Batoul S'Himi (born 1974 in Asilah, Morocco) is a sculptor whose work often comments on gender inequality and the global struggle for social change. [1] She is best known for her series World Under Pressure in which she created sculptures from pressure cookers and other domestic tools and appliances. [2] These works comment on international concerns such as growing environmental pressures. S'Himi's work is included in the Smithsonian permanent collection. [3]
Her work has been displayed in exhibitions across the world, such as: [4] [5] [6] [7]
Year | Exhibition | Venue | Location |
---|---|---|---|
2008 - 2015 | World Under Pressure | De Meelfabriek | Leiden, Netherlands |
2012 | Intense proximité | Palais de Tokyo | Paris, France |
2013 | Monde Arabe Sous Pression | Barjeel Art Foundation | Sharjah ,United Arab Emirates |
2014 | Earth Matters: Land as Material and Metaphor in the Arts of Africa | Smithsonian | Washington, D.C., United States |
2019 - 2022 | I Am...Contemporary Women Artists of Africa | Smithsonian | Washington,D.C, United States |
2020 | Group Exhibition | Galerie Dominique Fiat | Paris, France |
Lois Mailou Jones (1905–1998) was an artist and educator. Her work can be found in the collections of the Smithsonian American Art Museum, The Metropolitan Museum of Art, the National Museum of Women in the Arts, the Brooklyn Museum, the Museum of Fine Arts, Boston, Muscarelle Museum of Art, and The Phillips Collection. She is often associated with the Harlem Renaissance.
Ginny Ruffner is a pioneering American glass artist based in Seattle, Washington. She is known for her use of the lampworking technique and for her use of borosilicate glass in her painted glass sculptures.
Lowery Stokes Sims is an American art historian and curator of modern and contemporary art known for her expertise in the work of African, African American, Latinx, Native and Asian American artists such as Wifredo Lam, Fritz Scholder, Romare Bearden, Joyce J. Scott and others. She served on the curatorial staff of the Metropolitan Museum of Art, the Studio Museum in Harlem, and the Museum of Arts and Design. She has frequently served as a guest curator, lectured internationally and published extensively, and has received many public appointments. Sims was featured in the 2010 documentary film !Women Art Revolution.
Audrey Flack is an American artist. Her work pioneered the art genre of photorealism and encompasses painting, printmaking, sculpture, and photography.
Alma Woodsey Thomas was an African-American artist and teacher who lived and worked in Washington, D.C., and is now recognized as a major American painter of the 20th century. Thomas is best known for the "exuberant", colorful, abstract paintings that she created after her retirement from a 35-year career teaching art at Washington's Shaw Junior High School.
Renée Stout is an American sculptor and contemporary artist known for assemblage artworks dealing with her personal history and African-American heritage. Born in Kansas, raised in Pittsburgh, living in Washington, D.C., and connected through her art to New Orleans, her art reflects this interest in African diasporic culture throughout the United States. Stout was the first American artist to exhibit in the Smithsonian's National Museum of African Art.
Sonya Clark is an American artist of Afro-Caribbean heritage. Clark is a fiber artist known for using a variety of materials including human hair and combs to address race, culture, class, and history. Her beaded headdress assemblages and braided wig series of the late 1990s, which received critical acclaim, evoked African traditions of personal adornment and moved these common forms into the realm of personal and political expression. Although African art and her Caribbean background are important influences, Clark also builds on practices of assemblage and accumulation used by artists such as Betye Saar and David Hammons.
Brenda Putnam was an American sculptor, teacher and author.
Paul J. Smith was an arts administrator, curator, and artist based in New York. Smith was professionally involved with the art, craft, and design fields since the early 1950s and was closely associated with the twentieth-century studio craft movement in the United States. He joined the staff of the American Craftsmen's Council in 1957, and in 1963 was appointed Director of the Museum of Contemporary Crafts, a position he held for the next 25 years. In September 1987, he assumed the title of director emeritus and continued to work as an independent curator and consultant for museums, arts organizations, and collectors.
