The Blitz Kids were a group of people who frequented the Tuesday club-night at Blitz in Covent Garden, London in 1979-1980, and are credited with launching the New Romantic subcultural movement. [1]
The Blitz Kids were a group of people who frequented the Tuesday club-night at Blitz in Covent Garden, London in 1979-1980, and are credited with launching the New Romantic subcultural movement. [1]
Steve Strange and Rusty Egan co-hosted these exclusive nights without giving them a name, according to Strange's autobiography, and publicised them solely by word of mouth. An emphasis on style was ensured by enforcing a strict dress code at the door. Crucially, the Blitz lay between two art colleges (St Martin's School and Central School) and it became a testbed for student fashion designers who set London ablaze during the 1980s. [2]
These included Stephen Jones, Robert Elms, David Holah, Stevie Stewart, Darla Jane Gilroy, Michele Clapton, Kim Bowen, Fiona Dealey, Stephen Linard, among others. The Blitz began making headlines thanks to its patrons outrageous styles of clothes and make-up for both sexes, [3] subsequently documented by Gary Kemp in his 2009 first-person book, I Know This Much, and by Graham Smith and Chris Sullivan in their 2011 book We Can Be Heroes: London Clubland 1976-1984.
Other core attendees included Boy George, Marilyn, Alice Temple, Perri Lister, Princess Julia, Philip Sallon and Martin Degville (later to be the frontman of Tony James' Sigue Sigue Sputnik), Siobhan Fahey (later a member of Bananarama), [4] Biddie and Eve [5] (long-standing cabaret act at the Blitz as wine bar), Perry Haines (who became co-editor of the earliest issues of i-D magazine) and Chris Sullivan (who founded and ran the Wag club in Soho for 19 years).
The team of Strange as greeter and Egan as DJ came together at Billy's nightclub in Soho in autumn 1978, when the post-punk generation found themselves bored with the whole nihilist punk genre, as Smith and Sullivan record. Strange and Egan introduced regular Roxy Music and David Bowie nights at Billy's and, in an effort to find something new and colourful, the denizens took to wearing bizarre home-made costumes and clothing and emphatic make-up, presenting a highly androgynous appearance. [6]
After three months, disagreements with the owner prompted this group of kindred spirits to move on from Billy's – which had effectively formalised the once-a-week club-night. Helen Robinson, who ran the shop PX as the flagship for New Romantic ready-to-wear in Covent Garden, employed Strange as an assistant and it was she who encouraged him and Egan to transfer their energies in 1979 to the more elitist Blitz wine bar in Great Queen Street. [7] [8] Over the next 20 months their fashion-led Tuesday club-night was gradually acknowledged in the media as home to the New Romantic movement and prompted the "Blitz Kids" epithet in mainstream newspapers, led by the Daily Mirror on 3 March 1980. [9]
In mid-1980, David Bowie visited the club and asked Strange and three other Blitz regulars to appear in the video for his single Ashes to Ashes, which helped to propel the New Romantic movement into the mainstream. [10]
The Blitz club provided roots for several new pop groups, notably Visage with Steve Strange on vocals and Blitz DJ Rusty Egan on drums, then Spandau Ballet who played live gigs there in 1979 and 1980. [11] Later, Blitz cloakroom attendant George O'Dowd was to become internationally famous in his own right as Boy George fronting Culture Club. Marilyn became a singer, but with limited chart success.
Boy George celebrated the Blitz Kids scene in his 2002 musical Taboo , in which he played the part of Leigh Bowery, who hosted the London weekly club-night called Taboo in 1985-87, long after the Blitz closed.
In January 2011, Steve Strange and Rusty Egan threw a one-off reunion party [12] [13] on the site of the original Blitz Club, with performances from Roman Kemp's band Paradise Point and electro punk artist Quilla Constance, plus DJ sets from Egan himself. Egan simultaneously launched an official Blitz Club website [14] incorporating a record label, which published three remixes in as many years.
In 2017 The National Portrait Gallery acquired portraits of Blitz Kids Stephen Linard, David Holah, John Maybury and Cerith Wyn Evans by photographer David Gwinnutt, which were displayed in the exhibition Before We Were Men [15]
In March 2021, Bruce Ashley's documentary Blitzed: The 80's Blitz Kids' Story, was shown on Sky Arts. [16] [17] [18] Boy George, Rusty Egan and Marilyn all appeared in the film discussing their time at the club and about the early 1980s-era, whilst La Roux was interviewed about the cultural effects of the New Romantic movement on younger performers like herself. [19]
Spandau Ballet were an English pop band formed in Islington, London, in 1979. Inspired by the capital's post-punk underground dance scene, they emerged at the start of the 1980s as the house band for the Blitz Kids, playing "European Dance Music" as "The Applause" for this new club culture's audience. They became one of the most successful groups of the New Romantic era of British pop and were part of the Second British Invasion of the Billboard Top 40 in the 1980s, selling 25 million albums and having 23 hit singles worldwide. The band have had eight UK top 10 albums, including three greatest hits compilations and an album of re-recorded material. Their musical influences ranged from punk rock and soul music to the American crooners Frank Sinatra and Tony Bennett.
The New Romantic movement was an underground subculture movement that originated in the United Kingdom in the late 1970s. The movement emerged from the nightclub scene in London and Birmingham at venues such as Billy's and The Blitz. The New Romantic movement was characterised by flamboyant, eccentric fashion inspired by fashion boutiques such as Kahn and Bell in Birmingham and PX in London. Early adherents of the movement were often referred to by the press by such names as Blitz Kids, New Dandies and Romantic Rebels.
Steven Antony Norman is an English musician who plays tenor saxophone, guitar, percussion and other instruments, for the English new wave band Spandau Ballet.
