Brainwashed: Sex-Camera-Power

Last updated

Brainwashed is a 2022 American documentary film, directed by Nina Menkes. [1] The writer-director "developed her 2017 essay and PowerPoint presentation into a film, examining the biased ways in which women are represented onscreen versus men." Using clips from hundreds of movies (including her own fictional films), Menkes explores the sexual politics of cinematic shot design; she also includes interviews with women and nonbinary artists, film theorists, and scholars (Joey Soloway, Julie Dash, Catherine Hardwicke, Eliza Hittman and Laura Mulvey), who discuss "the exploitative effects of the male gaze." [2] [3] [4]

Contents

Production

The "CalArts instructor had, for years, delivered a talk about the visual objectification of women in film to her students," and eventually to general audiences. At Sundance, in the "wake of the start of the #MeToo movement", it was suggested that she should turn her presentation into a feature film. [5]

Filmmaker Tim Disney signed on as an executive producer after Menkes pitched him the project. The film's funding was "offered as a tax-deductible donation to the International Documentary Association via the organization's fiscal sponsorship program." [5]

Menkes shot her Brainwashed presentation before the pandemic, before directing most of the film's interviews over Zoom calls due to COVID-19. [5]

Co-producer of Brainwashed, Maria Giese, is a filmmaker, feminist activist, and member of the Directors Guild of America. She realized that the "virtual absence of women directors in Hollywood was tantamount to the censoring and silencing of female voices in US media -- America's most influential global export." [6]

Giese took her findings to the ACLU of Southern California, which prompted an official investigation into Hollywood's job discrimination. [7] She observed that "entertainment is the worst offender of Title VII employment anti-discrimination laws of any U.S. industry." Shortly after, the New York Times published its 2017 article "that triggered the MeToo movement", exposing Harvey Weinstein of sexual harassment and assault. "'It was explosive,' says Giese, 'and suddenly our industry was throwing millions of dollars into the creation of new inside-industry enforcement organizations like Time's Up, The Hollywood Commission, ReFrame, and many others.'" [8]

Release

The film premiered at the 2022 Sundance Film Festival. It premiered internationally at the 2022 Berlin International Film Festival.

In May 2022, it was announced that international film distribution company Kino Lorber had acquired the North American distribution rights to Brainwashed for the film's release, in collaboration with Kanopy, "the premium library streaming platform for films that matter." Wendy Lidell, Sr. VP of Kino Lorber stated "Nina Menkes' Brainwashed pulls the curtain back on the many ways male-dominated image making has been internalized by men and women alike, and the overwhelming ripple effect it has had on our culture..." [9]

The Menkes List

Through the film, Nina argues that shot design is gendered, via a list of 5 points. UK Blogger Caz Armstrong dubbed these points "The Menkes List".

The Menkes List:

  1. POV/Subject/Object - Male subject, female object.
  2. Framing - The way shots are composed, including fragmentation of female body parts.
  3. Camera Movement - Body pans + tilts; slow motion used differently for male and female actors.
  4. Lighting - 3D (male) vs. 2D/fantasy lighting (female)
  5. Narrative Position - Camera techniques 1-4 often undermine the female characters' narrative position, even when they are a protagonist in the narrative.

[10]

Reception

Rotten Tomatoes gave the film 70% based on reviews from 54 critics. The site's critical consensus states "Although its subject calls for a more incisive treatment, Brainwashed: Sex-Camera-Power is a worthy primer on the male gaze in cinema."

Peter Bradshaw of The Guardian calls Brainwashed "fierce and focused... a bracing blast of critical rigour, taking a clear, cool look at the unexamined assumptions behind what we see on the screen." [11]

Kate Erbland of Indiewire says "Nina Menkes' eye-opening documentary will forever change how you look at films", [12] and for Screen Daily, Finn Halligan writes "Menkes is a real no-bullshit breath of fresh air. With a torch. And with any luck, she's heading your way to set fire to something, soon." [13]

The film was criticized by Marya E. Gates of RogerEbert.com as having a confirmation bias [14] and Sarah Jane of The Austin Chronicle noticing Menkes plucking out scenes from certain films without proper context. [15] Lillian Crawford of Little White Lies is critical of the film noting that: "Menkes is in such a rush to get through the history of cinema to point a finger of blame at everyone except herself, ending with her own films as examples of a negation of the gaze." [16]

Accolades

The Alliance of Women Film Journalists nominated the film for the award Outstanding Achievement by a Woman in the Film Industry. [17]

Related Research Articles

Feminist film theory is a theoretical film criticism derived from feminist politics and feminist theory influenced by second-wave feminism and brought about around the 1970s in the United States. With the advancements in film throughout the years feminist film theory has developed and changed to analyse the current ways of film and also go back to analyse films past. Feminists have many approaches to cinema analysis, regarding the film elements analyzed and their theoretical underpinnings.

