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Jennifer Dunning (born February 4, 1942) is a writer and critic for The New York Times on the subjects of dance and ballet. She is the author of the 1985 But First a School: The First Fifty Years of the School of American Ballet, the 1996 Alvin Ailey, a Life in Dance, [1] and the 1997 Great Performances: A Celebration.
Dunning was born in New York City and studied dance. In 1977 she became the ballet critic for The New York Times. [2] She retired from the paper in 2008. [3]
San Francisco Ballet is the oldest ballet company in the United States, founded in 1933 as the San Francisco Opera Ballet under the leadership of ballet master Adolph Bolm. The company is currently based in the War Memorial Opera House, San Francisco, and effective December 2022 under the direction of Tamara Rojo. It is among the world's leading dance companies, presenting more than 100 performances annually, with a repertoire that spans both classical and contemporary ballet. Along with American Ballet Theatre and the New York City Ballet, San Francisco Ballet has been described as part of the "triumvirate of great classical companies defining the American style on the world stage today."
Eliot Feld is an American modern ballet choreographer, performer, teacher, and director. Feld works in contemporary ballet. His company and schools, including the Feld Ballet and Ballet Tech, are involved in dance and dance education in New York City.
Ernestina Ramirez was an American dancer and educator, best known as the founder and artistic director (1970–2009) of Ballet Hispanico, the premier Latino dance organization in the United States.
The Joyce Theatre Foundation is a leading presenter of dance in New York City and nationally. It is runs, in part, from the Joyce Theater, a 472-seat dance performance venue located in the Chelsea neighborhood of Manhattan in New York City. The Joyce occupies the Elgin Theater, a former movie house that opened in 1941 and was gut-renovated and reconfigured in 1981–82.
Amar Ramasar is an American ballet dancer and former principal dancer of the New York City Ballet (NYCB). Ramasar joined the NYCB as an apprentice in 2000 and joined the corps de ballet in 2001. As of 2010, Ramasar remained the only person of color who was a principal in NYCB.
Miranda Weese is an American former ballet dancer, teacher and ballet master. She joined the New York City Ballet in 1993 and was promoted to principal dancer in 1996. In 2007, she left to perform with the Pacific Northwest Ballet, first as a guest artist, then joined the company as a principal dancer, before retiring in 2010. In 2017, she joined the Boston Ballet as a children's ballet master.
Eleanor Campbell King (1906–1991) was an American modern dancer, choreographer, and educator. She was a member of the original Humphrey-Weidman company, where she was a principal dancer in the pioneering modern dance movement in New York City, then moving on to choreography and founding her own dance company in Seattle, Washington. She was a professor emerita at the University of Arkansas, where she taught from 1952 to 1971, before retiring to Santa Fe, New Mexico, to start a new course of study into classical Japanese and Korean dance. She choreographed over 120 dance works, and wrote extensively for a variety of dance publications. In 1948, she was named Woman of the Year in Seattle, and in 1986 was listed as a "Santa Fe Living Treasure", also receiving the New Mexico Governor's Artist Award. In 2000, her archive was recognized by the White House Millennium Council's "Save America's Treasures" program.
Fanfare is a one-act ballet choreographed by Jerome Robbins to Benjamin Britten's The Young Person's Guide to the Orchestra, in celebration of the Coronation of Queen Elizabeth II. The ballet premiered on June 2, 1953, the night of the coronation, at the City Center of Music and Drama, danced by the New York City Ballet.
Susan Coxe Hendl was an American ballet dancer and répétiteur. She danced with the New York City Ballet between 1963 and 1983, then staged and coached works by George Balanchine and Jerome Robbins for both NYCB and other companies.
Misty Danielle Copeland is an American ballet dancer for American Ballet Theatre (ABT), one of the three leading classical ballet companies in the United States. On June 30, 2015, Copeland became the first African American woman to be promoted to a principal dancer in ABT's 75-year history.
Carmen de Lavallade is an American actress, choreographer and dancer. For many years, she was associated with and married to Tony Award-winning actor, dancer, and director Geoffrey Holder. In 2017, she received the Kennedy Center Honors award for lifetime achievement and contributions to American culture.
Eva Maria Evdokimova-Gregori was a Bulgarian-American Prima Ballerina Assoluta with the Royal Danish, Berlin Opera Ballets, English National Ballet and guest artist with virtually every major ballet company worldwide.
Cynthia Harvey is an American former ballet dancer, ballet mistress and educator. She joined the American Ballet Theatre (ABT) in 1974 and was promoted to principal dancer in 1982. In 1986, she joined The Royal Ballet, becoming the company's first American principal dancer. She returned to ABT two years later, and retired in 1996. She then started teaching and staging ballets across the world. Between 2016 and 2022, she was the artistic director of the Jacqueline Kennedy Onassis School, the affiliated school of ABT.
Lydia Johnson Dance is a contemporary dance company that performs the choreography of Lydia Johnson, primarily in New York City and New Jersey. It is notable for combining ballet and modern dance, sometimes isolating and reworking "components of classical ballet technique." The company was founded in 1999 by Johnson, a choreographer. She has choreographed dance works to various composers including Beethoven, the alternative rock band Cake, Philip Glass, Argentine composer Osvaldo Golijov, Polish composer Henryk Górecki, and others. Since 2008 the company has received annual support from the Geraldine R. Dodge Foundation. Performances tend to have six or seven to twelve dancers, and the company has performed in numerous venues in New Jersey and New York City, and it is based in northern New Jersey. In addition, Lydia Johnson Dance runs a school to teach dance and choreography.
Anna Lærkesen was a Danish ballet dancer who was a soloist at the Royal Danish Ballet. She had her debut at the theatre in the Bournonville version of La Sylphide as the first sylph (1959). She was appointed soloist in 1964 and was promoted to 1st female soloist two years later, a title that had until then only been bestowed upon Margot Lander. After long periods of illness, she was dismissed from service shortly before her 25th anniversary where she would have appeared in a production of Livjægerne på Amager in which she would have portrayed the character of Louise.
Paul E. Frame is an American chiropractor and retired ballet dancer. Frame danced as a member of the corps de ballet at New York City Ballet for ten years before retiring from the stage. He is currently the resident chiropractor for Ballet Arizona.
Stephanie Renee Dabney was an American dancer who performed as a prima ballerina with Dance Theatre of Harlem from 1979 through 1994. Dabney is best known for her performances in John Taras' The Firebird, which she performed all over the world, as well as at the opening ceremony of the 1984 Summer Olympics in Los Angeles.
Karen Brown is an American ballerina, educator, répétiteur, ballet mistress, and director. She is noted for her long career as a principal dancer with the Dance Theatre of Harlem and as the first African-American woman to lead a ballet company.
Jennifer A. Homans is an American historian, author, and dance critic. Her book Apollo's Angels: A History of Ballet was a finalist for the National Book Critics Circle Award in 2010.
Maria Calegari is an American ballet dancer, teacher and répétiteur. She joined the New York City Ballet in 1974 and became a principal dancer in 1983. She left the company in 1994, then occasionally performed until 2004. She also teaches ballet and began working as a répétiteur for the Balanchine Trust and Robbins Rights Trust in 1996 and 2003 respectively.
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