Einojuhani Rautavaara was a Finnish composer of classical music. Among the most notable Finnish composers since Jean Sibelius (1865–1957), Rautavaara wrote a great number of works spanning various styles. These include eight symphonies, nine operas and twelve concertos, as well as numerous vocal and chamber works. Having written early works using 12-tone serial techniques, his later music may be described as neo-romantic and mystical. His major works include his first piano concerto (1969), Cantus Arcticus (1972) and his seventh symphony, Angel of Light (1994).
Roger Huntington Sessions was an American composer, teacher, and writer on music. He had initially started his career writing in a neoclassical style, but gradually moved further towards more complex harmonies and postromanticism, and finally the twelve-tone serialism of the Second Viennese School. Sessions' friendship with Arnold Schoenberg influenced this, but he would modify the technique to develop a unique style involving rows to supply melodic thematic material, while composing the subsidiary parts in a free and dissonant manner.
Leonardo Balada Ibáñez is a Catalan American classical composer, who is noted for his operas and orchestral works.
Robert Starer was an Austrian-born American composer, pianist and educator.
Dmitri Aleksandrovich Bashkirov was a Russian pianist and academic teacher. Trained in his hometown Tbilisi and Moscow, he began an international career as a soloist when he won the Marguerite Long Piano Competition in Paris in 1955. He taught at the Moscow Conservatory from 1957 to 1991, and at the Queen Sofia College of Music in Madrid from 1991 to 2021. He taught also as a guest at other international conservatories and he is regarded as a representative of the Russian piano school.
Samuel Hans Adler is an American composer, conductor, author, and professor. During the course of a professional career which ranges over six decades he has served as a faculty member at both the University of Rochester's Eastman School of Music and the Juilliard School. In addition, he is credited with founding and conducting the Seventh Army Symphony Orchestra which participated in the cultural diplomacy initiatives of the United States in Germany and throughout Europe in the aftermath of World War II. Adler's musical catalogue includes over 400 published compositions. He has been honored with several awards including Germany's Order of Merit – Officer's Cross.
Rosina Lhévinne was a Russian and American pianist and famed pedagogue.
William Overton Smith was an American clarinetist and composer. He worked extensively in modern classical music, third stream and jazz, and was perhaps best known for having played with pianist Dave Brubeck intermittently from the 1940s to the early 2000s. Smith frequently recorded jazz under the name Bill Smith, but his classical compositions are credited under the name William O. Smith.
Charles Jones was a Canadian-born music educator and composer of contemporary classical music who lived and worked mainly in the United States.
Yoheved "Veda" Kaplinsky is a lecturer and professor of music at the Juilliard School. She heads the Pre-College department at Juilliard.
Giora Schmidt is an American/Israeli violinist.
Gilad Hochman is a Berlin-based Israeli composer of contemporary classical music.
Julia Frances Smith was an American composer, pianist, and author on musicology.
Walter Levin was the founder, first violinist, and guiding spirit of the LaSalle Quartet, which was known for its championing of contemporary composers, for its recordings of the Second Viennese School, as well as for its intellectually penetrating interpretations of the classical and romantic quartet repertory, in particular the late quartets of Beethoven. Levin was also an important pedagogue, having taught many of the world's leading string quartets, among them the Alban Berg Quartet and the Arditti Quartet; other prominent students include the conductor James Levine, the violinist Christian Tetzlaff and the pianist Stefan Litwin.
Edouard Charles Louis Dethier was a Belgian classical violinist and teacher. He was a soloist with the New York Philharmonic and New York Symphony orchestras as well as extensively touring the United States and Canada as a recitalist. From 1906, he also taught violin at the Juilliard School. Amongst his many distinguished pupils there was Robert Mann. He was the brother of Gaston Dethier, a noted organist and pianist, and likewise a teacher at Juilliard for many years.
Mark Morton is an American classical musician and academic working as Professor of Double Bass at Texas Tech University, Principal Double Bassist of the Lubbock Symphony Orchestra, Abilene Philharmonic Orchestra, and the West Texas Symphony, and the artistic director of the American School of Double Bass.
Sergius Kagen was an American pianist, composer, music editor and voice teacher.
Soyeon Kate Lee (이소연) is a Korean-American classical pianist, who currently lives in New York, US. She is on the College and Pre-College piano faculty at the Juilliard School.
Ken Noda is an American concert pianist, accompanist, vocal coach, and composer. He began composing music and performing as a concert pianist before the age of 11. He has performed with symphony orchestras throughout the world, and has composed numerous art songs and five operas. He worked as a vocal coach at the Metropolitan Opera from 1991 until retiring from his full time position in July 2019.
Minuetta Shumiatcher Borek Kessler was a Russian-born Canadian and later American concert pianist, classical music composer, and educator. A child prodigy, she performed her first composition at a recital at the age of 5 in Calgary, Alberta, Canada, and went on to study at the Juilliard School in New York City. She composed hundreds of pieces, including music for piano, violin, voice, flute, clarinet and cello, as well as for chamber ensembles. She performed all over Canada and in Boston and New York, including performances at Carnegie Hall and The Town Hall, and with the Boston Civic Symphony and the Boston Pops. The New York Times called her "a rare phenomenon among the younger pianists of today – more musician than pianist". She also taught musical composition to young children, creating and patenting a game called "Staftonia" for this purpose.