This article needs additional citations for verification .(August 2021) |
Awake, My Soul: The Story of the Sacred Harp | |
---|---|
Directed by | Matt Hinton Erica Hinton |
Written by | Matt Hinton Erica Hinton John Plunkett |
Produced by | Matt Hinton |
Narrated by | Jim Lauderdale |
Cinematography | Matt Hinton Erica Hinton |
Edited by | Matt Hinton w/ Jennifer Brooks |
Music by | William Billings William Walker B. F. White E. J. King |
Distributed by | Awake Productions |
Release date |
|
Running time | 75 minutes |
Country | United States |
Language | English |
Awake, My Soul: The Story of the Sacred Harp is a 2006 documentary film directed by Matt and Erica Hinton, and narrated by Jim Lauderdale. [2] [3] It follows the folk tradition of Sacred Harp singing, a type of shape-note singing, kept alive by amateur singers in the rural American South.
The Sacred Harp singers:
The Jazz Singer is a 1927 American part-talkie musical drama film directed by Alan Crosland and produced by Warner Bros. Pictures. It is the first feature-length motion picture with both synchronized recorded music and lip-synchronous singing and speech. Its release heralded the commercial ascendance of sound films and effectively marked the end of the silent film era with the Vitaphone sound-on-disc system, featuring six songs performed by Al Jolson. Based on the 1925 play of the same title by Samson Raphaelson, the plot was adapted from his short story "The Day of Atonement".
The Blues Brothers are an American blues and soul revivalist band founded in 1978 by comedians Dan Aykroyd and John Belushi as part of a musical sketch on Saturday Night Live. Belushi and Aykroyd were lead vocalist 'Joliet' Jake Blues and harmonica player and vocalist Elwood Blues, respectively, donning black suits with matching trilby hats and sunglasses. The band was composed of well-known musicians and debuted as the musical guest in a 1978 episode of Saturday Night Live, opening the show performing "Hey Bartender" and "Soul Man".
Shape notes are a musical notation designed to facilitate congregational and social singing. The notation, introduced in late 18th century England, became a popular teaching device in American singing schools. Shapes were added to the noteheads in written music to help singers find pitches within major and minor scales without the use of more complex information found in key signatures on the staff.
Sacred Harp singing is a tradition of sacred choral music that originated in New England and was later perpetuated and carried on in the American South. The name is derived from The Sacred Harp, a ubiquitous and historically important tunebook printed in shape notes. The work was first published in 1844 and has reappeared in multiple editions ever since. Sacred Harp music represents one branch of an older tradition of American music that developed over the period 1770 to 1820 from roots in New England, with a significant, related development under the influence of "revival" services around the 1840s. This music was included in, and became profoundly associated with, books using the shape note style of notation popular in America in the 18th and early 19th centuries.
Georgia's musical history is diverse and substantial; the state's musicians include Southern rap groups such as Outkast and Goodie Mob, as well as a wide variety of rock, pop, blues, and country artists such as the late Ray Charles, Otis Redding, James Brown, and The Allman Brothers Band. The music of Athens, Georgia is especially well known for a kind of quirky college rock that has included such well-known bands as R.E.M., The B-52's, and Pylon.
Benjamin Franklin White was a shape note "singing master", and compiler of the shape note tunebook known as The Sacred Harp. He was born near Cross Keys in Union County, South Carolina, the twelfth child of Robert and Mildred White.
Thomas Jackson Denson was a notable Alabama musician and singing school teacher within the Sacred Harp tradition. He was the youngest of the four sons of the Levi Phillip Denson, a farmer, a gold miner in Arbacoochee, Cleburne County and a Methodist minister, and Julia Ann Jones Denson. Thomas J. Denson was born in 1863 in Arbacoochee and named after Stonewall Jackson. He was married to Amanda Burdette, a music and literary teacher, a singer, and song composer, until her death in 1910; she was the younger sister of Sidney Burdette, his brother's wife. They had five children: two sons, Paine W. Denson and William Howard Denson; and three daughters, Anna Eugenia Denson, Maggie Francis Denson, and Jarusha Henrietta Denson. In 1914, he married Lola Mahalia Akers, with whom he had three daughters: Violet Denson Hinton, Vera Denson Nunn, and Tommye Mahalia Denson Mauldin.
Daniel Read was an American composer of the First New England School, and one of the primary figures in early American classical music.
Ananias Davisson was a singing school teacher, printer and compiler of shape note tunebooks. He is best known for his 1816 compilation Kentucky Harmony, which is the first Southern shape-note tunebook. According to musicologist George Pullen Jackson, Davisson's compilations are "pioneer repositories of a sort of song that the rural South really liked."
"Silver Dagger", with variants such as "Katy Dear", "Molly Dear", "The Green Fields and Meadows", "Awake, Awake, Ye Drowsy Sleepers" and others, is an American folk ballad, whose origins lie possibly in Britain. These songs of different titles are closely related, and two strands in particular became popular in commercial Country music and Folk music recordings of the twentieth century: the "Silver Dagger" version popularised by Joan Baez, and the "Katy Dear" versions popularised by close harmony brother duets such as The Callahan Brothers, The Blue Sky Boys and The Louvin Brothers.
Jesse Harris is an American singer-songwriter, producer, and guitarist. He has worked with Norah Jones, Melody Gardot, Madeleine Peyroux, Nikki Yanofsky, and Lizz Wright.
Elizabeth LaCharla Wright professionally known as Lizz Wright, is an American jazz and gospel singer.
James Douglas Morrison was an American singer-songwriter and poet who was the lead vocalist and lyricist of the rock band the Doors. Due to his energetic persona, poetic lyrics, distinctive voice, erratic and unpredictable performances, along with the dramatic circumstances surrounding his life and early death, Morrison is regarded by music critics and fans as one of the most influential frontmen in rock history. Since his death, his fame has endured as one of popular culture's top rebellious and oft-displayed icons, representing the generation gap and youth counterculture.
Bishi Bhattacharya, typically known mononymously as Bishi, is a British, London-based, singer-songwriter, multi-instrumentalist, multimedia performer, producer, composer and DJ of Bengali heritage. She is the artistic director and co-founder of WITCiH, The Women in Technology Creative Industries Hub, a platform to increase the visibility of women at the intersection of music, creative technology and STEM. Bishi was first recognised in 2001 as the central DJ and 'face' of London's experimental underground nightclub, Kash Point.
Hugh McGraw was a leading figure in contemporary Sacred Harp singing. He was the General Chairman of the committee that created the 1991 Denson revision of The Sacred Harp and played an important role in promoting the spread of Sacred Harp singing. Sacred Harp scholar Buell Cobb has called him "perhaps the chief promoter and good will agent of Sacred Harp music".
Tim Eriksen is an American musician, musicologist, and professor. He is the leader of the band Cordelia's Dad, a solo artist, and was a performer and consultant for the award-winning soundtrack of the film Cold Mountain.
Awake My Soul may refer to:
Juan Winans is an American singer/songwriter, music producer, and a third-generation member of the Winans family.
Otis Ray Redding Jr. was an American singer and songwriter. He is regarded as one of the greatest singer-songwriters in the history of American popular music and a seminal artist in soul music and rhythm and blues. Nicknamed the "King of Soul", Redding's style of singing gained inspiration from the gospel music that preceded the genre. His singing style influenced many other soul artists of the 1960s.
"Daniel and the Sacred Harp" is a song written by Robbie Robertson that was first released by The Band on their 1970 album Stage Fright. It has been covered by such artists as Barrence Whitfield.