Visage were a British synth-pop band formed in London in 1978. The band became closely linked to the burgeoning New Romantic fashion movement of the early 1980s, and are best known for their hit "Fade to Grey" which was released in late 1980. In the UK, the band achieved two Top 20 albums and five Top 30 singles before the commercial failure of their third album led to their break-up in 1985.
Gary James Kemp is an English songwriter, musician and actor, best known as the lead guitarist, backing vocalist, and principal songwriter for the new wave band Spandau Ballet.
Rich Kids were a short-lived new wave band from London, founded in 1977 by Glen Matlock following his departure from the Sex Pistols. The band also included future Ultravox member Midge Ure and Rusty Egan, who both later founded Visage together. They released one album and three singles during their existence, from March 1977 to December 1978.
Peter Antony Robinson, better known as Marilyn, is an English singer. He is known for his 1983 hit "Calling Your Name" and his androgynous appearance.
Rusty Egan is a British pop musician and DJ, although he has only ever held an Irish passport. He is the former drummer of the British new wave band Rich Kids. They consisted of former Sex Pistol Glen Matlock, with Steve New and fronted by Midge Ure, from their inception in March 1977 to their disbanding in December 1978. He continued working with Ure, and later collaborated with The Misfits, Skids, Shock, and Visage. However, Egan did not return to Visage when they reformed with a new line-up in 2004. He played drums on a remixed version of Phil Lynott's song "Yellow Pearl", which the BBC used as the Top of the Pops theme tune from 1981 to 1986.
Stephen John Harrington, known professionally as Steve Strange, was a Welsh singer. From the late 1970s, he was a nightclub host and promoter. He became famous as the leader of the new wave synth-pop group Visage, best known for their single "Fade to Grey", and was one of the most influential figures behind the New Romantic movement of the early 1980s.
Shock were a music/mime/dance/pop group that was notable in the early 1980s for supporting English new wave groups such as Gary Numan, Adam and the Ants, Depeche Mode and Famous Names, led by Steve Fairnie.
"Fade to Grey" is a song by British synth-pop band Visage, released in November 1980 as the second single from their debut album, Visage (1980), on Polydor Records.
"Tar" is the debut single by the British synth-pop group Visage, released in 1979.
"To Cut a Long Story Short" is the debut single by the English new wave band Spandau Ballet, released on 31 October 1980. The band began recording the song before they were signed to a record label because of the interest they had generated with a debut concert for patrons of the exclusive weekly London nightclub the Blitz as well as a Christmas party at that establishment. After having tried other popular genres, the band had been preparing to make their debut as performers of dance music and wanted the public to associate them with the young crowd who met at the Blitz every Tuesday. They needed their guitarist/songwriter, Gary Kemp, to come up with something that they could feel confident about presenting to the top tier of the club's regulars at their first performance.
Journeys to Glory is the debut studio album by English new wave band Spandau Ballet, released on 6 March 1981 by Chrysalis Records. All of the songs on the album were produced by Richard James Burgess and written by band guitarist Gary Kemp to appeal to the patrons of a weekly Tuesday night club the band started attending called the Blitz, where they were accustomed to hearing "white European dance music". Their performances at the Blitz and other exclusive venues attracted the attention of record labels eager to sign them, and one of the songs they had been performing, "To Cut a Long Story Short", gained popularity through a recording session made at BBC Radio 1.
Once More is the seventh and final studio album by English new wave band Spandau Ballet, released on 19 October 2009 by Mercury Records. The album includes 11 re-recordings from the band's back catalogue and two newly written songs. The first single, the title track "Once More", one of the two brand-new songs, was released as a promotional single on 5 October 2009 and as a digital download on the same day as the album was released. The album entered at number seven on the UK Album Chart on 25 October 2009, becoming their seventh UK Top 10 album.
"Chant No. 1 " is a song by the English new wave band Spandau Ballet, released on 10 July 1981 as the first single from their second album, Diamond. The band's guitarist/songwriter, Gary Kemp, wanted to pay homage to the latest London hotspot, Le Beat Route, by emulating the funk music that was popular there and even using the club as the location for the music video, all in order to show that the band was still part of the trendy Soho scene. Except for the remix of the song from the album's box set, "Chant No. 1" received good reviews, and the 7-inch single became their third top ten hit in the United Kingdom, peaking at number 3 on the UK Singles Chart.
"Instinction" is a song by Spandau Ballet whose original version was included on their second album Diamond as produced by Richard James Burgess. The song was written by band guitarist/songwriter Gary Kemp. A remix by Trevor Horn was released on 2 April 1982 as the last single from the album and reached number 10 on the UK Singles Chart. This new version received good reviews but constituted a shift into pop music that did not interest the patrons of trendy London nightclubs that Spandau Ballet originally intended to represent. The band tried continuing their work with Horn on the songs for their next album but came to an impasse with him and moved on to a successful relationship with producers Steve Jolley and Tony Swain.
Philip Sallon is a British club promoter, event organiser, socialite, style innovator, impresario, and clothing designer. He was born in London, England. He is particularly known for being a prominent member of the Punk sub-cultural and New Romantic pop cultural movements during the 1970s and 1980s.
"The Freeze" is a song by the English new wave band Spandau Ballet, released on 12 January 1981 as the follow-up to their debut single, the number 5 UK hit "To Cut a Long Story Short". As was the case with that release, the 7-inch single of "The Freeze" featured a dub mix on its B-side, and the 12-inch single had two additional mixes of the song geared toward dance clubs. The cover art used for both formats of the single also repeated its predecessor in having a simple black-and-white classical motif. This design, however, was also seen on the sets of the music video for the song. Reviews of "The Freeze" were mixed. It reached number 17 on the UK Singles Chart.