Bartolomeo Bellano, also known as Bartolomeo Vellano, was an Italian Renaissance sculptor and architect who was born in Padua in 1437 or 1438. He was the son of a goldsmith and became a student of the sculptor Donatello, with whom he worked on many projects, including in the Basilica of Saint Anthony of Padua.
Bartolomeo Bellano’s earliest documented works are four terracotta relief sculptures of boys, which were commissioned about 1460. One of which is held by the Musée des Beaux-Arts in Lyon. He created a statue of Pope Paul II in Perugia in 1467.
Among his students was the sculptor and architect Andrea Riccio. Riccio imitated Bellano's Europa and the Bull sculpture.
Bartolomeo died in Padua in either 1496 or 1497.
Andrea del Verrocchio, born Andrea di Michele di Francesco de' Cioni, was a sculptor, Italian painter and goldsmith who was a master of an important workshop in Florence. He apparently became known as Verrocchio after the surname of his master, a goldsmith. Few paintings are attributed to him with certainty, but a number of important painters were trained at his workshop. His pupils included Leonardo da Vinci, Pietro Perugino and Lorenzo di Credi. His greatest importance was as a sculptor and his last work, the Equestrian statue of Bartolomeo Colleoni in Venice, is generally accepted as a masterpiece.
Giambologna — — was a Flemish sculptor based in Italy, celebrated for his marble and bronze statuary in a late Renaissance or Mannerist style.
Andrea Riccio was an Italian sculptor and occasional architect, whose real name was Andrea Briosco, but is usually known by his sobriquet meaning "curly"; he is also known as Il Riccio and Andrea Crispus. He is mainly known for small bronzes, often practical objects such as inkwells, door knockers or fire-dogs, exquisitely sculpted and decorated in a classicising Renaissance style.
Arno Breker was a German architect and sculptor who is best known for his public works in Nazi Germany, where they were endorsed by the authorities as the antithesis of degenerate art. He was made official state sculptor, and exempted from military service. One of his better known statues is Die Partei, representing the spirit of the Nazi Party that flanked one side of the carriage entrance to Albert Speer's new Reich Chancellery.
Charles van der Stappen, was a Belgian sculptor, born in Saint-Josse-ten-Noode.
Alessandro Leopardi was a Venetian sculptor, bronze founder and architect.
Pietro Bracci (1700–1773) was an Italian sculptor working in the Late Baroque manner.
Events from the year 1516 in art.
Vincenzo Pacetti (1746–1820) was an Italian sculptor and restorer from Castel Bolognese, particularly active in collecting and freely restoring and completing classical sculptures such as the Barberini Faun — his most famous work— the Hope Dionysus and the Athena of Velletri and selling them on to rich collectors as finished artefacts. He was the brother of Camillo Pacetti.
The decade of the 1450s in art involved many significant events, especially in sculpture.
The decade of the 1440s in art involved some significant events.
The Lives of the Most Excellent Painters, Sculptors, and Architects, often simply known as The Lives, is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older literature of art", "some of the Italian Renaissance's most influential writing on art", and "the first important book on art history".
Pierino da Vinci, born Pier Francesco di Bartolomeo di Ser Piero da Vinci, was an Italian sculptor, born in the small town of Vinci in Tuscany; he was the nephew of Leonardo da Vinci.
The Snite Museum of Art is the fine art museum on the University of Notre Dame campus, near South Bend, Indiana. With about 30,000 works of art that span cultures, eras, and media, the Snite Museum's permanent collection serves as a rich resource for audiences on campus and beyond. Through programs, lectures, workshops, and exhibitions, the museum supports faculty teaching and research and provides valuable cultural opportunities for students and visitors. Students play an active role in programming in their capacities as gallery guides and as student advisory members.
Bartolomeo or Bartolommeo is a masculine Italian given name, the Italian equivalent of Bartholomew. Its diminutive form is Baccio. Notable people with the name include:
The Equestrian statue of Bartolomeo Colleoni is a Renaissance sculpture in Campo Santi Giovanni e Paolo, Venice, Italy, by Andrea del Verrocchio in 1480–1488. Portraying the condottiero Bartolomeo Colleoni, it has a height of 395 cm excluding the pedestal. It is the second major equestrian statue of the Italian Renaissance, after Donatello's equestrian statue of Gattamelata (1453).
Bartolomeo Neroni, also known as Il Riccio or Riccio Sanese (c.1505-1571) was an Italian painter, sculptor, architect and engineer of the Sienese School. He was born and died in Siena.
The Galleria Giorgio Franchetti alla Ca' d'Oro is an intimate art museum located in the picturesque Ca' d'Oro on the Grand Canal in Venice, Italy.
Giovanni Maria Mosca or Giovanni Padovano was an Italian Renaissance sculptor and medallist, active between 1515 and 1573, initially in the Veneto and after 1529 in Poland, where his first name was rendered Jan.
Italian Renaissance sculpture was an important part of the art of the Italian Renaissance, in the early stages arguably representing the leading edge. The example of Ancient Roman sculpture hung very heavily over it, both in terms of style and the uses to which sculpture was put. In complete contrast to painting, there were many surviving Roman sculptures around Italy, above all in Rome, and new ones were being excavated all the time, and keenly collected. Apart from a handful of major figures, especially Michelangelo and Donatello, it is today less well-known than Italian Renaissance painting, but this was not the case at the time.
Media related to Bartolomeo Bellano at Wikimedia Commons