"Medley: Aquarius/Let the Sunshine In (The Flesh Failures)" | ||||
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Single by the 5th Dimension | ||||
from the album The Age of Aquarius | ||||
B-side | "Don'tcha Hear Me Callin' to Ya" | |||
Released | March 1969 | |||
Recorded | 1968 | |||
Genre | ||||
Length |
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Label | Soul City | |||
Composer(s) | Galt MacDermot | |||
Lyricist(s) | ||||
Producer(s) | Bones Howe | |||
The 5th Dimension singles chronology | ||||
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"Medley: Aquarius/Let the Sunshine In (The Flesh Failures)" (commonly called "Aquarius/Let the Sunshine In", "The Age of Aquarius" or "Let the Sunshine In") is a medley of two songs written for the 1967 musical Hair by James Rado and Gerome Ragni (lyrics), and Galt MacDermot (music), released as a single by American R&B group the 5th Dimension. The song spent six weeks at number one on the US Billboard Hot 100 pop singles chart in the spring of 1969 and was eventually certified platinum in the US by the RIAA. [3] Instrumental backing was written by Bill Holman and provided by a group of session musicians commonly known as "the Wrecking Crew". [4] [5]
The song is listed at number 66 on Billboard's "Greatest Songs of All Time". [6]
The recording was led by veteran American producer and engineer Bones Howe, who had previously worked with the 5th Dimension as well as the Mamas & the Papas and Elvis Presley. As Howe tells it, the recording can be traced to an incident in which 5th Dimension lead singer Billy Davis Jr. left his wallet in a New York City cab; the man who found the wallet was involved in the production of Hair and invited the group to see the show: "After they'd seen it I received a phone call in which they were all talking over one another, saying 'We've got to cut this song "Aquarius". It's the best thing ever.'"
Howe was skeptical ("This isn't a complete song. It's an introduction."), but after seeing the show on stage got the idea to create a medley with another musical moment from the show, a few bars from the song "The Flesh Failures" that consist of the repeated words "let the sunshine in". Although the two song fragments are in different keys and tempos, Howe resolved to "jam them together like two trains". [7]
The instrumental track was set to tape at Wally Heider's Studio 3 in Hollywood by the Wrecking Crew members including Hal Blaine on drums, Joe Osborn on bass, Larry Knechtel on keyboards, Tommy Tedesco and Dennis Budimir on guitars and Tony Terran on trumpet. It also featured strings, winds, and brass instrumentations. However, the vocals were recorded separately in Las Vegas, where the 5th Dimension was performing at the time, using only two microphones for the five singers. Davis' solo during "Let the Sunshine In" was improvised during the session; songwriter Jimmy Webb, who happened into the studio during the recording, remarked to Howe: "My God, that's a number one record." [7]
This song was one of the most popular songs of 1969 worldwide, and in the United States it reached the number one position on both the Billboard Hot 100 (for six weeks in April and May) and the Billboard Easy Listening chart. It also reached the top of the sales charts in Canada and elsewhere. Billboard ranked it as the No. 2 Hot 100 single for 1969, although "Aquarius (Let the Sunshine In)" would go on to outsell the No. 1 Hot 100 single for 1969, "Sugar Sugar" by The Archies, and consistently ranks several positions above it in the all-time chart. [8]
The recording won both the Grammy Award for Record of the Year and Best Pop Vocal Performance by a Group for the Grammy Awards of 1970, after being published on the album The Age of Aquarius by the 5th Dimension, and also being released as a seven-inch vinyl single record. In 2004, the song was inducted into the Grammy Hall of Fame. [9]
The lyrics of this song were based on the astrological belief that the world would soon be entering the "Age of Aquarius", an age of love, light, and humanity, unlike the current "Age of Pisces". The circumstances for the change are given as: "When the moon is in the seventh house, and Jupiter aligns with Mars." Astrologer Neil Spencer denounced the lyrics as "astrological gibberish", noting that Jupiter forms an astrological aspect with Mars several times a year and the moon is in the 7th House for two hours every day. [10]
The American Film Institute's 100 Years...100 Songs list, published in 2004, ranked "Medley: Aquarius/Let the Sunshine In (The Flesh Failures)" as number 33.
Weekly charts
| Year-end charts
All-time charts
|
Region | Certification | Certified units/sales |
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United States (RIAA) [30] | Platinum | 1,000,000^ |
^ Shipments figures based on certification alone. |
The 5th Dimension is an American vocal group. Their music encompasses sunshine pop, pop soul, and psychedelic soul.
The Age of Aquarius is the fourth album by the American pop group the 5th Dimension, released in 1969. It was their biggest commercial success in the United States, peaking at number two on the Billboard 200 and the Top R&B Albums charts.
Portrait is the fifth album by the American pop group the 5th Dimension, released in 1970. This is the group's first album for Bell Records, having switched from the Soul City Records label. The cover features an impressionistic portrait by famous artist LeRoy Neiman.
"MacArthur Park" is a song written by American singer-songwriter Jimmy Webb that was recorded first in 1967 by Irish actor and singer Richard Harris. Harris's version peaked at number two on the Billboard Hot 100 chart and number four on the UK Singles Chart. "MacArthur Park" was subsequently covered by numerous artists, including a 1970 Grammy-winning version by country singer Waylon Jennings and a number one Billboard Hot 100 disco version by Donna Summer in 1978. Webb won the 1969 Grammy Award for Best Arrangement Accompanying Vocalist(s) for the Harris version.
