The Royal Shakespeare Company (RSC) is a major British theatre company, based in Stratford-upon-Avon, Warwickshire, England. The company employs over 1,000 staff and opens around 20 productions a year. The RSC plays regularly in London, Stratford-upon-Avon, and on tour across the UK and internationally.
Dame Janet Suzman, is a South African-born British actress who had a successful early career in the Royal Shakespeare Company, later replaying many Shakespearean roles on television. In her first film, Nicholas and Alexandra (1971), her performance as Empress Alexandra Feodorovna earned her several honours, including a nomination for the Academy Award for Best Actress.
Sir Peter Reginald Frederick Hall CBE was an English theatre, opera and film director. His obituary in The Times declared him "the most important figure in British theatre for half a century" and on his death, a Royal National Theatre statement declared that Hall's "influence on the artistic life of Britain in the 20th century was unparalleled". In 2018, the Laurence Olivier Awards, recognising achievements in London theatre, changed the award for Best Director to the Sir Peter Hall Award for Best Director.
Dame Edith Margaret Emily Ashcroft, known professionally as Peggy Ashcroft, was an English actress whose career spanned more than 60 years.
Michael Vivian Fyfe Pennington is an English actor, director and writer. Together with director Michael Bogdanov, he founded the English Shakespeare Company in 1986 and was its Joint Artistic Director until 1992. He has written ten books, directed in the UK, US, Romania and Japan, and is an Honorary Associate Artist of the Royal Shakespeare Company. He is best known for his role as Moff Jerjerrod in the original Star Wars trilogy film Return of the Jedi.
Alexandra Gilbreath is an English actress, born in Chalfont St Giles, Buckinghamshire and trained at the London Academy of Music and Dramatic Art.
The Swan Theatre is a theatre belonging to the Royal Shakespeare Company in Stratford-upon-Avon, England. It is built on to the side of the larger Royal Shakespeare Theatre, occupying the Victorian Gothic structure that formerly housed the Shakespeare Memorial Theatre that preceded the RST but was destroyed by fire in 1926.
Lisa Dillon is an English actress.
Adrian Keith Noble is a theatre director, and was also the artistic director and chief executive of the Royal Shakespeare Company from 1990 to 2003.
Swine Palace is a non-profit professional theatre company associated with the Louisiana State University Department of Theatre in Baton Rouge, Louisiana. The theatre companies home is located in the Reilly Theatre on the campus of LSU.
Edward Hall is an English theatre and film director who founded the all-male Propeller Shakespeare company of which he is Artistic Director, in 1997. He also became Artistic Director of Hampstead Theatre in 2010. He is known for directing Shakespeare productions, musicals such as Sunny Afternoon and multiple screen productions, including William Boyd's TV adaptation of Restless.
John Newport Caird is an English stage director and writer of plays, musicals and operas. He is an honorary associate director of the Royal Shakespeare Company, was for many years a regular director with the Royal National Theatre of Great Britain and is the principal guest director of the Royal Dramatic Theatre, Stockholm (Dramaten).
Thelma Holt is a British theatre producer and former actress.
William Alexander Paterson known professionally as Bill Alexander is a British theatre director who is best known for his work with the Royal Shakespeare Company and as artistic director of Birmingham Repertory Theatre. He currently works as a freelance, internationally as a theatre director and most recently as a director of BBC Radio 4 drama.
Sir Gregory Doran is an English director known for his Shakespearean work. The Sunday Times called him 'one of the great Shakespearians of his generation'.
Terrence O’Brien is an American theatre director. O'Brien is a graduate of University of Notre Dame, and received advanced training in acting and directing at American Conservatory Theater, A.C.T. in San Francisco. He is the Founding Artistic Director of the Hudson Valley Shakespeare Festival, which began in 1987 with a modest outdoor production of A Midsummer Night's Dream, produced in cooperation with the 29th Street Project. In 1988, the Festival moved to Boscobel, a Hudson River museum estate in Garrison, New York. Once in its new home and under a big tent, the festival grew dramatically, from its first season audience of 230 to 37,000 in 2010. Dedicated to producing the plays of Shakespeare with an economy of style that focuses its energy and resources on script, actors, and audience, the festival draws theater-goers from the tri-state area and beyond.
David Farr is a British writer, theatrical director and Associate Director of the Royal Shakespeare Company.
Simon Scardifield is a British actor and playwright who trained at the Guildhall School of Music and Drama and with Philippe Gaulier, after reading Modern Languages at St John's College, Cambridge.
There have been numerous on screen adaptations of Shakespeare's The Taming of the Shrew. The best known cinematic adaptations are Sam Taylor's 1929 The Taming of the Shrew and Franco Zeffirelli's 1967 The Taming of the Shrew, both of which starred the most famous celebrity couples of their era; Mary Pickford and Douglas Fairbanks in 1929 and Elizabeth Taylor and Richard Burton in 1967. On television, perhaps the most significant adaptation is the 1980 BBC Television Shakespeare version, directed by Jonathan Miller and starring John Cleese and Sarah Badel.
The Taming of the Shrew in performance has had an uneven history. Popular in Shakespeare's day, the play fell out of favour during the seventeenth century, when it was replaced on the stage by John Lacy's Sauny the Scott. The original Shakespearean text was not performed at all during the eighteenth century, with David Garrick's adaptation Catharine and Petruchio dominating the stage. After over two hundred years without a performance, the play returned to the British stage in 1844, the last Shakespeare play restored to the repertory. However, it was only in the 1890s that the dominance of Catharine and Petruchio began to wane, and productions of The Shrew become more regular. Moving into the twentieth century, the play's popularity increased considerably, and it became one of Shakespeare's most frequently staged plays, with productions taking place all over the world. This trend has continued into the twenty-first century, with the play as popular now as it was when first written.
