Baldassare Estense (ca. 1443 - after 1504) was an Italian painter.
He was born in Reggio, has been supposed to have been an illegitimate scion of the house of Este, since no mention of his father's name ever occurs in contemporary records, whilst he was called 'Estensis,' and received unusual promotion and rewards from the Dukes of Ferrara. He was a pupil of Cosimo Tura, and was also a medallist. In 1469 he painted the likeness of Borso I, and was ordered to present it in person to the Duke of Milan. From 1471 to 1504 he was a salaried officer at the court of Ferrara, living first in Castel Nuovo, for which he painted a canvas that has perished, and afterwards in Castel Tedaldo, of which he was the governor. In 1483 he painted the portrait of Tito Strozzi, now in the Costabili Gallery at Ferrara. His will, dated 1500, is in the archives of Ferrara, but the exact date of his death is unknown.
Portrait of Baldassare Castiglione is a c. 1514–1515 oil painting attributed to the Italian High Renaissance painter Raphael. Considered one of the great portraits of the Renaissance, it has an enduring influence. It depicts Raphael's friend, the diplomat and humanist Baldassare Castiglione, who is considered a quintessential example of the High Renaissance gentleman.
Ridolfo di Domenico Bigordi, better known as Ridolfo Ghirlandaio was an Italian Renaissance painter active mainly in Florence. He was the son of Domenico Ghirlandaio.
Cosmê Tura, also known as Il Cosmè or Cosimo Tura, was an Italian early-Renaissance painter and considered one of the founders of the School of Ferrara.
Sebastiano Filippi was an Italian late Renaissance – Mannerist painter of the School of Ferrara.
Francesco Costanzo Catanio, was a painter of the Italian Baroque period, born and mainly active in Ferrara. He was variously known as Catanio, Cattani, Cattaneo, or Cattanio, sometimes without the forename Francesco.
The Ducal Palace in Sassuolo is a Baroque villa located in the town of Sassuolo, thirty minutes outside Modena, northern Italy.
Giuseppe Caletti or Calletti was an Italian painter and engraver of the Baroque period, active in Ferrara and Cremona. He often painted religious themes in a genre like dress and surroundings, including the theme of Bacchanalia like Titian.
Vittorio Bigari was an Italian painter of the late-Baroque period.
Alfonso Rivarola was an Italian painter of the Baroque period, active mainly in Ferrara, where he was born. He is also known as il Chenda because of an inheritance he received from someone with that name.
The decade of the 1440s in art involved some significant events.
The Feast of the Gods is an oil painting by the Italian Renaissance master Giovanni Bellini, with substantial additions in stages to the left and center landscape by Dosso Dossi and Titian. It is one of the few mythological pictures by the Venetian artist. Completed in 1514, it was his last major work. It is now in the National Gallery of Art in Washington D.C., which calls it "one of the greatest Renaissance paintings in the United States".
Francesco Bianchi was an Italian painter of the Renaissance period. He is also known as Francesco del Bianchi Ferrara and Il Frare. He was born at Ferrara. Modena is also mentioned as the place of his birth. His works were much esteemed in his time. He was a pupil of Cosimo Tura. He is said to have been an instructor of Correggio, but Bianchi would have died when the former was only 16 years old.
The Galleria Estense is an art gallery in the heart of Modena, centred around the collection of the d’Este family: rulers of Modena, Ferrara and Reggio from 1289 to 1796. Located on the top floor of the Palazzo dei Musei, on the St. Augustine square, the museum showcases a vast array of works ranging from fresco and oil painting to marble, polychrome and terracotta sculpture; musical instruments; numismatics; curios and decorative antiques.
Giovanni Maria Chiodarolo was an Italian painter from Bologna who lived in the 15th century. Little further is known of him than that the fresco of Angel crowning St. Valerian and St. Cecilia, executed about 1504–1509, in the oratory of St. Cecilia, attached to San Giacomo Maggiore, in Bologna, is by tradition assigned to him. He painted there alongside Cesare Tamarozzo. Other frescoes in the oratory were done by Francia, Amico Aspertini, and Lorenzo Costa the Elder. A Nativity in the Bologna Gallery is also ascribed to Chiodarolo.
Taddeo Crivelli, also known as Taddeo da Ferrara, was an Italian painter of illuminated manuscripts. He is considered one of the foremost 15th-century illuminators of the Ferrara school, and also has the distinction of being the probable engraver of the first book illustrated with maps, which was also the first book using engraving.
Andrea del Brescianino or Dei Piccinelli was an Italian painter of the Renaissance period, active mainly in Siena. Together with his brother Raffaello they were known as the Brescianini of Siena.
Ercole dell'Abate or dell'Abbate (1573–1613) was an Italian mannerist painter in his native Modena. In English, his name is sometimes given as Ercole Abbate, Abate or Abati.
The Tribute Money is a panel painting in oils of 1516 by the Italian late Renaissance artist Titian, now in the Gemäldegalerie Alte Meister in Dresden, Germany. It depicts Christ and a Pharisee at the moment in the Gospels when Christ is shown a coin and says "Render unto Caesar the things that are Caesar's, and unto God the things that are God's". It is signed "Ticianus F.[ecit]", painted on the trim of the left side of the Pharisee's collar.
Stefano da Ferrara was an Italian painter from Ferrara who active in the latter half of the 15th century.
Camillo Filippi was an Italian painter who flourished about the middle of the 16th century.
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