A clown is a person who performs physical comedy and arts in an open-ended fashion, typically while wearing distinct makeup or costuming and reversing folkway-norms. The art of performing as a clown is known as clowning or buffoonery, and the term "clown" may be used synonymously with predecessors like jester, joker, buffoon, fool, or harlequin. Clowns have a diverse tradition with significant variations in costume and performance. The most recognisable clowns are those that commonly perform in the circus, characterized by colorful wigs, red noses, and oversized shoes. However, clowns have also played roles in theater and folklore, like the court jesters of the Middle Ages and the jesters and ritual clowns of various indigenous cultures. Their performances can elicit a range of emotions, from humor and laughter to fear and discomfort, reflecting complex societal and psychological dimensions. Through the centuries, clowns have continued to play significant roles in society, evolving alongside changing cultural norms and artistic expressions.
A circus is a company of performers who put on diverse entertainment shows that may include clowns, acrobats, trained animals, trapeze acts, musicians, dancers, hoopers, tightrope walkers, jugglers, magicians, ventriloquists, and unicyclists as well as other object manipulation and stunt-oriented artists. The term circus also describes the field of performance, training and community which has followed various formats through its 250-year modern history. Although not the inventor of the medium, Newcastle-under-Lyme born Philip Astley is credited as the father of the modern circus.
Philip Astley was an English equestrian, circus owner, and inventor, regarded as being the "father of the modern circus". Modern circus, as an integrated entertainment experience that includes music, domesticated animals, acrobats, and clowns, traces its heritage to Astley's Amphitheatre, a riding school that Astley founded in London following the success of trick-riding displays given by him and his wife Patty Jones in 1768. Astley's first competitor was equestrian Charles Hughes, who had previously worked with Astley. Together with Charles Dibdin, a famous author of pantomimes, Hughes opened a rival amphitheatre in London, which Dibdin called the Royal Circus and Equestrian Philharmonic Academy.
Over the centuries, there have been five theatres in Dublin called the Theatre Royal.
The Mechanics' Hall, also known as the Hibernian Theatre of Varieties, was a theatre and music hall in Lower Abbey Street, Dublin. It stood at the site of the current Abbey Theatre at 26 Lower Abbey Street.
Joseph Grimaldi was an English actor, comedian and dancer, who became the most popular English entertainer of the Regency era. In the early 19th century, he expanded the role of Clown in the harlequinade that formed part of British pantomimes, notably at the Theatre Royal, Drury Lane and the Sadler's Wells and Covent Garden theatres. He became so dominant on the London comic stage that the harlequinade role of Clown became known as "Joey", and both the nickname and Grimaldi's whiteface make-up design were, and still are, used by other types of clowns. Grimaldi originated catchphrases such as "Here we are again!", which continue to feature in modern pantomimes.
Pablo Fanque was a British equestrian performer and circus proprietor, becoming the first recorded Black circus owner in Britain. His circus was popular in Victorian Britain for 30 years, a period that is regarded as the golden age of the circus.
Astley's Amphitheatre was a performance venue in London opened by Philip Astley in 1773, considered the first modern circus ring. It was burned and rebuilt several times, and went through many owners and managers. Despite no trace of the theatre remaining today, a memorial plaque was unveiled in 1951 at its site at 225 Westminster Bridge Road.
Francis Johnston was an Anglo/Irish architect, best known for building the General Post Office (GPO) on O'Connell Street, Dublin.
William Reeve was an English theatre composer and organist.
Hippodrama, horse drama, or equestrian drama is a genre of theatrical show blending circus horsemanship display with popular melodrama theatre.
Richard Daly (1758–1813) was an Irish actor and theatrical manager who, between 1786 and 1797, held the Royal patent for staging dramatic productions in Dublin and became such a dominant figure in Irish theatre that he was referred to as "King Daly".
William Batty (1801–1868) was an equestrian performer, circus proprietor, and longtime operator of Astley's Amphitheatre in London. Batty was one of the most successful circus proprietors in Victorian England and helped launch the careers of a number of leading Victorian circus personalities, such as Pablo Fanque, the versatile performer and later circus proprietor, and W.F. Wallett, one of the most celebrated clowns of the era. Also, while in operation for only two years, Batty's most lasting legacy is probably Batty's Grand National Hippodrome, also known as Batty's Hippodrome, an open-air amphitheatre he erected in 1851 in Kensington Gardens, London, to attract audiences from the Crystal Palace Exhibition nearby.
John Peter Bologna (1775 –1846), known as Jack Bologna on stage, was an Italian actor and dancer, who spent much time in England popularising the role of Harlequin in Georgian pantomimes and harlequinades in the early part of the 1800s at the Sadler's Wells and Covent Garden Theatres.
Charles Isaac Mungo Dibdin, or Charles Pitt or Charles Dibdin the younger, as he was professionally known, was an English dramatist, composer, writer and theatre proprietor. He was perhaps best known for his proprietorship of the Sadler's Wells Theatre and for the pantomimes and satirical farces that he wrote, and which were staged at many theatres across London. He employed Joseph Grimaldi at Sadler's Wells where Grimaldi appeared in many of his most successful pantomimes. He was the son of Charles Dibdin, brother of Thomas John Dibdin and godson of David Garrick.
The Molyneux Asylum for Blind Females was opened June 1, 1815 in Peter Street, Dublin, in what was formerly the residence of Thomas Molyneux (1641-1733), whose sister-in-law, Lucy Domville, had been blind. The building had been sold to Philip Astley, operating as Astley's Amphitheatre from 1789 to 1812, then the actor Henry Johnstone, intended to develop it as a theatre, however it reverted back to the Molyneux and was leased to a charity as an asylum for blind women. There was an Anglican church attached to the asylum. Music was an important part of the school and worship in the chapel. R.W. Beaty was an organist and music instructor from 1824. Henry Charles Shellard was organist and choirmaster from 1901 to 1955. The chapel was called the Albert Chapel, honoring the Queen's Husband.
Crow Street Theatre was a theatre in Dublin, Ireland, originally opened in 1758 by the actor Spranger Barry. From 1788 until 1818 it was a patent theatre.
George Benjamin William Lewis commonly referred to as G. B. W. Lewis, or G. B. Lewis, was an English circus performer, later a circus and theatre entrepreneur in Australia. He married in 1864 the actress and playwright Rose Edouin.
Astley's Amphitheatre may refer to:
Laurence Clinch was an Irish actor, familiarly known as Larry, and accomplished in both tragedy and comedy. The popular farce St Patrick's Day was written and performed to showcase his particular talent.
