Art Lord & the Self-Portraits | |
---|---|
Origin | Greenville, North Carolina, United States |
Genres | Synthpop, alternative rock, indie pop |
Years active | 2003–2005 |
Labels | Friends Records, Thrill Jockey, 307 Knox Records |
Past members | Gerrit Welmers William Cashion Samuel T. Herring Adam Beeby Kymia Nawabi |
Website | www |
Art Lord & the Self-Portraits was an American synthpop band in Greenville, North Carolina, composed of Gerrit Welmers (keyboards), William Cashion (bass, acoustic and electric guitars), and Samuel T. Herring (lyrics and vocals), Adam Beeby (rhythmic keyboard) and Kymia Nawabi (percussion and backing vocals). Created originally as a performance piece criticizing pretentiousness in the artistic world, when it disbanded in late 2005, its remaining members went on to form the synth-pop band Future Islands. [1]
Sam Herring and Gerrit Welmers grew up in Morehead City, North Carolina [2] two streets away from each other, and attended the same middle school in Newport, North Carolina. [3] They became friends during the 8th grade, around 1998. [4] Herring had started making Hip-hop since he was 13 or 14, Gerrit was a Metal and Punk skater who bought his first guitar when he was 14. Having different musical backgrounds, they didn't consider making music together in high school. [5] [6]
William Cashion started playing guitar when he was around 13, having had a couple of bands as a teenager in Raleigh where he commuted to High School from Wendell, North Carolina. [5] In 2002 he enrolled in the painting and drawing program at ECU and had drawing classes with Sam Herring. [5] [7] Cashion describes:
"So a lot of the freshmen had the same classes. My very first was this drawing class. Sam was in that class. Later that day, I had these sunglasses I used to wear. They were the Back to the Future shades. Neon yellow and neon orange and kind of an odd shape. I used to wear them all the time. I was walking across campus and Sam showed up and said, "Hey man, cool shades." He had really thick sideburns. They framed his face. It was almost a full beard. There was a little bit under the chin. "Cool sideburns man!" We found out that we were going to the same class. Pretty much immediately we started talking about music and ideas." [5]
February 2003, Locke Ernst-Frost emerges from the banks of the Tar River, in the small, college town of Greenville, North Carolina. (...) He has spent everyday, since his retirement, dreaming, sculpting and painting the most beautiful thing in the world. Himself. After being set away for so long, he believed it was time to finally step out of the darkness, and sing to the world his tales of woe.
After auditioning musicians for his project, he realized it was fruitless. No one was good enough to play for him. Determined, he gave life to the only beings who were worthy to stand on the stage beside him, four tears dropped on canvas, and his Self-Portraits were born. Together, they set out, Locke, #1, #2, #3, and #4. Finally, the Art Lord and his Self-Portraits, could tell their story to the world... How hard it is, to be, so great.
Cashion and Herring became friends and as Herring explains, decided to form a band: "Then, right before Christmas vacation after the end of the first semester of school, we had this strange idea for a performance group that would be based around this character Locke Ernstfrost. The idea was kind of a group that was more of a performance art piece, like a social commentary on how we treat rock stars and pop icons — art stars. Just how society treats them, kind of idolizes them even though they seem to be often very narcissistic or just full of themselves." [10]
The idea came while Cashion was helping Herring to study for an art history exam, [11] as Cashion describes:"We were going through different old classic art pieces. I kept saying stuff like, "I don't really like this piece. I don't care!" Sam was like, "We need to learn this!" My friend Kristen had come to pick me up, and she was, like, saying how I was being an art lord. Sam's roommate Ryan was laughing his ass off. I brought up the idea of having a project called Art Lord & the Self-Portraits." [5]
Cashion and Herring invited local record shop personality Adam Beeby and fellow art student Kymia Nawabi. [5] [6] After a tumultuous debut on Valentine's Day February 14, 2003 [6] at Soccer Moms' House, [12] Herring would also invite Welmers to join the band: "After the first show I said, "Can my buddy Gerrit play with the band? He can play guitar." He's a really good musician. William was all about it. They had become friends. They didn't know each other so well, but they had become friends." [5]
Only Cashion and Welmers already played a musical instrument [6] —the guitar—but Cashion took the bass and Welmers the keyboards, [3] [13] for a Kraftwerk-inspired sound. [14] According to Welmers: "I had never played music with anyone. I had always played alone. So I came over and I brought my guitar. They were just jamming around and playing stuff. But it didn't really work out very well. But there were a lot of extra keyboards lying around, so I started playing on one." [5]
As the Art Lord, Sam Herring played Locke Ernst-Frost [15] an arrogant narcissistic artist from Germany, Ohio, dressed in a 70's-inspired white suit with slicked-back hair, and a heavy German accent. He emerged in Greenville with the self-portraits he brought to life because they were the only ones good enough to be on a stage with him. [16] The character's name originally was meant to be Oarlock Ernest Frost but it got shortened as a reference to John Locke the religious poet, Max Ernst, the artist and Robert Frost, the American poet. [17]
The band quickly gained a local reputation and started touring the underground venues in the Southeast, [16] such as The Milestone, Cat's Cradle, Kings, Peasants, The Red Rooster, The Soap Box among others, playing shows with North Carolina acts like Valient Thorr and artists from the Baltimore music scene like Height, Videohippos, OCDJ, Nuclear Power Pants, Santa Dads, Ecstatic Sunshine, Blood Baby, Ponytail [15] [4] and electronic musician Dan Deacon [18] whom they met during a show on May 26, 2004. [4] They gave a total of 130 shows between 2003-2005.
