This article needs additional citations for verification .(January 2024) |
Editor | Tony Burke |
---|---|
Categories | Music magazine |
Frequency | 6 per year |
First issue | July 1984 |
Country | United Kingdom |
Based in | Bromham |
Language | English |
Website | www |
ISSN | 1360-8657 |
Blues & Rhythm is a British music magazine dealing with all aspects of blues and gospel music. Founded in July 1984 [1] it is - along with its American counterpart Living Blues - considered to be the premier magazine for all aspects of research into blues and rhythm & blues music (pre- and post-war blues, rhythm and blues, doo-wop vocal groups, vintage soul, gospel and the contemporary blues scene).
Blues & Rhythm was founded by record collector Paul Vernon in 1984, with the editorship passing to Tony Burke in 1986. [2] The magazine's team of writers and reviewers consists of record collectors, and some of the world's foremost experts on the history of blues/R&B/doo-wop/gospel and soul. Blues & Rhythm is run by an editorial board, since its inception it has carried on the long tradition of research into blues, R&B and gospel music including artists, musicians, record companies and associated subjects. Colin Larkin described the publication, along with Blueprint, and Juke Blues as "all admirable magazines". [3]
Blues & Rhythm's roots go back to magazines such as the pioneering Blues Unlimited , first published in England in the early 1960s, as well as other specialist magazines including Pickin' The Blues, Sailors Delight and Old Time Music.
Blues & Rhythm has published major and ground-breaking research on some of the major blues musicians including Muddy Waters, Robert Johnson, Big Bill Broonzy, John Lee Hooker, B. B. King, T-Bone Walker and many others, and also specialises in searching out the lesser-known artists, obscure musicians and session musicians, as well as owners of record companies and details of record labels, who contributed to the rich and century-long history.
The magazine also features discographies, as well as reviews of recent blues festivals and gigs; news from the blues world; obituaries; and a lively letters pages where collectors and fans exchange information. The magazine's extensive review section covers all the latest new and reissue CDs; DVDs, vinyl, books etc.
It has also publishes updates and corrections to the most important published historical discographies of blues and gospel music.
Usually 48 pages in length, the magazine is published six times a year, every two months. [1]
The Penguins were an American doo-wop group from Los Angeles, California, that were active during the 1950s and early 1960s. They are known for their 1954 hit song, "Earth Angel", which was one of the first rhythm and blues songs to cross over to the pop charts. The song would ultimately prove to be their only success. The song peaked at No. 8 on the US Billboard Best Sellers in Stores pop chart but had a three-week run at No. 1 on the R&B chart.
Doo-wop is a subgenre of rhythm and blues music that originated in African-American communities during the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, D.C., and Los Angeles. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, sung by a lead vocal over background vocals, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Harmonic singing of nonsense syllables is a common characteristic of these songs. Gaining popularity in the 1950s, doo-wop was "artistically and commercially viable" until the early 1960s and continued to influence performers in other genres.
The Coasters are an American rhythm and blues/rock and roll vocal group who had a string of hits in the late 1950s. With hits including "Searchin'", "Young Blood", "Charlie Brown", "Poison Ivy", and "Yakety Yak", their most memorable songs were written by the songwriting and producing team of Leiber and Stoller. Although the Coasters originated outside of mainstream doo-wop, their records were so frequently imitated that they became an important part of the doo-wop legacy through the 1960s. In 1987, they were the first group inducted into the Rock and Roll Hall of Fame.
Johnnie Harrison Taylor was an American recording artist and songwriter who performed a wide variety of genres, from blues, rhythm and blues, soul, and gospel to pop, doo-wop, and disco. He was initially successful at Stax Records with the number-one R&B hits "Who's Making Love" (1968), "Jody's Got Your Girl and Gone" (1971) and "I Believe in You " (1973), and reached number one on the US pop charts with "Disco Lady" in 1976.
Benjamin Franklin Peay, known professionally as Brook Benton, was an American singer and songwriter whose music transcended rock and roll, rhythm and blues, and pop music genres in the 1950s and 1960s, with hits such as "It's Just a Matter of Time" and "Endlessly".
