Athenian pederasty

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Love gift
Man presents a leg of mutton to a youth with a hoop, in an allusion to pederasty. Athenian red-figure vase, ca. 460 BCE Love gift - Calyx krater Aegisthos painter ca 460 BCE.jpg
Love gift
Man presents a leg of mutton to a youth with a hoop, in an allusion to pederasty. Athenian red-figure vase, ca. 460 BCE

Athenian pederasty entailed a formal bond between an adult man and an adolescent boy outside his immediate family, consisting of loving and often sexual relations. As an erotic and educational custom it was initially employed by the upper class as a means of teaching the young and conveying to them important cultural values, such as bravery and restraint.

Pederasty paedagogical relationship between an adult male and a pubescent or adolescent male, often with a homosexual aspect

Pederasty or paederasty is a homosexual relationship between an adult male and a pubescent or adolescent male. The word pederasty derives from Greek παιδεραστία "love of boys", a compound derived from παῖς "child, boy" and ἐραστής "lover". In French, however, pédérastie has been used as a synonym for homosexuality between adult males.

Contents

Athenian society generally encouraged the erastes to pursue a boy to love, tolerating up to sleeping on the youth's stoop and otherwise going to great lengths to make himself noticed. At the same time, the boy and his family were expected to put up resistance and not give in too easily, and boys who succumbed too readily were looked down upon. As a result, the quest for a desirable eromenos was fiercely competitive. [2]

History and artistic record

In Athens, as elsewhere, pederastic relationships had their beginnings among the aristocracy, but in time the practice was picked up by others sections of the population. With the advent of democracy, whose role models were the lovers and tyrant slayers Harmodius and Aristogiton, "access to gymnastic and sympotic culture widened, so the concomitant pederastic emotions and relationships may also have become more widely admired and imitated." [3]

A great deal of modern knowledge about Athenian pederastic practices has been derived from ceramic paintings on vases depicting various forms and aspects of the relationship. These vases first appear about 560 BCE, a year after the pederastic tyrant Peisistratus seized power in Athens. [4] Their production ceased around 470 BCE, after which they either went out of fashion or were replaced with vases of precious metal which have not survived. [5] The iconography attests to the dominant status of pederasty in Athenian social life. On the strict red-figure vases, Eros only appears in scenes that show the interaction of men and adolescent boys. [6] Kroll reports that ceramic depictions of individuals labeled as beautiful include only thirty of women and girls, καλή, but five hundred and twenty eight of boys, καλός. [7]

Peisistratos tyrant of ancient Athens

Peisistratos, Latinized Pisistratus, the son of Hippocrates, was a ruler of ancient Athens during most of the period between 561 and 527 BC. His legacy lies primarily in his instituting the Panathenaic Games, historically assigned the date of 566 B.C., and the consequent first attempt at producing a definitive version of the Homeric epics. Peisistratos' championing of the lower class of Athens, the Hyperakrioi, is an early example of populism. While in power, Peisistratos did not hesitate to confront the aristocracy, and he greatly reduced their privileges, confiscated their lands and gave them to the poor, and funded many religious and artistic programs.

While John Boardman in his studies postulated the age of the depicted youths to range from 12 to 14, they are now believed to range in age from 14 to 18. [8]

Practice

"Up-and-down" gesture
Detail from an Attic black-figure cup, ca. 530 BC-520 BCE. Pederastic courtship Louvre CA3096 n2.jpg
"Up-and-down" gesture
Detail from an Attic black-figure cup, ca. 530 BC–520 BCE.

In Athens the practice of pederasty was more freely constructed than the more formal Cretan and Spartan types. [9] Men courted boys at the gymnasia or the palaestrae, at symposia, at the baths and on the streets of the city.[ citation needed ] Fathers wanting to protect their sons from unwanted advances provided them with a slave guard, titled "pedagogos," to escort the boy in his travels.[ citation needed ]

Gymnasium (ancient Greece) ancient Greek training facility

The gymnasium in Ancient Greece functioned as a training facility for competitors in public game(s). It was also a place for socializing and engaging in intellectual pursuits. The name comes from the Ancient Greek term gymnós meaning "naked". Only adult males were allowed to use the gymnasia.

A palaestra was the site of ancient Greek wrestling schools. Events that did not require a lot of space, such as boxing and wrestling, were practised there. The palaestra functioned both independently and as a part of public gymnasia; a palaestra could exist without a gymnasium, but no gymnasium could exist without a palaestra.