Nawabi who was already a senior when Cashion, Herring and Welmers were freshmen, [19] [10] left the band to prepare for her final project in June–July 2003. [16] When Adam Beeby had to leave Greenville in September 2005, [12] [15] the remaining members dissolved the band and went on to form Future Islands the following year. "Very quickly, we ran out of songs to go with the concept. We wanted to be more real and people still saw it as the concept. I got to hide behind that and the stage costumes we wore and the gimmicks. People saw us as a joke party band." [20]
Art Lord & the Self Portraits got together again for a 10th anniversary reunion of their first show at the Kings in Raleigh, on February 13, 2013 with all the former band members. [16] [12] In 2008, William Cashion and Sam Herring formed a band to cover Art Lord & the Self-Portraits songs which they named The Snails, after the band's last album Snail. The Snails would gradually create their original content, but a cover of "We Were Flames" from the 2004 album Ideas for Housecrafts was included in The Snails' 2016 album Songs from the Shoebox. [21]
“I think we really wanted to be Kraftwerk.”
It was through Kraftwerk's Trans-Europe Express which was sampled by Afrika Bambaataa that Cashion and Herring found some common ground when forming the Kraftwerk-influenced Art Lord & the Self-Portraits. [22] They explained:
"Our early influences were Kraftwerk and Joy Division and New Order, so it all kind of came from those sounds... We were just using what we had at our disposal to create, and that were old Casio and Yamaha keyboards and a borrowed bass guitar, borrowed amps. We scraped together what we could to make music with, weird shakers and sound makers and stuff, and that just kind of lead us down a road. These kinds of things defined us early on and we kept with that sound, kept painting with that palette." [23]
Kraftwerk are a German electronic band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1973 and Karl Bartos in 1975, expanding the band to a quartet.
Autobahn is the fourth studio album by German electronic music band Kraftwerk, released in November 1974 by Philips Records. The album marked several personnel changes in the band, which was initially a duo consisting of Florian Schneider and Ralf Hütter; later, the group added Klaus Röder on guitar and flute, and Wolfgang Flür on percussion. The album also completed the group's transition from the experimental krautrock style of their earlier work to an electronic pop sound consisting mostly of synthesizers and drum machines. Recording started at the group's own Kling Klang facility, but was predominantly made at Conny Plank's studio. Autobahn also includes lyrics and a new look for the group that was suggested by Emil Schult, an associate of Schneider and Hütter.
John Douglas "Jon" Lord was an English keyboardist and composer. In 1968, Lord co-founded the hard rock band Deep Purple. Lord performed on most of the band's most popular songs; he and drummer Ian Paice were the only continuous members in the band between 1968 and 1976, and also from its revival in 1984 until his retirement in 2002. He also played for the bands Whitesnake, Paice Ashton Lord, the Artwoods, the Flower Pot Men and Santa Barbara Machine Head.
Kraftwerk 2 is the second studio album by German electronic band Kraftwerk, released in January 1972.
Florian Schneider-Esleben was a German musician. He is best known as one of the founding members and leaders of the electronic band Kraftwerk, performing his role with the band until his departure in 2008.