Kay Sekimachi is an American fiber artist and weaver, best known for her three-dimensional woven monofilament hangings as well as her intricate baskets and bowls.
Njideka Akunyili Crosby is a Nigerian-born visual artist working in Los Angeles, California. Through her art, Akunyili Crosby "negotiates the cultural terrain between her adopted home in America and her native Nigeria, creating collage and photo transfer-based paintings that expose the challenges of occupying these two worlds". In 2017, Akunyili Crosby was awarded the prestigious Genius Grant from the John D. and Catherine T. MacArthur Foundation.
Marilyn Nance, also known as Soulsista, is an American multimedia artist known for work focusing on exploring human connections, African-American spirituality, and the use of technology in storytelling.
Amy Sherald is an American painter. She works mostly as a portraitist depicting African Americans in everyday settings. Her style is simplified realism, involving staged photographs of her subjects. Since 2012, her work has used grisaille to portray skin tones, a choice she describes as intended to challenge conventions about skin color and race.
Ruth Armer was an American abstractionist painter, teacher, art collector, and lithographer, from the San Francisco Bay area in California. Her art is held in the collections of San Francisco Museum of Modern Art, and the Fine Arts Museums of San Francisco.
Carolyn Crump is an American quilting artist whose work focuses on African American culture. Her work is included in the collections of the Smithsonian American Art Museum and the Michigan State University African American Quilt Collection.
Beya Gille Gacha is a sculptor. Her work is in the collections of the World Bank and the Smithsonian National Museum of African Art.
Sharon Kerry-Harlan is an African-American artist active in Hollywood, Florida and Wauwatosa, Wisconsin who is known for her textile art. She was born in Miami, Florida in 1951. She graduated with a Bachelor of Arts degree from Marquette University and studied at the Milwaukee Institute of Art & Design. She went on to work at Marquette University as an Academic Coordinator and to teach textile courses at University of Wisconsin–Milwaukee as an adjunct professor. From July to August 2019, Kerry-Harlan had a solo exhibition at the James Watrous Gallery at the Overture Center for the Arts. Throughout August 2019, her work was on display in the AndStill We Rise: Race Culture and Visual Conversations exhibit at the Mariposa Museum & World Cultural Center in Oak Bluff, Massachusetts. In early 2021, Kerry-Harlan participated in the Textile Center and Women of Color Quilters Network’s juried exhibit Racism: In the Face of Hate We Resist. Later that year, Kerry-Harlan's work was displayed in the Museum of Wisconsin Art's Claiming Space Exhibition. In 2022, her work, Portrait of Resilience, from the Flag Series, was acquired by the Smithsonian American Art Museum as part of the Renwick Gallery's 50th Anniversary Campaign in 2022. That same year, Kerry-Harlan's work was displayed in the Madison Museum of Contemporary Art's exhibit Ain’t I A Woman? in celebration of the 2022 Wisconsin Triennial. She also had work displayed in the 2022 Uncovering Black History: Quilts from the Collection of Carolyn Mazloomi exhibition at the International Quilt Museum in Lincoln, Nebraska.
Syd Carpenter is an African American artist and a retired professor of studio art, known for her ceramic and sculpture work, which explores African-American farming and gardening. She has received multiple fellowships, including a Pew Fellowship and an NEA Fellowship, and her work is currently in the Smithsonian American Art Museum's collection and the Philadelphia Museum of Art's collection.
Betty Scarpino is an American wood sculptor active in Indianapolis, Indiana. She received the Windgate International Turning Exchange Resident Fellowship two times - once in 1999 and another in 2016 - making her the second person in the residency's history to be chosen twice. In 2020, she was awarded an Honorary Lifetime Member from the American Association of Woodturners (AAW) for her contributions to the advancement of woodturning. Her work is currently in the Smithsonian American Art Museum's collection and The Center for Art in Wood Museum's collection.
Edith Bondie (1918-2005) was a basketmaker whose work is in the Smithsonian Institution, the Eiteljorg Museum of American Indians and Western Art, and the Besser Museum for Northeast Michigan.