Bierstadt (disambiguation)

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Bierstadt is a borough in Wiesbaden, Hesse, Germany. Bierstadt may also refer to:

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Albert Bierstadt 19th-century German-American landscape painter

Albert Bierstadt was a German-American painter best known for his lavish, sweeping landscapes of the American West. He joined several journeys of the Westward Expansion to paint the scenes. He was not the first artist to record the sites, but he was the foremost painter of them for the remainder of the 19th century.

Photographers of the American Civil War

The American Civil War was the most widely covered conflict of the 19th century. The images would provide posterity with a comprehensive visual record of the war and its leading figures, and make a powerful impression on the populace. Something not generally known by the public is the fact that roughly 70% of the war's documentary photography was captured by the twin lenses of a stereo camera. The American Civil War was the first war in history whose intimate reality would be brought home to the public, not only in newspaper depictions, album cards and cartes-de-visite, but in a popular new 3D format called a "stereograph," "stereocard" or "stereoview." Millions of these cards were produced and purchased by a public eager to experience the nature of warfare in a whole new way.

Mount Bierstadt

Mount Bierstadt is a high mountain summit of the Colorado Peaks in the Front Range of the Rocky Mountains of North America. The 14,065-foot (4,287 m) fourteener is located in the Mount Evans Wilderness of Pike National Forest, 9.4 miles (15.1 km) south by east of the Town of Georgetown in Clear Creek County, Colorado, United States. It was named in honor of Albert Bierstadt, the American landscape painter who made the first recorded summit of the mountain in 1863.

Colonial and Indian Exhibition

The Colonial and Indian Exhibition of 1886 was a very substantial exhibition held in South Kensington in London, and intended "to stimulate commerce and strengthen the bonds of union now existing in every portion of her Majesty's Empire". The exhibition was opened by Queen Victoria, and when it closed had received 5.5 million visitors.

William Carter may refer to:

Tuscaloosa Museum of Art

The Tuscaloosa Museum of Art, previously the Westervelt-Warner Museum of American Art, was an art museum in Tuscaloosa, Alabama. The museum permanently closed in 2018. It was founded by Tuscaloosa businessman Jack Warner.

Edward Bierstadt was a photographer of portraits and landscapes as well as an engraver in the United States.

Gordon Hendricks (1917–1980) was an American art and film historian.

Lander Peak

In 1859 Albert Bierstadt accompanied Frederick W. Lander on a western expedition. On his return he painted a mountain landscape on a large 6-by-10-foot (1.8-by-3.0-meter) canvas, The Rocky Mountains, Lander's Peak. Following the death of General Lander during the Civil War in 1862, Bierstadt named the peak Lander's Peak. The painting was completed in 1863 and sold in 1865 for $25,000.

Francis Seth Frost American painter

Francis Seth Frost (1825–1902) or F.S. Frost was a painter, photographer, and businessman specializing in artists' materials. Based in Boston, Massachusetts, he travelled widely in the United States. Friends included Albert Bierstadt. Frost kept an art studio in the Studio Building on Tremont Street in Boston. In 1869 with E.H. Adams he began the artists' supply firm, Frost & Adams, which flourished into the 20th century.

<i>The Rocky Mountains, Landers Peak</i> painting by Albert Bierstadt

The Rocky Mountains, Lander's Peak is an 1863 landscape oil painting by the German-American painter Albert Bierstadt. It is based on sketches made during Bierstadt's travels with Frederick W. Lander's Honey Road Survey Party in 1859. The painting shows Lander's Peak in the Wind River Range of the Rocky Mountains, with an encampment of Native Americans in the foreground. It has been compared to, and exhibited with, The Heart of the Andes by Frederic Edwin Church. Lander's Peak immediately became a critical and popular success and sold in 1865 for $25,000.

Charles Bierstadt

Charles Bierstadt (1819–1903) was an American photographer who specialized in stereoscopic views.

<i>Looking Down Yosemite Valley, California</i>

Looking Down the Yosemite Valley, California is an 1865 painting by the German-American painter Albert Bierstadt (1830-1902).

<i>A Storm in the Rocky Mountains, Mt. Rosalie</i> painting by Albert Bierstadt

A Storm in the Rocky Mountains, Mt. Rosalie is an 1866 landscape oil painting by German-American painter Albert Bierstadt that was inspired by sketches created on an 1863 expedition.

Bierstadt Lake Lake in Colorado, United States

Bierstadt Lake is located in Larimer County, Colorado and within the Rocky Mountain National Park. Near McHenrys Peak and Longs Peak, there are "spectacular views" of the Continental Divide at the lake. The Bierstadt Lake Trailhead is located about 6.5 miles (10.5 km) from the turn-off at U.S. Route 36 into the Rocky Mountain National Park. During the summer, shuttle buses provide transportation to the trailhead.

<i>Valley of the Yosemite</i> Painting by Albert Bierstadt

Valley of the Yosemite is a painting by Albert Bierstadt that was completed in 1864. Initially associated with the Hudson River School, Bierstadt rose to prominence for his paintings of the Rocky Mountains, which established him as one of the best painters of the western American landscape. His later paintings of Yosemite were also received with critical acclaim and public praise.

<i>On the Platte River, Nebraska</i> 1863 oil painting by Albert Bierstadt

On the Platte River, Nebraska is an 1863 oil landscape painting by the Hudson River School artist Albert Bierstadt.

Landers Peak or Lander's Peak may refer to:

<i>Among the Sierra Nevada, California</i> 1868 painting by Albert Bierstadt

Among the Sierra Nevada, California is an 1868 oil-on-canvas painting by German-American artist Albert Bierstadt which depicts a landscape scene of the Sierra Nevada mountain range in California. Created at his studio in Rome, the painting was exhibited throughout Europe, creating interest in immigration to the United States. Measuring 72 by 120 18 inches, the painting is a centerpiece of the 19th-century landscape collection at the Smithsonian American Art Museum in Washington, D.C.