"Ain't No Sunshine" is a song by Bill Withers, from his 1971 debut album Just As I Am, produced by Booker T. Jones. The record featured musicians Donald "Duck" Dunn on bass guitar, Al Jackson Jr. on drums and Stephen Stills on guitar. String arrangements were done by Booker T. Jones. The song was recorded in Los Angeles, with overdubs in Memphis by engineer Terry Manning.
"Ain't Nothing Like the Real Thing" is a 1968 single released by American R&B/soul duo Marvin Gaye and Tammi Terrell, on the Tamla label in 1968. The B-side of the single is "Little Ole Boy, Little Ole Girl" from the duo's United LP. The first release off the duo's second album: You're All I Need, the song—written and produced by regular Gaye/Terrell collaborators Ashford & Simpson—became a hit within weeks of release eventually peaking at number eight on the US Billboard Hot 100 and number one on the Hot Soul Singles chart, the first of the duo's two number-one R&B hits. In the UK "Ain't Nothing Like the Real Thing" reached number 34.
"It's Your Thing" is a funk single by The Isley Brothers. Released in 1969, the anthem was an artistic response to Motown chief Berry Gordy's demanding hold on his artists after the Isleys left the label in late 1968.
Let The Sunshine In is the sixteenth studio album by Diana Ross & the Supremes recorded and released by Motown in 1969. It contains the hit single "I'm Livin' in Shame", "The Composer," a Smokey Robinson composition that peaked at number 27, and "No Matter What Sign You Are," - a single produced by Motown chief Berry Gordy that failed to crack to Top 30. Motown had titled the album “No Matter What Sign You Are” originally; going as far as creating the front cover art with the title in it, but when the single didn’t chart as expected the album was retitled “Let The Sunshine In.” Though the album was released when the group consisted of Diana Ross, Mary Wilson and Cindy Birdsong, original founding member Florence Ballard appears on two songs.
"Hair" is the title song to the 1967 musical Hair and the 1979 film adaptation of the musical.
"Wedding Bell Blues" is a song written and recorded by Laura Nyro in 1966. The best known version was a number one hit for the 5th Dimension in 1969.
Billy Davis Jr. is an American singer and musician, best known as a member of the 5th Dimension. Along with his wife Marilyn McCoo, he had hit records during 1976 and 1977 with "I Hope We Get to Love in Time", "Your Love", and "You Don't Have to Be a Star ". Davis and McCoo were married in 1969. They became the first African-American married couple to host a network television series, titled The Marilyn McCoo & Billy Davis Jr. Show, on CBS in the summer of 1977, the year "You Don't Have to Be a Star " won a Grammy Award.
"One Less Bell to Answer" is a song written by Burt Bacharach and Hal David. Originally written in 1967 for Keely Smith, the song was rediscovered in late 1969 by Bones Howe, the producer for the 5th Dimension, and the song was included on the group's 1970 debut album for Bell Records, Portrait. Lead vocals on the single were sung by Marilyn McCoo.
"Never My Love" is a pop standard written by American siblings Don and Dick Addrisi, and best known from a hit 1967 recording by the Association. The Addrisi Brothers had two Top 40 hits as recording artists, but their biggest success as songwriters was "Never My Love". Recorded by dozens of notable artists in the decades since, in 1999 the music publishing rights organization Broadcast Music, Inc. (BMI) announced it was the second most-played song on radio and television of the 20th century in the U.S.
Hair is a 1968 cast recording of the musical Hair on the RCA Victor label. Sarah Erlewine, for AllMusic, wrote: "The music is heartening and invigorating, including the classics 'Aquarius,' 'Good Morning Starshine,' 'Let the Sunshine In,' 'Frank Mills' ... and 'Easy to Be Hard.' The joy that has been instilled in this original Broadway cast recording shines through, capturing in the performances of creators Gerome Ragni and James Rado exactly what they were aiming for — not to speak for their generation, but to speak for themselves."
Greatest Hits on Earth is a greatest hits compilation by The 5th Dimension, released in 1972. Consisting of charted singles from both Soul City and Bell labels, it spent 24 weeks on the chart and peaked at #14.
"Workin' On a Groovy Thing" is a song written by Neil Sedaka and Roger Atkins which had its highest profile as a 1969 hit single by the 5th Dimension.
"Blowing Away" is a song written by Laura Nyro and included on her 1967 album More Than a New Discovery. In 1969, the 5th Dimension recorded it for their album The Age of Aquarius. Also released as a single, the 5th Dimension's version reached number 21 on the Billboard Hot 100. The song was produced by Bones Howe and arranged by Bill Holman, Bob Alcivar, and Howe.
Greatest Hits is the first compilation album by American pop group the 5th Dimension, released in 1970 by Soul City. It includes all but two of their charting singles to date: "Go Where You Wanna Go", their first Top 20 record in the USA, would appear on the follow-up compilation, The July 5th Album, released later that year, while "Another Day, Another Heartache" was not included on either compilation. Greatest Hits and The July 5 Album were the final two album releases for Soul City Records' distribution deal with Liberty Records. The 5th Dimension subsequently signed with Bell Records. The album peaked at no. 5 on Billboard's Top LP's chart in the summer of 1970, achieving gold record status.
This is a discography of The 5th Dimension music group.