Spirituals is a genre of Christian music that is associated with African Americans, which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade and for centuries afterwards, through the domestic slave trade. Spirituals encompass the "sing songs", work songs, and plantation songs that evolved into the blues and gospel songs in church. In the nineteenth century, the word "spirituals" referred to all these subcategories of folk songs. While they were often rooted in biblical stories, they also described the extreme hardships endured by African Americans who were enslaved from the 17th century until the 1860s, the emancipation altering mainly the nature of slavery for many. Many new derivative music genres such as the blues emerged from the spirituals songcraft.
Modern dance in the United States is a form of contemporary dance that was developed in the United States in the 20th century. African American modern dance also developed a distinct style.
Alvin Ailey Jr. was an American dancer, director, choreographer, and activist who founded the Alvin Ailey American Dance Theater (AAADT). He created AAADT and its affiliated Alvin Ailey American Dance Center as havens for nurturing Black artists and expressing the universality of the African-American experience through dance.
Renee Robinson is a retired American dancer from Washington, D.C., who performed as a Principal Dancer of the Alvin Ailey American Dance Theater. She began her dance training in classical ballet at the Jones-Haywood School of Ballet. She also attended the School of American Ballet, the Dance Theatre of Harlem and The Ailey School. Robinson was a member of the Alvin Ailey II, before becoming a member of the Alvin Ailey American Dance Theater in 1981.
African-American dance is a form of dance that was created by Africans in the Diaspora, specifically the United States. It has developed within various spaces throughout African-American communities in the United States, rather than studios, schools, or companies. These dances are usually centered on folk and social dance practice, though performance dance often supplies complementary aspects to this. Placing great value on improvisation, these dances are characterized by ongoing change and development. There are a number of notable African-American modern dance companies using African-American cultural dance as an inspiration, among these are the Whitey's Lindy Hoppers, Alvin Ailey American Dance Theater, Dance Theatre of Harlem, and Katherine Dunham Company. Hollywood and Broadway have also provided opportunities for African-American artists to share their work and for the public to support them.
Judith Ann Jamison was an American dancer and choreographer. She danced with the Alvin Ailey American Dance Theater from 1965 to 1980 and was Ailey's muse. She later returned to be the company's artistic director from 1989 until 2011, and then its artistic director emerita. She received the Kennedy Center Honors in 1999, the National Medal of Arts in 2001, and the Handel Medallion, New York City's highest cultural honor, in 2010.
Founded in 1958, the Alvin Ailey American Dance Theater (AAADT) is the largest modern dance company in the United States. Based in New York City, the company was founded by Presidential Medal of Freedom recipient Alvin Ailey (1931-1989), a noted choreographer and dancer. The Alvin Ailey Dance Foundation, which includes AAADT and Ailey II, the Ailey School, Ailey Extension, AileyCamp, and other operations, is housed in the 87,000 square-foot Joan Weill Center for Dance, one of the largest buildings dedicated exclusively to dance in the United States. AAADT is recognized as a vital American cultural ambassador, and has performed for diverse audiences in more than seventy countries around the world.
Desmond Richardson is an American dancer, actor and co-founder, and co-artistic director of Complexions Contemporary Ballet. He has mastered a wide range of dance forms including hip hop, classical, modern, classical ballet, and contemporary ballet.
Slave Songs of the United States was a collection of African American music consisting of 136 songs. Published in 1867, it was the first, and most influential, collection of spirituals to be published. The collectors of the songs were Northern abolitionists William Francis Allen, Lucy McKim Garrison, and Charles Pickard Ware. The group transcribed songs sung by the Gullah Geechee people of Saint Helena Island, South Carolina. These people were newly freed slaves who were living in a refugee camp when these songs were collected. It is a "milestone not just in African American music but in modern folk history". It is also the first published collection of African-American music of any kind.
Revelations is the best-known work of the modern dance choreographer Alvin Ailey. It is also the signature work of the Alvin Ailey American Dance Theater, which premiered an extended version of the work in 1960, when Ailey was 29 years old. Set to spirituals, gospel, and blues music and influenced by the choreographer's own Christian upbringing, it presents a vision of the historical African American experience from a church-inspired perspective. The three sections of the final 36-minute revised version depict the suffering of slavery, baptismal joy, and a choral church celebration.
Daniela Malusardi is an Italian choreographer, teacher and dancer.
Chroma is a one-act contemporary ballet created by Wayne McGregor for the Royal Ballet. The work received its premiere at the Royal Opera House, Covent Garden, on 17 November 2006. The ballet is performed to a combination of original music by Joby Talbot and arrangements of music by Jack White of the White Stripes, with orchestrations by Christopher Austin. The ballet was a great success, winning a number of awards, including the Laurence Olivier Award for Best New Dance Production, and led to The Royal Ballet appointing McGregor as resident choreographer.
Kyle Abraham is an American choreographer and dancer. He founded his own company A.I.M by Kyle Abraham in 2006 in New York City and has produced many original works for A.I.M such as The Radio Show (2010), Absent Matter (2015), Pavement (2012), Dearest Home (2017), Drive (2017), INDY (2018), Studies on Farewell (2019), and An Untitled Love (2021). Kyle has also been commissioned to create new works for international dance companies such as Untitled America (2016) for the Alvin Ailey American Dance Theater, The Runaway (2018) for New York City Ballet, The Bystander (2019) for Hubbard Street Dance Chicago, Only The Lonely (2019) for Paul Taylor American Modern Dance and Ash (2019).
Frank Gatson Jr. is an American director and choreographer. He is the creative director for En Vogue, Brandy, Muni Long, Tyrese Gibson, Rihanna and Jennifer Lopez. He also is Kelly Rowland's and Beyoncé's main creative director and choreographer, a position he has held since her tenure with Destiny's Child. He has also choreographed videos, routines and live performances for other artists including R. Kelly, Michael Jackson, TLC, En Vogue, Kelly Rowland, Rihanna, Jennifer Lopez, Fifth Harmony, Destiny's Child, Little Mix, Toni Braxton and Usher.
George W. Faison is an American dancer, choreographer, teacher, and theater producer, and winner of a 1975 Tony, a Drama Desk Award, and a 1991 nominee for the Emmy Award for choreography. He was a featured dancer with the Alvin Ailey American Dance Theater, founder of the George Faison Universal Dance Experience, and co-founder/producing artistic director of the Faison Firehouse Theater.
Loretta Agatha Abbott was an American educator, dancer, choreographer, singer, director, dance captain, and actress. She was an early member and foundation builder for the Alvin Ailey Dance Company. She was also a founding member of the Clark Center for the Performing Arts, and worked with the organization from 1959 to 1989.
Troy Powell also known as Troy O'Neil Powell is an American dancer, choreographer, educator, and director. He is a former principal dancer with the Alvin Ailey American Dance Theater and former artistic director of AAADT's second company, Ailey 2. Powell was fired in July 2020 after an independent investigation into allegations of sexual abuse at the Ailey School concluded that he had engaged in "inappropriate communications" with students who were interested in joining the Ailey 2.
Donald Byrd is an American modern dance choreographer, known for themes relating to social justice, and in particular, racism.
Jacqueline Green is an American ballet dancer with the Alvin Ailey American Dance Theater in New York. She is noted for her elegant and commanding presence on stage as well as her unusually rapid ascent in being recognized as a great and powerful dancer.
Hope Boykin is an American dancer and choreographer who is currently a member of the Alvin Ailey American Dance Theater.
