Art Matthews is an American jazz pianist. His 1981 album It's Easy To Remember (Baystate) features Archie Shepp, Alan Dawson, Charles Fambrough, Bill Pierce and Dizzy Reece. He also worked with Shepp on his 1979 recording Attica Blues Big Band. [1] Lester Bowie's 1982 All the Magic (ECM Records) also showcases his playing.
Joseph Rudolph "Philly Joe" Jones was an American jazz drummer, known as the drummer for the first "Great" Miles Davis Quintet. He should not be confused with "Papa" Jo Jones, another drummer who had a long tenure with Count Basie. The two men died only a few days apart.
Archie Vernon Shepp is an American jazz saxophonist, educator and playwright who since the 1960s has played a central part in the development of avant-garde jazz.
Grachan Moncur III is an American jazz trombonist. He is the son of jazz bassist Grachan Moncur II and the nephew of jazz saxophonist Al Cooper.
John Martin Tchicai was a Danish free jazz saxophonist and composer.
Reginald "Reggie" Workman is an American avant-garde jazz and hard bop double bassist, recognized for his work with both John Coltrane and Art Blakey.
Roswell Hopkins Rudd Jr. was an American jazz trombonist and composer.
Marion Brown was an American jazz alto saxophonist and ethnomusicologist. He is most well known as a member of the 1960s avant-garde jazz scene in New York City, playing alongside musicians such as John Coltrane, Archie Shepp, and John Tchicai. He performed on Coltrane's landmark 1965 album Ascension.
Malachi Favors was an American jazz bassist who played with the Art Ensemble of Chicago.
Clifford Edward Thornton III was an American jazz trumpeter, trombonist, activist, and educator. He played free jazz and avant-garde jazz in the 1960s and '70s.
New Thing at Newport is a 1965 live album featuring two separate sets from that year's Newport Jazz Festival by tenor saxophonists John Coltrane and Archie Shepp.
Goin' Home is a studio album by American saxophonist Archie Shepp and pianist Horace Parlan. After their work in the 1960s, Shepp and Parlan both faced career challenges as the jazz scene diverged stylistically. They left the United States for Europe during the 1970s and met each other in Denmark before recording the album on April 25, 1977, at Sweet Silence Studio in Copenhagen.
Sackville Records was a Canadian record company and label that specialized in jazz. In 2011, with Sackville defunct, Delmark Records acquired its catalogue.
Saheb Sarbib is an American jazz double-bassist and bandleader.
Live at the Pan-African Festival is a live recording of Archie Shepp's performance in Algiers on July 29–30, 1969, when his free jazz group was complemented by several North-African musicians.
Yasmina, a Black Woman is a jazz album by Archie Shepp, recorded in 1969 in Paris for BYG Actuel records. It features musicians from the Art Ensemble of Chicago. The first track, giving its title to the album, is a long free jazz piece by an 11-piece orchestra; in it, the references to Africa that Shepp had experimented with only a few weeks earlier in Algiers are to be found in the use of African percussion instruments, or the African incantations sung by Shepp himself at the beginning of the track. The other two pieces, a homage to Sonny Rollins written by trombonist Grachan Moncur III and a standard, played by a more traditional quintet and quartet respectively, are more reminiscent of the hard bop genre, although the fiery playing of the musicians, notably Shepp himself, gives them a definite avant-garde edge. It was originally issued on CD by Affinity, mastered from an incredibly noisy vinyl source and later reissued by Charly from the original master tapes.
Poem for Malcolm is a jazz album by Archie Shepp. Recorded in Paris in August 1969 only two days after Yasmina, a Black Woman, it again features musicians from the Art Ensemble of Chicago. This time, the tone is resolutely set to avant garde and free jazz, with a political edge in the all but explicit tribute to Malcolm X. The Allmusic review by Scott Yanow states: "This LP from the English Affinity LP is a mixed bag. Best is 'Rain Forrest' on which tenor saxophonist Archie Shepp, in a collaboration with trombonist Grachan Moncur III, pianist Vince Benedetti, bassist Malachi Favors, and drummer Philly Joe Jones, perform some stirring free jazz; the interplay between Shepp and Jones is particularly exciting. On a four-and-a-half minute 'Oleo,' Shepp "battles" some bebop with fellow tenor Hank Mobley, but the other two tracks, a workout for the leader's erratic soprano on 'Mamarose,' and his emotional recitation on 'Poem for Malcolm,' are much less interesting, making this a less than essential release despite 'Rain Forrest'." It was originally issued on CD by Affinity mastered from a vinyl source and later reissued by Charly from the original master tapes.
Archie Shepp Live in San Francisco is a live album by Archie Shepp released on Impulse! Records in 1966. The album contains a performance recorded by Shepp, Roswell Rudd, Donald Garrett, Lewis Worrell and Beaver Harris at the Both/And Club in San Francisco, CA, on February 19, 1966. The CD edition also contains the extended track that was released on LP as Three for a Quarter, One for a Dime (1969).
Montreux Two is a live album by jazz saxophonist Archie Shepp recorded at the Montreux Jazz Festival in 1975 and released on the Arista Freedom label.
Archie Shepp discography.
Lover Man is an album by saxophonist Archie Shepp's Quartet with vocalist Annette Lowman which was recorded in Holland in 1988 and released on the Timeless label the following year.
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