Federico Barocci (c. 1535 in Urbino – 1612 in Urbino) was an Italian Renaissance painter and printmaker. His original name was Federico Fiori, and he was nicknamed Il Baroccio. His work was highly esteemed and influential, and foreshadows the Baroque of Rubens. He is generally considered the greatest and the most individual painter of his time in central Italy.
Pinturicchio, or Pintoricchio, also known as Benetto di Biagio or Sordicchio, was an Italian painter during the Renaissance. He acquired his nickname because of his small stature and he used it to sign some of his artworks that were created during the fifteenth and sixteenth centuries.
Pietro Perugino, born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil.
Lo Spagna, "the Spaniard" in Italian, was a painter of the High Renaissance, active in central Italy. His name was Giovanni di Pietro, but he was known as Lo Spagna because he was born in Spain. After Raphael, he was a main pupil and follower of the Umbrian painter Perugino, whose style his paintings develop. He should not be confused with Pietro di Giovanni D'Ambrogio of Siena.
Alvise or Luigi Vivarini (1442/1453–1503/1505) was an Italian painter, the leading Venetian artist before Giovanni Bellini. Like Bellini, he was part of a dynasty of painters. His father was Antonio Vivarini and his uncle, with whom he may have trained, was Bartolomeo Vivarini. Another uncle, on his mother's side, was the artist known as Giovanni d'Alemagna, who worked with his brother-in-law Antonio. Alvise may have trained Jacopo de' Barbari.
Francesco Trevisani was an Italian painter, active in the period called either early Rococo or late Baroque (barochetto).
Lazzaro Baldi was an Italian painter and engraver of the Baroque period, active mainly in Rome.
Durante Alberti was an Italian painter of the late-Renaissance period.
Matteo Balducci was an Italian painter of the Renaissance. He was born in Fontignano, a small town near Lake Trasimeno in Perugia.
Bartolomeo Caporali was an Italian painter and miniaturist in Perugia, Umbria during the early Renaissance period. His style was influenced by Umbrian artists Gozzoli and Boccati, two of his first mentors, and continued to evolve as younger Umbrian artists came onto the scene, such as Fiorenzo di Lorenzo, Perugino and Pinturicchio. Although primarily a painter, he is also known for executing missals, restoration work, gilding, armorials, banners and celebratory decorations, which speaks to his decorative, detail-oriented artistic style. His most famous works include Madonna and Saints (1487) for the church of Santa Maria Maddalena at Castiglione del Lago, The Virgin and Child Between Two Praying Angels, and his Adoration of the Shepherds.
Giovanni Boccati or Giovanni di Pier Matteo Boccati was an Italian painter.
Cristoforo Caselli, also known as Da Palma or il Temporello or Cristofaro Castelli, was an Italian painter of the Renaissance period.
Andrea di Aloigi, called L'Ingegno, was an Italian Renaissance painter.
Dono Doni, also known as Adone Doni or Dono dei Doni (1505-1575) was an Italian painter of the Renaissance period active mainly in Umbria.
Federico Faruffini (1833–1869) was an Italian painter and engraver of historical subjects, in a style that combines the styles and themes of Realism with the diffuse outlines and lively colors of Scapigliatura painters.
Ottaviano Nelli (1375–1444?) was an Italian painter of the early Quattrocento. Nelli primarily painted frescoes, but also panel paintings. He had several pupils and two painters were influenced by him.
Tommaso Minardi was an Italian painter and author on art theory, active in Faenza, Rome, Perugia, and other towns. He painted in styles that transitioned from Neoclassicism to Romanticism.
Giovanni Antonio Scaramuccia (1580–1633) was an Italian painter, active mainly in Rome and Perugia.
Alberto Sotio, also Alberto Sozio, was an Italian painter and illuminator of medieval art from Spoleto, active during the second half of the twelfth century.
Pellegrino di Giovanni, also Pellegrino di Giovanni di Antonio, was an Italian painter. His exact dates of birth and death are not known.
