In popular usage, the term British Invasion refers to a cultural phenomenon of the mid-1960s in which rock and pop music artists from the United Kingdom and other aspects of British culture became popular in the United States.
British Invasion may also refer to:
Britain most often refers to:
Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence with artists like Erykah Badu under the genre neo-soul.
Spot or SPOT may refer to:
The British Invasion was a cultural phenomenon of the mid-1960s, when rock and pop music acts from the United Kingdom and other aspects of British culture became popular in the United States and significant to the rising "counterculture" on both sides of the Atlantic Ocean. UK pop and rock groups such as the Beatles, the Rolling Stones, the Zombies, the Kinks, Small Faces, the Dave Clark Five, Herman's Hermits, the Hollies, the Animals, Gerry and the Pacemakers, the Searchers, the Yardbirds, the Who and Them, as well as solo singers such as Dusty Springfield, Cilla Black, Petula Clark, Tom Jones and Donovan, were at the forefront of the "invasion".
The O'Jays are an American R&B group from Canton, Ohio, formed in 1958 and originally consisting of Eddie Levert, Walter Lee Williams, William Powell, Bobby Massey, and Bill Isles. The O'Jays made their first chart appearance with the minor hit "Lonely Drifter" in 1963, but reached their greatest level of success once Gamble & Huff, a team of producers and songwriters, signed them to their Philadelphia International label in 1972. With Gamble & Huff, the O'Jays emerged at the forefront of Philadelphia soul with "Back Stabbers" (1972), and topped the US Billboard Hot 100 the following year with "Love Train". Several other US R&B hits followed, and the O'Jays were inducted into the Vocal Group Hall of Fame in 2004, The Rock and Roll Hall of Fame in 2005, and the Rhythm and Blues Music Hall of Fame in 2013.
Independent or Independents may refer to:
Throughout the history of the British Isles, the United Kingdom has been a major music producer, drawing inspiration from Church Music.
Thor is a Germanic god associated with thunder.
Headhunter or head hunter may refer to:
The Union may refer to:
Excalibur is the mythical sword of King Arthur.
Mercy is leniency or compassion. In sport, the mercy rule may be applied.
All-star is a term designating an individual as having a high level of performance in their field.
Smash may refer to:
Carly is a given name, a feminine form of Carl. It is also a pet form of given names such as Carla and Caroline. Variant different spellings include Carley, Carlie, Carlee, Carleigh and Carli, as well as Karly, Karli, Karley, Karlee, Karlie and Karleigh.
Maxine may refer to:
Stephanie is a female name that comes from the Greek name Στέφανος (Stephanos) meaning "crown". The male form is Stephen. Forms of Stephanie in other languages include the German "Stefanie", the Italian, Czech, Polish, and Russian "Stefania", the Portuguese Estefânia, and the Spanish Estefanía. The form Stéphanie is from the French language, but Stephanie is now widely used both in English- and Spanish-speaking cultures.
British soul, Brit soul, or the British soul invasion, is soul music performed by British artists. Soul has been a major influence on British popular music since the 1960s, and American soul was extremely popular among some youth subcultures, such as mods, skinheads, and the Northern soul movement. In the 1970s, soul gained more mainstream popularity in the UK during the disco era.
Popular music of the United Kingdom in the 21st century continued to expand and develop new subgenres and fusions. While talent show contestants were one of the major forces in pop music, British soul maintained and even extended its high-profile with figures like Joss Stone, Estelle, Duffy and Adele, while a new group of singer-songwriters led by Amy Winehouse and Westlife achieved international success. New forms of dance music emerged, including grime and dubstep. There was also a revival of garage rock and post-punk, which when mixed with electronic music produced new rave.
Music of the United Kingdom developed in the 1960s into one of the leading forms of popular music in the modern world. By the early 1960s the British had developed a viable national music industry and began to produce adapted forms of American music in Beat music and British blues which would be re-exported to America by bands such as The Beatles, The Animals and the Rolling Stones. This helped to make the dominant forms of popular music something of a shared Anglo-American creation, and led to the growing distinction between pop and rock music, which began to develop into diverse and creative subgenres that would characterise the form throughout the rest of the twentieth century.