Replicas is the second and final studio album by the English new wave band Tubeway Army, released on 6 April 1979 by Beggars Banquet Records. It followed their self-titled debut from the previous year. After this, Tubeway Army frontman Gary Numan would continue to release records under his own name, though the musicians in Tubeway Army would continue to work with him for some time. Replicas was the first album of what Numan later termed the "machine" phase of his career, preceding The Pleasure Principle (1979) and Telekon (1980), a collection linked by common themes of a dystopian science fiction future and transmutation of man/machine, coupled with an androgynous image and a synthetic rock sound.
Self Portrait is the tenth studio album by the American singer-songwriter Bob Dylan, released on June 8, 1970, by Columbia Records.
Mogwai are a Scottish post-rock band, formed in 1995 in Glasgow. The band consists of Stuart Braithwaite, Barry Burns, Dominic Aitchison, and Martin Bulloch (drums). Mogwai typically compose lengthy guitar-based instrumental pieces that feature dynamic contrast, melodic bass guitar lines, and heavy use of distortion and effects.
Annuals is the musical project of the American singer, songwriter, producer, and multi-instrumentalist, Adam Baker. Founded in Raleigh, North Carolina, United States in 2003, Annuals first found success following its critically acclaimed 2006 release, Be He Me. As of September 2013, Annuals is based out of Los Angeles.
Trans is the thirteenth studio album by Canadian-American musician and singer-songwriter Neil Young, released on January 10, 1983. Recorded and released during his Geffen era in the 1980s, its electronic sound baffled many fans upon its initial release—a Sennheiser vocoder VSM201 features prominently in six of the nine tracks.
Future Islands is an American synth-pop band based in Baltimore, Maryland, comprising Gerrit Welmers, William Cashion, Samuel T. Herring, and Michael Lowry (percussion). The band was formed in January 2006 by Welmers, Cashion and Herring—the remaining members of the performance art college band Art Lord & the Self-Portraits—and drummer Erick Murillo.
Bromst is the second studio album by the American electronic musician Dan Deacon. It was released on March 24, 2009.
Trivalia was a Serbian and Yugoslav gothic rock/industrial band formed in Niš in 1986. Led by vocalist and principal songwriter Vladimir Žikić "Mantis", Trivalia combined gothic rock, industrial music and darkwave with influences of Byzantine music and other musical genres.
Peals is an American instrumental duo from Baltimore, Maryland, formed in early 2012 and composed of William Cashion and Bruce Willen. The two bass players of the Baltimore bands Future Islands and Double Dagger respectively, left bass, computer and drums aside to incorporate elements of ambient, folk, krautrock, punk, and experimental music into their project.
In Evening Air is the second album by American synth-pop band Future Islands, released on May 4, 2010, by Thrill Jockey records. It is titled after a poem of the same name by Theodore Roethke from his final collection, The Far Field. The album art was produced by former band member Kymia Nawabi.
Samuel Thompson Herring, also known as Hemlock Ernst, is an American singer, rapper and actor based in Baltimore, Maryland. He is best known as the frontman of the synth-pop band Future Islands, with whom he has recorded seven studio albums. He has also previously been a member of Art Lord & the Self-Portraits, The Snails, and Trouble Knows Me.
The Snails is an American rock band with touches of post-punk, ska and reggae, based in Baltimore, Maryland. It is currently composed of Sandy Snailbelow, Snailliam, Sammy Snail, Snailburne, Snailbraham, Snailrell and Snailpril. As snails, they live in a Shoebox, where they like to play basketball.
American synthpop band Future Islands have released seven studio albums, six extended plays (EPs), 23 singles and 15 music videos. Future Islands was formed in Greenville, North Carolina but relocated to Baltimore, Maryland in 2008. It consists of John Gerrit Welmers (keyboards), William H. Cashion, and Samuel T. Herring (vocals). The band included Erick Murillo (drums) up until November 2007.
As Long as You Are is the sixth studio album by American synth-pop band Future Islands, released on October 9, 2020. The album was the first to feature Michael Lowry as proper member of the band, after previously serving as their touring drummer since 2014.
People Who Aren't There Anymore is the seventh studio album by American synth-pop band Future Islands, released on January 26, 2024, by 4AD. Their fourth release on the label, the album was produced by the band and previous collaborator Steve Wright, who shared mixing duties with Chris Coady, the producer of the band's fourth album, Singles (2014).