Symposium

In ancient Greece, the symposium was a part of a banquet that took place after the meal, when drinking for pleasure was accompanied by music, dancing, recitals, or conversation. Literary works that describe or take place at a symposium include two Socratic dialogues, Plato's Symposium and Xenophon's Symposium, as well as a number of Greek poems such as the elegies of Theognis of Megara. Symposia are depicted in Greek and Etruscan art that shows similar scenes.

The courtship often was fiery, involving street fights with other suitors, sleeping on the threshold of the beloved as a show of sincerity, and composing and reciting love poems. [10] In encountering the boy, the suitor would attempt to seduce him by reaching up with one hand to turn his face to look him straight in the eye, and with the other reach down to stimulate him sexually, a variant of the standard pleading form in which one would grasp the knees of the person with one hand and turn his face with the other. [11] This ritual has been named by historians the "up and down gesture" and is routinely encountered in depictions on vases.

The erotic and sexual aspect of the relationship, usually consisting of embracing, fondling and intercrural sex, ended when the youth reached adulthood, and evolved into a lifelong friendship (philia). [12]

Law

A number of laws addressed the issue of relations between men and boys. None but citizens could engage free boys in pederastic relationships. A law stated that “A slave shall not be the lover of a free boy nor follow after him, or else he shall receive fifty blows of the public lash”, and slaves likewise were forbidden from the wrestling schools: “A slave shall not take exercise or anoint himself in the wrestling-schools”. Both laws were attributed to Solon. [13] [14] Commercial pederasty involving free boys was also forbidden. The relative who lent out a ward for illicit intercourse was punished. Boys who sold their favors (hetaireesis) risked losing most of their rights as citizens once come to adulthood. One surviving piece of Greek oratory documents a legal case, Against Timarchos, in which Aeschines pleads to enforce precisely that law against his opponent. Hubris (rape) was against the law not only in the case of free boys, but even with slaves. [14]

In order to prevent teachers from taking advantage of their charges, a law was passed forbidding them from opening their schools before dawn or staying open past sunset. Likewise, there was a law threatening with death any man under forty who trespassed onto school grounds. [15]

Cultural references

In a funeral speech ascribed to him by Thucydides, Pericles exhorts the Athenians to "gaze day after day on the power of the city and become her erastai ", interpreted to mean "that citizen-soldiers should behave towards Athens like boyfriends, erastai: i.e. love the city without calculation, more than life itself." [16]

Athenian pederasty is a major theme in the 1956 historical novel The Last of the Wine by Mary Renault.

See also

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References

  1. Antike Welten: Meisterwerke griechischer Malerei as dem Kunsthistorischen Museum Wien, 1997, pp.110-111
  2. Yates, Velvet Lenore, "Anterastai: Competition in Eros and Politics in Classical Athens" in Arethusa Volume 38, Number 1, Winter 2005, pp. 33-47.
  3. Nick Fisher, Aeschines: Against Timarchos, "Introduction," p.27; Oxford University Press, 2001.
  4. Rommel Mendès-Leite et al. Gay Studies from the French Cultures p.157
  5. William Armstrong Percy III, "Reconsiderations about Greek Homosexualities," in Same–Sex Desire and Love in Greco-Roman Antiquity and in the Classical Tradition of the West, Binghamton, 2005; pp.30-31
  6. Adolf Furtwängler, Lexicon iconographicum mythologiae classicae I 1353
  7. Wilhelm Kroll "Knabenliebe" in Pauly-Wissowa, Realencyclopaedie der klassischen Altertumswissenschaft, vol. 11, cols. 897-906 .
  8. Percy, 2005, p.54
  9. Thomas Scanlon, Eros and Greek Athletics, Oxford, 2002; p.213
  10. Aeschines, Against Timarchos
  11. A. Calimach, Lovers' Legends: The Gay Greek Myths p.123.
  12. Vernon Provencal, "Glukus Himeros: Pederastic Influence on the Myth of Ganymede," in Same-Sex Desire and Love in Greco-Roman Antiquity and in the Classical Tradition of the West, ed. B. C. Verstraete and V. Provencal, Harrington Park Press, 2005, pp.64-70.
  13. Aeschines, Against Timarchos 1.138-139
  14. 1 2 Wilhelm Kroll "Knabenliebe" in Pauly-Wissowa, Realencyclopaedie der klassischen Altertumswissenschaft, vol. 11, cols. 897-906
  15. See "Archived copy". Archived from the original on 2006-05-16. Retrieved 2006-04-28. on the protection of Athenian boys against unlawful acts.
  16. James Davidson, "Mr and Mr and Mrs and Mrs" in London Review of Books June 2, 2005 accessed Oct 1, 2007