The International Council on Monuments and Sites is a professional association that works for the conservation and protection of cultural heritage places around the world. Now headquartered in Charenton-le-Pont, France, ICOMOS was founded in 1965 in Warsaw as a result of the Venice Charter of 1964, and offers advice to UNESCO on World Heritage Sites.
World Monuments Fund (WMF) is a private, international, non-profit organization dedicated to the preservation of historic architecture and cultural heritage sites around the world through fieldwork, advocacy, grantmaking, education, and training.
Conservation and restoration of immovable cultural property describes the process through which the material, historical, and design integrity of any immovable cultural property are prolonged through carefully planned interventions. The individual engaged in this pursuit is known as an architectural conservator-restorer. Decisions of when and how to engage in an intervention are critical to the ultimate conservation-restoration of cultural heritage. Ultimately, the decision is value based: a combination of artistic, contextual, and informational values is normally considered. In some cases, a decision to not intervene may be the most appropriate choice.
The year 1931 in archaeology involved some significant events.
Cultural heritage is the heritage of tangible and intangible heritage assets of a group or society that is inherited from past generations. Not all heritages of past generations are "heritage"; rather, heritage is a product of selection by society.
The Venice Charter for the Conservation and Restoration of Monuments and Sites is a set of guidelines, drawn up in 1964 by a group of conservation professionals in Venice, that provides an international framework for the conservation and restoration of historic buildings. However, the document is now seen as outdated, representing Modernist views opposed to reconstruction. Reconstruction is now cautiously accepted by UNESCO in exceptional circumstances if it seeks to reflect a pattern of use or cultural practice that sustains cultural value, and is based on complete documentation without reliance on conjecture. The change in attitude can be marked by the reconstruction in 2015 of the Sufi mausoleums at the Timbuktu World Heritage Site in Mali after their destruction in 2012.
Camillo Boito was an Italian architect and engineer, and a noted art critic, art historian and novelist.
The International Committee for the Conservation of the Industrial Heritage, usually known by its acronym TICCIH, is the international society dedicated to the study of industrial archaeology and the protection, promotion and interpretation of the industrial heritage. TICCIH's Nizhny Tagil Charter (archived), signed in 2003, is the international guidance document for the industrial heritage. In 2011, the Joint ICOMOS – TICCIH Principles for the Conservation of Industrial Heritage Sites, Structures, Areas and Landscapes, also called "The Dublin Principles", were adopted in Paris.
The Burra Charter is a document published by the Australian ICOMOS which defines the basic principles and procedures to be followed in the conservation of Australian heritage places. The Charter was first endorsed in 1979 as an Australian adaptation of the Venice Charter, but with the introduction of a new analytical conservation model of heritage assessment that recognised forms of cultural heritage beyond tangible and physical forms. The Charter was the first national heritage document to replace the Venice Charter as the basis of national heritage practice. The Charter has been revised on four occasions since 1979, and has been internationally influential in providing standard guidelines for heritage conservation practice.
Australia ICOMOS is a peak cultural heritage conservation body in Australia. It is a branch of the United Nations-sponsored International Council on Monuments and Sites (ICOMOS), a non-government professional organisation promoting expertise in the conservation of place-based cultural heritage. Its secretariat is based at the Cultural Heritage Centre for Asia and the Pacific at Deakin University.
Knoll, is an American company that manufactures office systems, seating, storage systems, tables, desks, textiles, as well as accessories for the home, office, and higher education. The company is the licensed manufacturer of furniture designed by notable architects and designers such as David Adjaye, Harry Bertoia, Ludwig Mies van der Rohe, Florence Knoll, Frank Gehry, Charles Gwathmey, Maya Lin, Marc Newson, Ini Archibong, Eero Saarinen, and Lella and Massimo Vignelli, under the company's KnollStudio division. Over 40 Knoll designs can be found in the permanent design collection of the Museum of Modern Art in New York City.
Charles Emil Peterson (1906–2004) is widely considered to be a seminal figure in professionalizing the practice of historic preservation in the United States. He is referred to as the "founding father" of the professional advocation of historic preservation, the "godfather of preservation," and an "extraordinary preservationist" who made important contributions to the knowledge of early American building practices, helped create the profession of the preservation architect, and passionately advocated for the retention and restoration of the American built heritage. According to Jacques Dalibard, a professor at McGill University School of Architecture, "with James Marston Fitch, I cannot think of two people who had more influence on historic preservation in North America."
Reconstruction in architectural conservation is the returning of a place to a known earlier state by the introduction of new materials. It is related to the architectural concepts of restoration and preservation, wherein the most extensive form of reconstruction is creating a replica of a destroyed building.
The Barcelona Charter, in full the European Charter for the Conservation and Restoration of Traditional Ships in Operation is an informal but widely accepted standard for maintenance and restoration projects on historic watercraft that are still in operation as active sailing vessels.
Archaeology Under the Canopy is a conservation strategy developed by Dr. Anabel Ford for the preservation of pre-Columbian Maya monuments at the archeological site El Pilar, an ancient Maya center on the border of Belize and Guatemala. This style of conservation encourages the conservation of rainforest foliage for the protection of monuments and the strategic exposure of ancient structures.
Pietro Porcinai is renowned as one of the most outstanding Italian landscape architects of the twentieth century. He designed a wide variety of projects on the most diverse scales: gardens and public parks, industrial districts, hotels and tourist villages, motorways and agricultural areas. The hundreds of projects implemented in Italy and abroad comprise the most extraordinary “landscaped” gardens, perfectly integrated within the surroundings and so natural as to appear untouched by human hand.
Raymond Martin Marie Ghislain, Baron Lemaire was an art historian and an architectural historian, a leading expert in conservation and professor at the Catholic University of Leuven and later at the KU Leuven and the Université catholique de Louvain in Louvain-la-Neuve.
The International Scientific Committee on Cultural Landscapes (ISCCL) is a committee of scientific experts on cultural landscapes that works, as a part of the International Council on Monuments and Sites (ICOMOS), to develop international guidance on cultural landscape documentation and management, and to prepare expert recommendations for prospective World Heritage nominations. The committee functions as a joint effort with members from both ICOMOS and the International Federation of Landscape Architects (IFLA).
The Classification of Built Heritage in Portugal corresponds to a group or independent Portuguese archeological civic, military and religious cultural properties deemed to be of sufficient historical value by the Direção-Geral do Património Cultural for protection and conservation. The precise rules for the classification and protection of cultural properties are defined in a heritage registry, that includes inventories of the natural and man-made, tangible and intangible, movable and immovable properties of a cultural, esthetic, social, technical and scientific nature.