See also
 | This page lists people with the surname Bening. If an internal link intending to refer to a specific person led you to this page, you may wish to change that link by adding the person's given name(s) to the link. |
Bening is a surname. Notable people with the surname include:
| This page lists people with the surname Bening. If an internal link intending to refer to a specific person led you to this page, you may wish to change that link by adding the person's given name(s) to the link. |
Ghent is a city and a municipality in the Flemish Region of Belgium. It is the capital and largest city of the East Flanders province, and the third largest in the country, exceeded in size only by Brussels and Antwerp. It is a port and university city.
Jan van Eyck was a painter active in Bruges who was one of the early innovators of what became known as Early Netherlandish painting, and one of the most significant representatives of Early Northern Renaissance art. The surviving records indicate that he was born around 1380–1390, most likely in Maaseik, in present-day Belgium. He took employment in the Hague around 1422 when he was already a master painter with workshop assistants, and was employed as painter and valet de chambre with John III the Pitiless, ruler of Holland and Hainaut. After John's death in 1425, he was later appointed as court painter to Philip the Good, Duke of Burgundy, working in Lille until he moved to Bruges in 1429 where he lived until his death. He was highly regarded by Philip and undertook a number of diplomatic visits abroad, including to Lisbon in 1428 to explore the possibility of a marriage contract between the duke and Isabella of Portugal.
Van Eyck or Van Eijk is a Dutch toponymic surname. Eijck, Eyck, Eyk and Eijk are all archaic spellings of modern Dutch eik ("oak") and the surname literally translates as "from/of oak". However, in most cases, the family name refers to an origin in Maaseik. This city on the Meuse, now in Belgium on the border with the Netherlands, was originally simply known as Eike and from the 13th century as Old Eyck and New Eyck. Names with a particle, like Van der Eijk are more likely to refer directly to the tree. People with this surname include:
The year 1519 in art involved some significant events and new works.
Hugo van der Goes was one of the most significant and original Flemish painters of the late 15th century. Van der Goes was an important painter of altarpieces as well as portraits. He introduced important innovations in painting through his monumental style, use of a specific colour range and individualistic manner of portraiture. The presence of his masterpiece, the Portinari Triptych in Florence, from 1483 onwards played a role in the development of realism and the use of colour in Italian Renaissance art.
Levina Teerlinc was a Flemish Renaissance miniaturist who served as a painter to the English court of Henry VIII, Edward VI, Mary I and Elizabeth I. She was the most important miniaturist at the English court between Hans Holbein the Younger and Nicholas Hilliard. Her father, Simon Bening was a renowned book illuminator and miniature painter of the Ghent-Bruges school and probably trained her as a manuscript painter. She may have worked in her father's workshop before her marriage.
Simon Bening was a Flemish miniaturist, generally regarded as the last major artist of the Netherlandish tradition.
Louis de Bruges, Lord of Gruuthuse, Prince of Steenhuijs, Earl of Winchester, was a Flemish courtier, bibliophile, soldier and nobleman. He was awarded the title of Earl of Winchester by King Edward IV of England in 1472, and was Stadtholder of Holland and Zeeland 1462–77.
The Renaissance in the Low Countries was a cultural period in the Northern Renaissance that took place in around the 16th century in the Low Countries.
The decade of the 1480s in art involved some significant events.
Lucas Horenbout, often called Hornebolte in England (c.1490/1495–1544), was a Flemish artist who moved to England in the mid-1520s and worked there as "King's Painter" and court miniaturist to King Henry VIII from 1525 until his death. He was trained in the final phase of Netherlandish illuminated manuscript painting, in which his father Gerard was an important figure, and was the founding painter of the long and distinct English tradition of portrait miniature painting. He has been suggested as the Master of the Cast Shadow Workshop, who produced royal portraits on panel in the 1520s or 1530s.
The year 1561 in art involved some significant events and new works.
The Master of James IV of Scotland was a Flemish manuscript illuminator and painter most likely based in Ghent, or perhaps Bruges. Circumstantial evidence, including several larger panel paintings, indicates that he may be identical with Gerard Horenbout. He was the leading illuminator of the penultimate generation of Flemish illuminators. The painter's name is derived from a portrait of James IV of Scotland which, together with one of his Queen Margaret Tudor, is in the Prayer book of James IV and Queen Margaret, a book of hours commissioned by James and now in Vienna. He has been called one of the finest illuminators active in Flanders around 1500, and contributed to many lavish and important books besides directing an active studio of his own.
The Rothschild Prayerbook or Rothschild Hours, is an important Flemish illuminated manuscript book of hours, compiled c. 1500–20 by a number of artists.
The Hours of James IV of Scotland, Prayer book of James IV and Queen Margaret is an illuminated book of hours, produced in 1503 or later, probably in Ghent. It marks a highpoint of the late 15th century Ghent-Bruges school of illumination and is now in the Austrian National Library in Vienna. It is thought to have been a wedding gift from James IV of Scotland or another Scottish nobleman to James's wife Margaret Tudor on the occasion of their marriage, perhaps finishing a book already started for another purpose. A number of artists worked on the extensive programme of decoration, so that "the manuscript in its entirety presents a rather odd picture of heterogeneity". The best known miniature, a full-page portrait of James at prayer before an altar with an altarpiece of Christ and an altar frontal with James's coat-of-arms, gave his name to the Master of James IV of Scotland, who is now generally identified as Gerard Horenbout, court painter to Margaret of Austria; he did only one other miniature in the book. The equivalent image of Margaret is the only image by another artist, using a rather generic face for the queen's portrait, and in a similar style to that of the Master of the First Prayer Book of Maximilian. Other artists worked on the other miniatures, which include an unusual series of unpopulated landscapes in the calendar – perhaps the Flemish artists were not sure how Scots should be dressed.
Alexander Bening, also Sanders Bening, was an early 16th-century miniature painter of the Ghent-Bruges school and Netherlandish tradition. His date of birth is unknown.
Georges Hulin de Loo was a Belgian art historian specialising in Early Netherlandish art. He was educated in his home city of Ghent where he attended high school and university, earning a Ph.D from the Faculty of Arts in 1883, and a degree in law three years later. He then traveled to Germany and Paris to continue his studies, returning to Ghent in 1889 to take up a teaching position the University of Ghent in a variety of subjects such as logic and law.
The Hours of Joanna I of Castile is a sixteenth-century illuminated codex housed in the British Library, London, under shelfmark Add MS 35313.
Lieven van Lathem (1430–1493), was an Early Netherlandish painter and manuscript illuminator.
The Breviary of Eleanor of Portugal is an early 16th-century Flemish illuminated manuscript Breviary, providing the divine office according to the Roman ordinal and calendar.