New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946.
Triptych is a ballet made by Christopher d'Amboise to Bartók's Music for Strings, Percussion and Celesta, as part of New York City Ballet's Diamond Project. The premiere took place on Wednesday, 7 June 2000 at the New York State Theater, Lincoln Center.
Tribute is a ballet made by Christopher d'Amboise to music by Johann Sebastian Bach. The première took place Saturday, June 4, 2005, at the School of American Ballet workshop performance, Juilliard Theater, Lincoln Center for the Performing Arts. The New York City Ballet première was Sunday, February 4, 2007, at the New York State Theater, also at Lincoln Center.
The balcony scene from Romeo and Juliet was staged by Sean Lavery, assistant to the ballet master in chief at New York City Ballet to Prokofiev's Romeo and Juliet (1934–1940). The premiere took place 24 February 1991 at the New York State Theater, Lincoln Center.
Octet is a ballet made by New York City Ballet balletmaster in chief Peter Martins to Mendelssohn's Octet in E-flat major (1825). The premiere took place November 14, 2003 at the Royal Danish Ballet, Copenhagen; the NYCB premiere was November 23, 2004, at the New York State Theater, Lincoln Center.
Ode is a ballet made by Lorca Massine to eponymous music from 1943 by Igor Stravinsky. The premiere took place June 23, 1972, as part of New York City Ballet's Stravinsky Festival at the New York State Theater, Lincoln Center.
The Zenobia Pas de Deux is a ballet made by George Balanchine, subsequently co-founder and founding choreographer of the New York City Ballet for Richard Rodgers's 1936 musical On Your Toes, in which it was performed under the title La Princesse Zenobia Ballet. Balanchine parodies such Oriental-style ballets as Schéhérazade. The City Ballet premiere took place on Tuesday, November 23, 1993, at the New York State Theater, Lincoln Center.
In Vento is a ballet by Mauro Bigonzetti, artistic director of Italy's Aterballetto dance company, to eponymous music of Bruno Moretti. It was commissioned as part of New York City Ballet's Diamond Project. The premiere took place May 4, 2006, as part of the at the David H. Koch Theater, Lincoln Center. In Vento is the second of three Bigonzetti / Moretti ballets commissioned by City Ballet, the others being Vespro and Oltremare.
Troy Schumacher is an American choreographer, dancer, and director based in New York City. He is a soloist in the New York City Ballet and has choreographed for the company since 2014; before being promoted to soloist, he danced in NYCB's corps de ballet starting in 2005. He is the founder of BalletCollective, an arts collective that has created new ballet-based works since its inception in 2010. His work has been presented by New York City Ballet, Performa, Danspace Project, Guggenheim Works and Process, the Joyce Theater, and NYU Skirball Center. In addition to live performances, Schumacher has choreographed numerous fashion and commercial shoots, including works for Sony PlayStation, Capezio featuring Maddie Ziegler, HP, Aritzia, CR Fashion Book, Tom Ford, and The New York Times.
Two Birds with the Wings of One is a ballet made by Jean-Pierre Bonnefoux for New York City Ballet's Diamond Project to two poems from the Sung Dynasty and "Chi Lin's Dance" from Flute Moon by Bright Sheng. The premiere took place on May 25, 2006, at New York State Theater, Lincoln Center.
Andantino, originally titled Pas de Deux, is a ballet made for New York City Ballet's Tschaikovsky Festival by ballet master Jerome Robbins to the second movement of the composer's Piano Concerto No. 1 in B flat minor, Op. 23 (1875). The premiere took place on 4 June 1981 at New York State Theater, Lincoln Center, with costumes by Ben Benson and lighting by Ronald Bates.
Opus 19/The Dreamer is a ballet made by New York City Ballet balletmaster Jerome Robbins to Prokofiev's Violin Concerto No. 1, in D major with costumes by Ben Benson and lighting by Ronald Bates. The premiere took place on June 14, 1979, at the New York State Theater, Lincoln Center. Peter Boal danced it with Wendy Whelan as part of his June 2005 farewell performance at City Ballet.
Tschaikovsky Piano Concerto No. 2, originally called Ballet Imperial, is a ballet in three movements made by New York City Ballet's co-founder and founding choreographer George Balanchine for his earlier company, American Ballet Caravan, to the version of Peter Ilyitch Tchaikovsky's Piano Concerto No. 2, originally composed in 1879–80, but later revised by Alexander Siloti. The ballet was given a preview performance on 29 May 1941 at the Little Theater of Hunter College in New York City. The premiere took place on 25 June 1941 at Teatro Municipal, Rio de Janeiro.
Élégie is a ballet made by New York City Ballet's founding ballet master George Balanchine to Igor Stravinsky's Élégie for solo viola (1944). The first of three ballets made with this title was a pas de deux which had its première Monday, November 5, 1945, on a program of the National Orchestral Society entitled Adventure in Ballet, together with Circus Polka, danced by School of American Ballet students with Todd Bolender as guest artist, and Symphonie Concertante.
Variations is a ballet made by New York City Ballet co-founder and founding choreographer George Balanchine to Stravinsky's Variations: Aldous Huxley in memoriam (1963–64). The premiere took place on Thursday, 31 March 1966 at the New York State Theater, Lincoln Center; Balanchine made a new version for City Ballet's 1982 Stravinsky Centennial Celebration.
Variations for Orchestra is the last ballet made by New York City Ballet co-founder and founding choreographer George Balanchine to Igor Stravinsky's Variations: Aldous Huxley in memoriam (1963–64). The premiere took place on Friday, 2 July 1982 at the New York State Theater, Lincoln Center.
Who Cares? is a ballet made by New York City Ballet's co-founder and founding choreographer George Balanchine to the songs of George Gershwin in an orchestration by Hershy Kay. The premiere took place on Saturday, February 7, 1970, at the New York State Theater, Lincoln Center with costumes by Barbara Karinska and lighting by Ronald Bates; it was at first performed without décor but from November 1970 with scenery by Jo Mielziner.
The Unanswered Question: Some Intimations of the American Composer Charles Ives is a ballet made by Eliot Feld to Charles Ives' The Unanswered Question, Calcium Light Night, Fugue in Four Keys, Mists, From the Housatonic at Stockbridge, Sonata No. 2 for Piano and Violin, Remembrance and An Old Song Deranged. The premiere took place April 30, 1988, at the New York State Theater, Lincoln Center, as part of New York City Ballet's American Music Festival with lighting by the Feld Ballet's Allen Lee Hughes and Willa Kim's costumes. Other works to the music of Ives in the City Ballet repertory include Peter Martins' Calcium Light Night, Jerome Robbins' Ives, Songs and George Balanchine's Ivesiana.