<span class="mw-page-title-main">Laura Mulvey</span> British feminist film theorist

Laura Mulvey is a British feminist film theorist and filmmaker. She was educated at St Hilda's College, Oxford. She is currently professor of film and media studies at Birkbeck, University of London. She previously taught at Bulmershe College, the London College of Printing, the University of East Anglia, and the British Film Institute.

<span class="mw-page-title-main">Joey Soloway</span> American television creator

Joey Soloway is an American television creator, showrunner, director and writer. Soloway is known for creating, writing, executive producing and directing the Amazon original series Transparent, winning two Emmys for the show; directing and writing the film Afternoon Delight, winning the Best Director award at the 2013 Sundance Film Festival; and producing Six Feet Under.

<i>Working Girls</i> (1986 film) 1986 film by Lizzie Borden

Working Girls is a 1986 American independent drama film, written, produced and directed by Lizzie Borden working with cinematographer Judy Irola. Its plot follows a day in the life of several prostitutes in a Manhattan brothel.

Maria Giese is an American feature film director and screenwriter. A member of the Directors Guild of America, and an activist for parity for women directors in Hollywood, she writes and lectures about the under-representation of women filmmakers in the United States.

<span class="mw-page-title-main">Nina Menkes</span> American filmmaker

Nina Menkes is an independent filmmaker. Her films include The Great Sadness of Zohara (1983), Magdalena Viraga (1986), Queen of Diamonds (1991), The Bloody Child (1996), "Massacre (Massaker)" (2005), Phantom Love (2007), Dissolution (2010), and Brainwashed: Sex-Camera-Power (2022). Nina Menkes' sister Tinka appears as an actress in many of them. Menkes teaches at the California Institute of the Arts in Santa Clarita, California. She has donated copies of several of her works to the Academy Film Archive.

<i>It Felt Like Love</i> 2013 film by Eliza Hittman

It Felt Like Love is a 2013 independent drama film and the directorial debut of Eliza Hittman. It premiered at the Sundance Film Festival and was later acquired by Variance Films, receiving a limited theatrical release in March 2014. The film follows the coming-of-age of teenager Lila as she riskily courts the attentions of an older boy.

<span class="mw-page-title-main">Tim Kirk (filmmaker)</span> American film director

Tim Kirk is a writer, director, and producer who currently lives in Los Angeles.

<span class="mw-page-title-main">Male gaze</span> Concept in feminist theory

In feminist theory, the male gaze is the act of depicting women and the world in the visual arts and in literature from a masculine, heterosexual perspective that presents and represents women as sexual objects for the pleasure of the heterosexual male viewer. The concept was first articulated by British feminist film theorist Laura Mulvey in her 1975 essay, Visual Pleasure and Narrative Cinema. Mulvey's theory draws on historical precedents, such as the depiction of women in European oil paintings from the Renaissance period, where the female form was often idealized and presented from a voyeuristic male perspective. Art historian John Berger, in his work Ways of Seeing (1972), highlighted how traditional Western art positioned women as subjects of male viewers’ gazes, reinforcing a patriarchal visual narrative.

<i>Sembene!</i> 2015 film

Sembene! is a 2015 documentary film focusing on the life of Senegalese filmmaker Ousmane Sembène, who is considered to be the father of African cinema. It is co-directed by Samba Gadjigo and Jason Silverman. The film's world premiere took place at the Sundance Film Festival in January 2015. It also played at the Cannes Film Festival and the Venice Film Festival.

The female gaze is a feminist theory term referring to the gaze of the female spectator, character or director of an artistic work, but more than the gender it is an issue of representing women as subjects having agency. As such, people of any gender can create films with a female gaze. It is a response to feminist film theorist Laura Mulvey's term "the male gaze", which represents not only the gaze of a heterosexual male viewer but also the gaze of the male character and the male creator of the film. In that sense it is close, though different, from the Matrixial gaze coined in 1985 by Bracha L. Ettinger. In contemporary usage, the female gaze has been used to refer to the perspective a female filmmaker (screenwriter/director/producer) brings to a film that might be different from a male view of the subject.

<i>Tehran Taboo</i> 2017 film

Tehran Taboo is a 2017 Persian-language adult animated drama film written and directed by Ali Soozandeh.

<i>RBG</i> (film) 2018 American film

RBG is a 2018 American documentary film focusing on the life and career of Ruth Bader Ginsburg, the second female Associate Justice of the Supreme Court of the United States after Sandra Day O'Connor. After premiering at the 2018 Sundance Film Festival, the film was released in the United States on May 4, 2018. The film was directed and produced by Betsy West and Julie Cohen.

<i>The Mountain</i> (2018 film) 2018 American drama film

The Mountain is a 2018 American drama film directed by Rick Alverson, from a screenplay by Alverson, Dustin Guy Defa and Colm O'Leary. The script is loosely based on the story of controversial physician Walter Freeman. It stars Tye Sheridan, Denis Lavant, Hannah Gross, Udo Kier and Jeff Goldblum. It had its world premiere at the Venice Film Festival on August 30, 2018. It was released on July 26, 2019, by Kino Lorber.