Jerry Butler Jr. is an American soul singer-songwriter, producer, musician, and retired politician. He was the original lead singer of the R&B vocal group the Impressions, inducted into the Rock and Roll Hall of Fame in 1991. After leaving the group in 1960, Butler achieved over 55 Billboard Pop and R&B Chart hits as a solo artist including "He Will Break Your Heart", "Let It Be Me" and "Only the Strong Survive". He was inducted into the National Rhythm & Blues Hall of Fame in 2015.
Mabel Louise Smith, known professionally as Big Maybelle, was an American R&B singer. Her 1956 hit single "Candy" received the Grammy Hall of Fame Award in 1999.
Boogaloo or bugalú is a genre of Latin music and dance which was popular in the United States in the 1960s. Boogaloo originated in New York City mainly by stateside Puerto Ricans with African American music influences. The style was a fusion of popular African American rhythm and blues (R&B) and soul music with mambo and son montuno, with songs in both English and Spanish. The American Bandstand television program introduced the dance and the music to the mainstream American audience. Pete Rodríguez's "I Like It like That" was a famous boogaloo song.
Wand Records was an American independent record label, started by Florence Greenberg in 1961 as a subsidiary of Scepter Records. Artists on Wand Records included The Isley Brothers, The Kingsmen, Mel Wynn & the Rhythm Aces, Chuck Jackson, and the Monzas.
Donald James Randolph, better known by the stage name Don Covay, was an American R&B, rock and roll, and soul singer-songwriter most active from the 1950s to the 1970s.
Garnet Mimms is an American singer, influential in soul music and rhythm and blues. He first achieved success as the lead singer of Garnet Mimms & The Enchanters and is best known for the 1963 hit "Cry Baby", later recorded by Janis Joplin. According to Steve Huey at AllMusic, his "pleading, gospel-derived intensity made him one of the earliest true soul singers [and] his legacy remains criminally underappreciated."
Lee Andrews and the Hearts were an American doo-wop quintet from Philadelphia, Pennsylvania, United States, formed in 1953. They recorded on the Gotham, Rainbow, Mainline, Chess, United Artists, Grand and Gowen labels. Managed by Kae Williams, in 1957 and 1958 they had their three biggest hits, "Tear Drops", "Long Lonely Nights" and "Try the Impossible".
The Chords were an American doo-wop vocal group formed in 1951 in The Bronx, New York, known for their 1954 hit "Sh-Boom", which they wrote. It is the only song they created that reached mainstream popularity.
Apollo Records was a record company and label founded in New York City by Hy Siegel and Ted Gottlieb in 1944. A year later it was sold to Ike and Bess Berman. Apollo was known for blues, doo-wop, gospel, jazz, and rock and roll.
The Reflections are an American blue-eyed soul/doo-wop group from Detroit, Michigan, United States. They had one hit single in 1964 called "(Just Like) Romeo and Juliet", written by Bob Hamilton and Freddie Gorman. The song was produced by Rob Reeco on Golden World Records. The disc reached number 6 on the Billboard Hot 100 chart, and number 9 on the Cash Box chart. The record was even more popular in rhythm and blues locations, reaching number 3 on that Cashbox chart, and was featured on American Bandstand as a "spotlight dance". A cover version by new wave band Mental As Anything hit number 27 on the Australian charts in 1980.
The Encyclopedia of Popular Music is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the Grove Dictionary of Music, which Larkin describes in less than flattering terms. It is published by the Oxford University Press and was described by The Times as "the standard against which all others must be judged".
Juke Blues is a British magazine covering blues, R&B, gospel, soul, zydeco, and jazz. It was established in 1985 in London by Cilla Huggins, John Broven, and Bez Turner, and is now published in Bath, Somerset, England. Cilla Huggins has been sole editor since 1992.
Mitty Lene Collier is an American church pastor, gospel singer and former rhythm and blues singer. She had a number of successful records in the 1960s, of which probably the best known is "I Had A Talk With My Man".
The Viscaynes were an American doo-wop group from Vallejo, California, United States, that released a few singles in the early 1960s. They also had a regional hit with the song "Yellow Moon". One of their members Sylvester Stewart, later known as Sly Stone would front the multi-racial group Sly & the Family Stone. They were unique in being one of the very few integrated doo-wop groups of their time.
Charles Williams Wright is an American singer, instrumentalist and songwriter. He has been a member of various doo wop groups in the late 1950s and early 1960s as well as a solo artist in his own right. He is also the former leader and writer of hits for the group, Watts 103rd Street Rhythm Band.