Black Museum (disambiguation)

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Black Museum may refer to:

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<span class="mw-page-title-main">Comic book</span> Publication of comics art

A comic book, also called comicbook, comic magazine or simply comic, is a publication that consists of comics art in the form of sequential juxtaposed panels that represent individual scenes. Panels are often accompanied by descriptive prose and written narrative, usually, dialogue contained in word balloons emblematic of the comics art form.

Dutch commonly refers to:

<span class="mw-page-title-main">Osamu Tezuka</span> Japanese cartoonist and animator (1928–1989)

Osamu Tezuka was a Japanese manga artist, cartoonist and animator. Born in Osaka Prefecture, his prolific output, pioneering techniques and innovative redefinitions of genres earned him such titles as "the Father of Manga", "the Godfather of Manga" and "the God of Manga". Additionally, he is often considered the Japanese equivalent to Walt Disney, who served as a major inspiration during Tezuka's formative years. Though this phrase praises the quality of his early manga works for children and animations, it also blurs the significant influence of his later, more literary, gekiga works.

Blackjack is a popular casino-gambling card game.

Alice may refer to:

<i>The Black Museum</i> (radio series) Radio crime-drama program

The Black Museum is a radio crime-drama program produced by Harry Alan Towers, which was broadcast in the USA on the Mutual network in 1952. It was then broadcast in Europe in 1953 on Radio Luxembourg, a commercial radio station, and was not broadcast by the BBC until 1991.

Kino may refer to:

Red is a color.

Manga are comics or graphic novels originating from Japan.

Candice is a given name and a variant spelling of the name Candace.

Pride is a high sense of the worth of one's self and one's own, or a pleasure taken in the contemplation of these things

Sara may refer to:

Thirteen or 13 may refer to:

Lassie is a fictional female collie dog character and the stage name of a line of male dogs who have played her.

Boo or BOO may refer to:

<span class="mw-page-title-main">Anime and manga fandom</span> Fan community

The anime and manga fandom is a worldwide community of fans of anime and manga. Anime includes animated series, films and videos, while manga includes manga, graphic novels, drawings, and related artworks. The anime and manga fandom traces back to the 1970s and has an international reach.

A sweeper is a small tropical fish of the family Pempheridae.

<i>Black Mirror</i> British anthology television series

Black Mirror is a British anthology television series created by Charlie Brooker. Its episodes explore a diversity of genres, but most are set in near-future dystopias with sci-fi technology—a type of speculative fiction. The series is inspired by The Twilight Zone and uses the themes of technology and media to comment on contemporary social issues. Most episodes are written by Brooker with heavy involvement by the executive producer Annabel Jones.

Black Museum (<i>Black Mirror</i>) 6th episode of the 4th series of Black Mirror

"Black Museum" is the sixth and final episode of the fourth series of anthology series Black Mirror. It was directed by Colm McCarthy and written by series creator Charlie Brooker, with one part adapted from a story by Penn Jillette. The episode premiered on Netflix, along with the rest of series four, on 29 December 2017. The episode is divided into three stories, told by Rolo Haynes, the owner of a remote Black Museum. He tells the visitor Nish about the backstories of various exhibits, which involve his previous employment in experimental technologies.

<i>Black, Brown and Beige</i> (1946 album) 1946 live album by Duke Ellington

Black, Brown, and Beige, subtitled A Duke Ellington Tone Parallel to the American Negro, is a live album of phonograph records by Duke Ellington featuring the suite of the same name in live performance in 1943. Released under the Victor Showpiece designation, the album was the first release of the suite, which has primarily been perceived in retrospect as a botched attempt by Ellington to capture his feelings on race in the United States through music. Consequently, it has been studied as an interesting work highlighting Ellington's complex relationship with race relations.