<i>Skate Kitchen</i> 2018 film by Crystal Moselle

Skate Kitchen is a 2018 American teen drama film written and directed by Crystal Moselle based on her short film That One Day. Rachelle Vinberg stars as Camille, a teenage girl who befriends a group of female skateboarders in New York City. It is inspired by the real group of female skaters based in New York who call themselves "Skate Kitchen" and features the group's members playing fictionalized versions of themselves.

Acasă, My Home is a 2020 German/Romanian/Finnish documentary film directed by Radu Ciorniciuc. The film is about nine children and their parents who lived in harmony with nature in the wilderness of the Bucharest Delta for 20 years until they are chased out and forced to adapt to life in the big city. It was filmed in the course of 4 years, with production starting in 2016. As the movie progresses, it follows the evolution of the family’s life throughout the years of living in the capital. “The 11 family members lived in isolation from society: without documents, without education or access to health care. Now, all nine children in the Enache family have documents, go to school, are seen regularly by doctors, and adults have stable jobs.”

The 2022 Sundance Film Festival took place from January 20 to 30, 2022. Due to COVID-19 pandemic protocol, it was initially intended to be an in-person/virtual hybrid festival, but on January 5, 2022, it was announced that the in-person components would be scrapped in favor of a wholly virtual festival due to the SARS-CoV-2 Omicron variant. The first lineup of competition films was announced on December 9, 2021.

Murina is a 2021 internationally co-produced drama film, directed by Antoneta Alamat Kusijanović, in her feature directorial debut, from a screenplay by Antoneta Alamat Kusijanović and Frank Graziano. It stars Gracija Filipović, Leon Lučev, Danica Curcic, and Cliff Curtis. Martin Scorsese served as an executive producer under his Sikelia Productions banner.

<i>Neptune Frost</i> 2021 American-Rwandan film

Neptune Frost is a 2021 science fiction romantic musical co-directed by Saul Williams and Anisia Uzeyman and starring Cheryl Isheja, Elvis Ngabo and Kaya Free. Set in a post-civil war Rwanda spanning past, future, and present times, the film follows the relationship between an intersex hacker and a coltan miner. Ezra Miller is a producer and Lin-Manuel Miranda an executive producer.

<i>Soundtrack to a Coup dEtat</i> 2024 Documentary on Congo by Johan Grimonprez

Soundtrack to a Coup d'Etat is a 2024 documentary film directed by Johan Grimonprez about the Cold War episode that led musicians Abbey Lincoln and Max Roach to crash the UN Security Council in protest against the murder of Congolese leader Patrice Lumumba.

References

  1. MUBI
  2. Coates, Tyler (8 December 2022). "Incredible True Stories Make Up the Many Documentary Features in the Oscars Race". The Hollywood Reporter.
  3. The Hollywood Reporter
  4. Brainwashed: Sex-Camera-Power Review: Blasting the Male Gaze - Slant Magazine
  5. 1 2 3 Kilkenny, Katie (21 January 2022). "Sundance: 'Brainwashed' Doc Examines the Subtle (and Not-So-Subtle) Ways Women are Objectified Onscreen". The Hollywood Reporter.
  6. Giese, Maria (11 December 2015). ""Troublemaker" Who Launched Hollywood's EEOC Gender Probe: I "Don't Regret" "Starting the Fight"". The Hollywood Reporter.
  7. Bross, Judy (17 December 2022). "Maria Giese: The Activist Who Changed Hollywood". Classic Chicago Magazine.
  8. Giese, Maria (17 December 2022). "Maria Giese: The Activist Who Changed Hollywood". Classic Chicago Magazine.
  9. Lorber, Kino. "Kino Lorber Acquires North American Rights to Nina Menkes's Eye-Opening Feminist Documentary 'Brainwashed: Sex-Camera-Power'". Kino Lorber.
  10. Armstrong, Caz (5 November 2019). "The Menkes List: 5 Camera Techniques That Objectify Women in Film". In Their Own League.
  11. Bradshaw, Peter (15 October 2022). "Brainwashed: Sex-Camera-Power review - a good hard look at the male gaze". The Guardian .
  12. Erbland, Kate (22 January 2022). "'Brainwashed' Review: Nina Menkes' Eye-Opening Documentary Will Forever Change How You Look at Films". Indie Wire .
  13. Halligan, Finn. "'Brainwashed: Sex-Camera-Power': Sundance Review". Screen Daily.
  14. Gates, Marya E. (2022). "Brainwashed: Sex-Camera-Power movie review (2022) | Roger Ebert". RogerEbert.com.
  15. The Austin Chronicle
  16. Little White Lies
  17. Anderson, Erik (26 December 2022). "2022 Alliance of Women Film Journalists nominations: 'Everything Everywhere,' 'The Woman King' lead". Awards Watch.