The Brooklyn Academy of Music (BAM) is a multi-arts center in Brooklyn, New York City. It hosts progressive and avant-garde performances, with theater, dance, music, opera, film programming across multiple nearby venues.
The United States of America is the home of the hip hop dance, swing, tap dance and its derivative Rock and Roll, and modern square dance and one of the major centers for modern dance. There is a variety of social dance and performance or concert dance forms with also a range of traditions of Native American dances.
The Kitchen is a non-profit, multi-disciplinary avant-garde performance and experimental art institution located at 512 West 19th Street, between Tenth and Eleventh Avenues in the Chelsea neighborhood of Manhattan, New York City. As the organization undergoes a multi-year renovation it is currently sited at a satellite loft space in the West Village located at 163B Bank Street, where exhibitions and performances are regularly held. It was founded in Greenwich Village in 1971 by Steina and Woody Vasulka, who were frustrated at the lack of an outlet for video art. The space takes its name from the original location, the kitchen of the Mercer Arts Center which was the only available place for the artists to screen their video pieces. Although first intended as a location for the exhibition of video art, The Kitchen soon expanded its mission to include other forms of art and performance, and incorporated as a not-for-profit arts organization in 1973. In 1974, The Kitchen relocated to a building at the corner of Wooster and Broome Streets in SoHo. In 1987 it moved to its current location in Manhattan, New York City.
The American Dance Festival (ADF) under the direction of Executive Director Jodee Nimerichter hosts its main summer dance courses including Summer Dance Intensive, Pre-Professional Dance Intensive, and the Dance Professional Workshops. It also hosts a six-week summer festival of modern dance performances, currently held at Duke University and the Durham Performing Arts Center in Durham, North Carolina. Several site-specific performances have also taken place outdoors at Duke Gardens and the NC Art Museum in Raleigh, NC.
William Tass Jones, known as Bill T. Jones, is an American choreographer, director, author and dancer. He is the co-founder of the Bill T. Jones/Arnie Zane Dance Company. The company's home in Manhattan. Jones is Artistic Director of New York Live Arts, whose activities encompass an annual presenting season together with allied education programming and services for artists. Independently of New York Live Arts and his dance company, Jones has choreographed for major performing arts ensembles, contributed to Broadway and other theatrical productions, and collaborated on projects with a range of fellow artists. Jones has been called "one of the most notable, recognized modern-dance choreographers and directors of our time."
Arthur Avilés is an American Bessie Award-winning dancer and choreographer of Puerto Rican descent. Avilés was born in Queens, New York, and raised in Long Island and the Bronx. He graduated from Bard College, a liberal arts college in Annandale-on-Hudson, New York. After graduating from Bard, he became a member of the Bill T. Jones/Arnie Zane Dance Company, and toured internationally with the company for eight years 1987 to 1995.
Dance Theater Workshop, colloquially known as DTW, was a New York City performance space and service organization for dance companies that operated from 1965 to 2011. DTW merged with the Bill T. Jones/Arnie Zane Dance Company to form New York Live Arts, which continues in operation as of 2023.
The Joyce Theatre Foundation is a leading presenter of dance in New York City and nationally. It is runs, in part, from the Joyce Theater, a 472-seat dance performance venue located in the Chelsea neighborhood of Manhattan in New York City. The Joyce occupies the Elgin Theater, a former movie house that opened in 1941 and was gut-renovated and reconfigured in 1981–82.
Robert Wierzel is an American lighting designer.
Seán Curran is an American dancer and choreographer. Curran's dance company, the Seán Curran Company is based in New York City.
Arnie Zane was an American photographer, choreographer, and dancer. He is best known as the co-founder and co-artistic director of the Bill T. Jones/Arnie Zane Dance Company.
Kyle Abraham is an American choreographer and dancer. He founded his own company A.I.M by Kyle Abraham in 2006 in New York City and has produced many original works for A.I.M such as The Radio Show (2010), Absent Matter (2015), Pavement (2012), Dearest Home (2017), Drive (2017), INDY (2018), Studies on Farewell (2019), and An Untitled Love (2021). Kyle has also been commissioned to create new works for international dance companies such as Untitled America (2016) for the Alvin Ailey American Dance Theater, The Runaway (2018) for New York City Ballet, The Bystander (2019) for Hubbard Street Dance Chicago, Only The Lonely (2019) for Paul Taylor American Modern Dance and Ash (2019).
New York Live Arts is a movement-focused arts organization in New York City that serves as the home of the Bill T. Jones/Arnie Zane Dance Company. The building was formerly the home of Dance Theatre Workshop, with which the Bill T. Jones/Arnie Zane Dance Company merged 2011 to form New York Live Arts.Its activities encompass commissioning, producing, and presenting works of dance, performance and music, together with allied education programming and services for artists. Live Arts is located in New York City's Chelsea neighborhood. Its building features a 184-seat theater, rehearsal studios and offices.
The GIMP Project is a New-York based modern dance project by the Heidi Latsky Dance company, and originally produced by Jeremy Alliger of Alliger Arts. Heidi Latsky choreographs work for four professional dancers and four dancers with physical disabilities, who perform integrated dance pieces.
Ishmael Houston-Jones is a choreographer, author, performer, teacher, curator, and arts advocate known for his improvisational dance and language work. His work has been performed in New York City, across the United States, in Europe, Canada, Australia and Latin America. Houston-Jones and Fred Holland shared a 1984 New York Dance and Performance Bessie Award for their work Cowboys, Dreams and Ladders performed at The Kitchen and he shared another Bessie Award in 2011 with writer Dennis Cooper and composer Chris Cochrane for the 2010 revival of their 1985 collaboration, THEM. THEM was performed at Performance Space 122, the American Realness Festival, Springdance in Utrecht, Tanz im August in Berlin, REDCAT in Los Angeles, Centre Pompidou in Paris, and at TAP, Theatre and Auditorium of Poitiers, France. The 1985 premier performance of THEM at PS122 was part of New York's first AIDS benefit.
Janet Lilly is an American modern dancer and choreographer. She was a principal dancer for Bill T. Jones and Arnie Zane's company from 1983 to 1991. She currently serves as the Director of the UNCG College of Visual and Performing Arts, School of Dance at the University of North Carolina at Greensboro. From 2012 to 2014 she was the president of the Board of Directors of Iyengar Yoga National United States Association.
Helen Louise Thorington was an American radio artist, composer, performer, net artist and writer. She was also the founder of New Radio and Performing Arts (1981), a nonprofit organization based in New York City; the founder and executive producer of New American Radio (1987–1998); and the founder and co-director of Turbulence.org (1996–2016).
Bronx Academy of Arts and Dance, also referred to as BAAD!, is a New York performing and visual art workshop space and performance venue located in The Bronx. The Academy is home to the Arthur Aviles Typical Theatre and The Bronx Dance Coalition.
Gabri Christa is a Dutch performance artist, choreographer, professor, film-maker and writer. She is an associate professor of Professional Practice at Barnard College and also the Director for the Movement Lab there.
Still/Here is a performance piece premiered in 1994 by American choreographer, dancer, and director Bill T. Jones. The piece was first performed at Brooklyn Academy of Music, with music by Kenneth Frazelle and Vernon Reid, and multimedia elements by Gretchen Bender. Jones utilized Survival Workshops in the development of this piece, drawing inspiration from those who have lived with a life-threatening illness. Still/Here uses a number of different mediums throughout the performance to capture the emotions of having a terminal illness, such as images, music, spoken text, videos, as well as dance.
