatia.
Alessandro Capriolo was an Italian engraver and printer.
Louis-Joseph Le Lorrain was a French painter and engraver.
Pasquale Cati was an Italian Mannerist painter active mostly in Rome.