 Replica of Zwinger Palace at the theme park "Arita Porcelain Park" | |
| Location | Arita town, Saga Prefecture, Japan |
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| Coordinates | 33°09′57″N129°54′30″E / 33.165792°N 129.908266°E |
| Website | www |
The Arita Porcelain Park is a small theme park located in Arita town, Saga Prefecture, Japan.
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The Porcelain Park is a recreation of a traditional German village, and is located just on the outskirts of Arita on the road to Hasami. Most stunning is the reproduction of the “Zwinger,” a famous palace in the German city of Dresden. Inside the palace are impressive permanent exhibition of both European porcelain in one wing and Arita-yaki in the other. Behind the palace lies a European style garden. There is also a large ancient kiln which can be visited. The theme park also houses various stores selling both traditional Japanese and European-style products.
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Meissen, is a town of approximately 30,000 about 25 km (16 mi) northwest of Dresden on both banks of the Elbe river in the Free State of Saxony, in eastern Germany. Meissen is the home of Meissen porcelain, the Albrechtsburg castle, the Gothic Meissen Cathedral and the Meissen Frauenkirche. The Große Kreisstadt is the capital of the Meissen district.
Arita is a town located in Nishimatsuura District, Saga Prefecture, Japan. It is known for producing Arita porcelain, one of the traditional handicrafts of Japan. It also holds the largest ceramic fair in Western Japan, the Arita Ceramic Fair. This event is held from April 29 to May 5 every year and has thousands of stores and stalls lining the six-kilometre long main street.
Pottery and porcelain is one of the oldest Japanese crafts and art forms, dating back to the Neolithic period. Kilns have produced earthenware, pottery, stoneware, glazed pottery, glazed stoneware, porcelain, and blue-and-white ware. Japan has an exceptionally long and successful history of ceramic production. Earthenwares were made as early as the Jōmon period, giving Japan one of the oldest ceramic traditions in the world. Japan is further distinguished by the unusual esteem that ceramics hold within its artistic tradition, owing to the enduring popularity of the tea ceremony.
Imari ware is a Western term for a brightly-coloured style of Arita ware Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyūshū. They were exported to Europe in large quantities, especially between the second half of the 17th century and the first half of the 18th century.
Hasami is a town located in Higashisonogi District, Nagasaki Prefecture, Japan. It is known, along with neighboring Arita, Saga Prefecture for its china manufacturing.
The Nymphenburg Palace is a Baroque palace situated in Munich's western district Neuhausen-Nymphenburg, in Bavaria, southern Germany. The Nymphenburg served as the main summer residence for the former rulers of Bavaria of the House of Wittelsbach. Combined with the adjacent Nymphenburg Palace Park it constitutes one of the premier royal palaces of Europe. Its frontal width of 632 m (2,073 ft) even surpasses Versailles.
Chinoiserie is the European interpretation and imitation of Chinese and other East Asian artistic traditions, especially in the decorative arts, garden design, architecture, literature, theatre, and music. The aesthetic of chinoiserie has been expressed in different ways depending on the region. It is related to the broader current of Orientalism, which studied Far East cultures from a historical, philological, anthropological, philosophical, and religious point of view. First appearing in the 17th century, this trend was popularized in the 18th century due to the rise in trade with China and the rest of East Asia.
Kakiemon is a style of Japanese porcelain, with overglaze decoration called "enameled" ceramics. It was originally produced at the factories around Arita, in Japan's Hizen province from the Edo period's mid-17th century onwards. The style shares much in common with the Chinese "Famille Verte" style. The quality of its decoration was highly prized in the West and widely imitated by major European porcelain manufacturers during the Rococo period.
Kraak ware or Kraak porcelain is a type of Chinese export porcelain produced mainly in the late Ming dynasty, in the Wanli reign (1573–1620), but also in the Tianqi (1620–1627) and the Chongzhen (1627–1644). It was among the first Chinese export wares to arrive in Europe in mass quantities, and was frequently featured in Dutch Golden Age paintings of still life subjects with foreign luxuries.
"Blue and white pottery" covers a wide range of white pottery and porcelain decorated under the glaze with a blue pigment, generally cobalt oxide. The decoration is commonly applied by hand, originally by brush painting, but nowadays by stencilling or by transfer-printing, though other methods of application have also been used. The cobalt pigment is one of the very few that can withstand the highest firing temperatures that are required, in particular for porcelain, which partly accounts for its long-lasting popularity. Historically, many other colours required overglaze decoration and then a second firing at a lower temperature to fix that.
Meissen porcelain or Meissen china was the first European hard-paste porcelain. Early experiments were done in 1708 by Ehrenfried Walther von Tschirnhaus. After his death that October, Johann Friedrich Böttger continued von Tschirnhaus's work and brought this type of porcelain to the market, financed by Augustus the Strong, King of Poland and Elector of Saxony. The production of porcelain in the royal factory at Meissen, near Dresden, started in 1710 and attracted artists and artisans to establish, arguably, the most famous porcelain manufacturer known throughout the world. Its signature logo, the crossed swords, was introduced in 1720 to protect its production; the mark of the swords is reportedly one of the oldest trademarks in existence.
Sakaida Kakiemon, or Sakaida Kizaemon was a Japanese potter who invented the style known after him as Kakiemon. He worked in association with Higashijima Tokue, and created the first enamelled porcelain in Japan.
Hakuji (白磁) is a form of Japanese pottery and porcelain, normally white porcelain, which originated as an imitation of Chinese Dehua porcelain. Today the term is used in Japan to refer to plain white porcelain.
Saint-Cloud porcelain was a type of soft-paste porcelain produced in the French town of Saint-Cloud from the late 17th to the mid 18th century.
Kutani ware is a style of Japanese porcelain traditionally supposed to be from Kutani, now a part of Kaga, Ishikawa, in the former Kaga Province. It is divided into two phases: Ko-Kutani, from the 17th and early 18th centuries, and Saikō-Kutani from the revived production in the 19th century. The more prestigious Ko-Kutani wares are recognised by scholars to be a complex and much mis-represented group, very often not from Kutani at all.
The Dresden Porcelain Collection is part of the Staatliche Kunstsammlungen of Dresden, Germany. It is located in the Zwinger Palace.
The Kakiemon elephants are a pair of 17th century Japanese porcelain figures of elephants in the British Museum. They were made by one of the Kakiemon potteries, which created the first enamelled porcelain in Japan, and exported by the early Dutch East India Company. These figures are thought to have been made between 1660 and 1690 and are in the style known as Kakiemon. They were made near Arita, Saga on the Japanese island of Kyūshū at a time when elephants would not have been seen in Japan.
Arita ware is a broad term for Japanese porcelain made in the area around the town of Arita, in the former Hizen Province, northwestern Kyūshū island. It is also known as Hizen ware after the wider area of the province. This was the area where the great majority of early Japanese porcelain, especially Japanese export porcelain, was made.
Japanese export porcelain includes a wide range of porcelain that was made and decorated in Japan primarily for export to Europe and later to North America, with significant quantities going to south and southeastern Asian markets. Production for export to the West falls almost entirely into two periods, firstly between the 1650s and 1740s, and then the period from the 1850s onwards.
Kinrande is a Japanese porcelain style where gold is applied on the surface and there are a number of variations. It originated from China during the Jiajing (1521–1566) and Wanli (1573–1620) periods of the Ming dynasty.
