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A short story is a piece of prose fiction. It can typically be read in a single sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a single effect or mood. The short story is one of the oldest types of literature and has existed in the form of legends, mythic tales, folk tales, fairy tales, tall tales, fables and anecdotes in various ancient communities around the world. The modern short story developed in the early 19th century.
William Carlos Williams was an American poet and physician of Latin American descent closely associated with modernism and imagism. His Spring and All (1923) was written in the wake of T. S. Eliot's The Waste Land (1922). In his five-volume poem Paterson (1946-1958), he took Paterson, New Jersey as "my 'case' to work up. It called for a poetry such as I did not know, it was my duty to discover or make such a context on the 'thought.'" Some of his best known poems, "This Is Just To Say" and "The Red Wheelbarrow", are reflections on the everyday. Other poems reflect the influence of the visual arts. He, in turn, influenced the visual arts; his poem "The Great Figure" inspired the painting I Saw the Figure 5 in Gold by Charles Demuth. Williams won a posthumous Pulitzer Prize for Poetry for Pictures from Brueghel and Other Poems (1962).
The Oxford Movement was a movement of high church members of the Church of England which began in the 1830s and eventually developed into Anglo-Catholicism. The movement, whose original devotees were mostly associated with the University of Oxford, argued for the reinstatement of some older Christian traditions of faith and their inclusion into Anglican liturgy and theology. They thought of Anglicanism as one of three branches of the "one, holy, catholic, and apostolic" Christian church. Many key participants subsequently converted to Roman Catholicism.
Robert Markham is a pseudonym used by author Kingsley Amis to publish Colonel Sun in March 1968. The book was the first continuation James Bond novel following the death of Bond's creator, Ian Fleming.
"The Red Wheelbarrow" is a poem by American modernist poet William Carlos Williams. Originally published without a title, it was designated "XXII" in Williams' 1923 book Spring and All, a hybrid collection which incorporated alternating selections of free verse and prose. Only sixteen words long, "The Red Wheelbarrow" is one of Williams' most frequently anthologized poems, and a prime example of early twentieth-century Imagism.
William Wymark Jacobs was an English author of short fiction and drama. He is best known for his story "The Monkey's Paw".
Samuel Warren was a British barrister, novelist and MP.
The Egoist was a London literary magazine published from 1914 to 1919, during which time it published important early modernist poetry and fiction. In its manifesto, it claimed to "recognise no taboos", and published a number of controversial works, such as parts of Ulysses. Today, it is considered "England's most important Modernist periodical."
Latino poetry is a branch of American poetry written by poets born or living in the United States who are of Latin American origin or descent and whose roots are tied to the Americas and their languages, cultures, and geography.
Robert Coles is an American author, child psychiatrist, and professor emeritus at Harvard University.
Nationality words link to articles with information on the nation's poetry or literature.
"The Use of Force" is a work of short fiction by the American author William Carlos Williams. It was first published in his short story collection Life Along the Passaic River (1938); it is also available in The Doctor Stories (1984), a collection of Williams' fiction.
Comet was a pulp magazine which published five issues from December 1940 to July 1941. It was edited by F. Orlin Tremaine, who had edited Astounding Stories, one of the leaders of the science fiction magazine field, for several years in the mid-1930s. Tremaine paid one cent per word, which was higher than some of the competing magazines, but the publisher, H-K Publications based in Springfield, MA, was unable to sustain the magazine while it gained circulation, and it was cancelled after less than a year when Tremaine resigned. Comet published fiction by several well-known and popular writers, including E.E. Smith and Robert Moore Williams. The young Isaac Asimov, visiting Tremaine in Comet's offices, was alarmed when Tremaine asserted that anyone who gave stories to competing magazines for no pay should be blacklisted; Asimov promptly insisted that Donald Wollheim, to whom he had given a free story, should make him a token payment so he could say he had been paid.
"A Face of Stone" is a work of short fiction by William Carlos Williams written in 1934 and first collected in Life Along the Passaic River (1938) and The Doctor Stories (1984) by New Directions Publishing.
The Doctor Stories is an eclectic collection of 13 works of short fiction by William Carlos Williams published by New Directions Publishing in 1984.
"A Night in June" is a work of short fiction by William Carlos Williams, first published in Blast. The story appeared in the 1938 collection Life Along the Passaic River, New Dimensions publishers.
The Girl With a Pimply Face is a work of short fiction by William Carlos Williams, first published in the literary journal Blast (1934). The story appeared in the 1938 collection Life Along the Passaic River issued by New Directions Publishers.
"Jean Beicke" is a work of short fiction by William Carlos Williams first published in Blast: A Magazine of Proletarian Short Stories in 1933. The story appeared in the 1938 collection Life Along the Passaic River
Blast: A Magazine of Proletarian Short Stories was an American literary magazine that ran for five issues from September 1933 to November 1934. It has been credited as a forerunner "to a wave of independent radical journals that sprang up in surprising numbers in the United States in the following years". Based in New York City, it was edited by Fred and Betty Miller.
References
- 1 2 Peter Marks (2012). "The Left in the 1930s". In Brooker, Peter; Thacker, Andrew (eds.). The Oxford Critical and Cultural History of Modernist Magazines. Vol. II: North America 1894-1960. Oxford University Press. pp. 891–97. ISBN 978-0-19-954581-0.
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