British Invasion (disambiguation)

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In popular usage, the term British Invasion refers to a cultural phenomenon of the mid-1960s in which rock and pop music artists from the United Kingdom and other aspects of British culture became popular in the United States.

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Britain most often refers to:

<span class="mw-page-title-main">Soul music</span> Genre of music

Soul music is a popular music genre that originated in African-American communities throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, and U.S. record labels such as Motown, Atlantic and Stax were influential in its proliferation during the civil rights movement. Soul also became popular worldwide, directly influencing rock music and the music of Africa. It had a resurgence in the mid-to late 1990s with the subgenre neo soul, which incorporated modern production elements and hip hop influences.

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<span class="mw-page-title-main">British Invasion</span> Cultural phenomenon of the mid-1960s

The British Invasion was a cultural phenomenon of the mid-1960s, when rock and pop music acts from the United Kingdom and other aspects of British culture became popular in the United States with significant influence on the rising "counterculture" on both sides of the Atlantic Ocean. British pop and rock groups such as the Beatles, the Rolling Stones, Gerry and the Pacemakers, the Searchers, Billy J. Kramer and the Dakotas, Freddie and the Dreamers, the Merseybeats, the Dave Clark Five, the Hollies, Manfred Mann, Herman's Hermits, Peter and Gordon, the Animals, the Zombies, the Yardbirds, the Moody Blues, the Kinks, the Spencer Davis Group, Them, the Pretty Things, the Who, Small Faces, and the Bee Gees, as well as solo singers such as Dusty Springfield, Cilla Black, Petula Clark, Marianne Faithfull, Tom Jones, and Donovan were at the forefront of the "invasion."

Independent or Independents may refer to:

<span class="mw-page-title-main">Music of the United Kingdom</span>

Throughout the history of the British Isles, the land that is now the United Kingdom has been a major music producer, drawing inspiration from church music and traditional folk music, using instruments from England, Scotland, Northern Ireland, and Wales. Each of the four countries of the United Kingdom has its own diverse and distinctive folk music forms, which flourished until the era of industrialisation when they began to be replaced by new forms of popular music, including music hall and brass bands. Many British musicians have influenced modern music on a global scale, and the UK has one of the world's largest music industries. English, Scottish, Irish, and Welsh folk music as well as other British styles of music heavily influenced American music such as American folk music, American march music, old-time, ragtime, blues, country, and bluegrass. The UK has birthed many popular music genres such as beat music, psychedelic music, progressive rock/pop, heavy metal, new wave, and industrial music.

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British soul, Brit soul, or the British soul invasion, is soul music performed by British artists. Soul has been a major influence on British popular music since the 1960s, and American soul was extremely popular among some youth subcultures, such as mods, skinheads, and the Northern soul movement. In the 1970s, soul gained more mainstream popularity in the UK during the disco era.

Popular music of the United Kingdom in the 21st century continued to expand and develop new subgenres and fusions. While talent show contestants were one of the major forces in pop music, British soul maintained and even extended its high-profile with figures like Joss Stone, Estelle, Duffy and Adele, while a new group of singer-songwriters led by Amy Winehouse and Westlife achieved international success. New forms of dance music emerged, including grime and dubstep. There was also a revival of garage rock and post-punk, which when mixed with electronic music produced new rave.

Music of the United Kingdom developed in the 1960s into one of the leading forms of popular music in the modern world. By the early 1960s the British had developed a viable national music industry and began to produce adapted forms of American music in Beat music and British blues which would be re-exported to America by bands such as the Beatles, the Animals and the Rolling Stones. This helped to make the dominant forms of popular music something of a shared Anglo-American creation, and led to the growing distinction between pop and rock music, which began to develop into diverse and creative subgenres that would characterise the form throughout the rest of the twentieth century.

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