Antonio Dusi was an Italian painter of the Baroque period, mainly active in Brescia. He was initially a pupil of Antonio Paglia. One of his pupils was Santo Cattaneo.
Antonio Dusi was an Italian painter of the Baroque period, mainly active in Brescia. He was initially a pupil of Antonio Paglia. One of his pupils was Santo Cattaneo.
Collebeato is a town and comune in the province of Brescia, in Lombardy, Italy. It is located on the right bank of the river Mella, 5 kilometres (3.1 mi) north of Brescia.
Antonio Bazzini was an Italian violinist, composer and teacher. As a composer his most enduring work is his chamber music which has earned him a central place in the Italian instrumental renaissance of the 19th century. However, his success as a composer was overshadowed by his reputation as one of the finest concert violinists of the nineteenth century. He also contributed to a portion of Messa per Rossini, specifically the first section of II. Sequentia, Dies Irae.
Antonio Balestra was an Italian painter of the Rococo period.
Lattanzio Gambara was an Italian painter, active in Renaissance and Mannerist styles. It is likely that Gambara is the same 16th century painter referred to as Lattanzio Cremonese or Lattanzio da Cremona.
Antonio Zanchi was an Italian painter of the Baroque, active mainly in Venice, but his prolific works can also be seen in Padova, Treviso, Rovigo, Verona, Vicenza, Loreto, Brescia, Milano, and Bergamo, as well as Bavaria.
Giovanni Antonio Capello was an Italian painter of the late-Baroque period, active mainly in Brescia.
Angelo Trevisani was an Italian painter of the late-Baroque, active mainly in Venice.
Giacinto Garofalini (1661–1723) was an Italian painter of the Baroque period, active mainly in Bologna. He was initially a pupil of Donato Creti, then a pupil of the painter Marcantonio Franceschini. Also called Garofolini by Luigi Lanzi. He was an professor at the Accademia Clementina, where he taught figure painting.
Antonio Gandini was an Italian painter of the late-Renaissance period. He was a pupil of the painter Paolo Veronese. In Brescia, his pupils were Ottavio Amigoni, Francesco Barbieri, and Ambrogio Besozzi. He worked alongside Giacomo Barucco. Gandini's son, Bernardino, was also a painter.
Pompeo Ghitti was an Italian painter of the Baroque period, active mainly in and in towns surrounding Brescia.
Giacomo Barucco was an Italian painter, active in a Mannerist style.
Lodovico Gallina was an Italian painter of the Baroque period, mainly active in Brescia. Born to poor parents in Brescia, he was initially a pupil of Antonio Dusi. Under the patronage of Luigi Chizzola and Faustino Lechi, he was sent to be instructed in the Accademia di Belle Arti in Venice.
Francesco Paglia was an Italian painter of the late-Baroque period, mainly active in Brescia.
Faustino Raineri was an Italian painter, mainly a landscape painter of the Baroque period, mainly active in Brescia.
Tomasso Sandrino (1575–1631) was an Italian painter of quadratura in Northern Italy, active in his native Brescia.
Ferdinando del Cairo (1666–1748) was an Italian painter of the Baroque period, active in Northern Italy.
Antonio Aldo Caracciolo is an Italian professional footballer who plays as a defender for Serie B club Pisa.
Sante Cattaneo or Santo Cattaneo was an Italian painter of the Neoclassic period, mainly active in Brescia.
Giovanni Battista Sassi was an Italian painter, active mainly in Milan and other areas of Lombardy, who painted in a late-Baroque or Rococo style.
The Rovelli Altarpiece is a 1539 oil on canvas painting by Moretto da Brescia, which since 1899 has been in the Pinacoteca Tosio Martinengo in Brescia, Italy. Strongly influenced by Titian, it is named after the schoolmaster Galeazzo Rovelli who commissioned it for the church of Santa Maria dei Miracoli in Brescia in 1539, where it remained until being removed in the 19th century and replaced by a copy. Its composition was reused by Moroni in his Mystic Marriage of Saint Catherine in the 1560s.
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