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Brutal | |
---|---|
Directed by | Marilou Diaz-Abaya |
Written by | Ricky Lee |
Produced by |
|
Starring | |
Cinematography | Manalo Abaya |
Edited by | Manalo Abaya |
Music by | George Canseco |
Production company | Bancom Audiovision |
Distributed by | Bancom Audiovision |
Country | Philippines |
Language | Filipino |
Brutal is a 1980 Filipino film directed by Marilou Diaz-Abaya with a screenplay by Ricky Lee.
It was the first major Filipino film to tackle rape as a feminist issue. [1] Brutal was followed by Moral (1982) and Karnal (1983), a loose trilogy of feminist films directed by Abaya and written by Lee.
Housewife Monica Real was arrested for killing 3 men include her husband Tato, Clara Valdez was journalist who searched truth why Monica was droves to kill and remained silent by refused speak with her family even her lawyer . with help of her boyfriend Jake, Clara seek information from Monica's best friend Cyntina and her mother and learns why Moncia's motive to killed 3 men.
After the success of her directorial debut Tanikala (1980), Marilou Diaz-Abaya was approached by producer Jesse Ejercito to direct a film for him starring Amy Austria, who had recently distinguished herself in the 1979 Lina Brocka film Jaguar . [2]
Year | Award | Category | Nominee(s) | Result |
---|---|---|---|---|
1980 | Metro Manila Film Festival | Best Film | Brutal | Nominated |
Best Director | Marilou Diaz-Abaya | Won | ||
Best Actress | Amy Austria | Won | ||
1981 | FAMAS Awards | Best Picture | Brutal | Nominated |
Best Director | Marilou Diaz-Abaya | Nominated | ||
Best Actor | Jay Ilagan | Nominated | ||
Best Actress | Amy Austria | Won | ||
Best Supporting Actress | Gina Alajar | Nominated | ||
Gawad Urian Awards | Best Picture (Pinakamahusay na Pelikula) | Brutal | Nominated | |
Best Direction (Pinakamahusay na Direksyon) | Marilou Diaz-Abaya | Nominated | ||
Best Actor (Pinakamahusay na Pangunahing Aktor) | Johnny Delgado | Nominated | ||
Best Actress (Pinakamahusay na Pangunahing Aktres) | Amy Austria | Nominated | ||
Gina Alajar | Won | |||
Best Supporting Actor (Pinakamahusay na Pangalawang Aktor) | Johnny Delgado | Nominated | ||
Best Screenplay (Pinakamahusay na Dulang Pampelikula) | Ricky Lee | Nominated | ||
Best Editing (Pinakamahusay na Editing) | Manalo Abaya, Marc Tanarte | Nominated | ||
Best Sound (Pinakamahusay na Tunog) | Amang Sanchez, Rolly Ruta | Nominated |
Ramon Marcelino Diaz Abaya, known professionally as Marc Abaya, is a Filipino singer, musician, TV host, and VJ. He appeared in the 2009 Philippine release of Tinker Bell.
José Rizal is a 1998 Philippine historical drama film directed by Marilou Diaz-Abaya and starring Cesar Montano as José Rizal. The film was based on the true story of Filipino patriot José Rizal, who was imprisoned under the Spanish colonization and tells Rizal's story until the final day of his execution.
Bagong Buwan is a 2001 Filipino drama film co-produced and directed by Marilou Diaz-Abaya from a story and screenplay she co-wrote with Ricky Lee and Jun Lana. It is about the Muslim rebellion in Mindanao, Philippines and its effect on civilians. It has become one of Marilou Diaz-Abaya's cinematic masterpieces due to making awareness and highlights of a socio-political issue to the cinematic audience.
Marilou Correa Diaz-Abaya was a Filipina multi-award winning film director. She was conferred the Order of National Artists of the Philippines for Film and Broadcast Arts in 2022, she was the founder and president of the Marilou Diaz-Abaya Film Institute and Arts Center, a film school based in Antipolo, Philippines. She was the director of the 1998 film José Rizal, a biographical film on the Philippines' national hero of the same name. She was part of the Second Golden Age of Philippine Cinema.
Ricardo Arreola Lee is a Filipino screenwriter, journalist, novelist, and playwright. He was conferred the Order of National Artists of the Philippines for Film and Broadcast Arts in 2022.
The Gawad Urian Awards are annual film awards in the Philippines presented since 1977 by the Manunuri ng Pelikulang Pilipino, a film critic organization composed of critics, writers, and scholars. It is the regarded as the highest award for a film given by critics in the Philippines and is seen as the counterpart of the United States' New York Film Critics Circle.
Hinugot sa Langit is a 1985 Gawad Urian Award winning Filipino melodramatic film directed by Ishmael Bernal based on moral values. It is considered a classic in Filipino cinema and picked up four Gawad Urian Awards. It is about a young woman with an unwanted pregnancy that considers abortion. The film tackles issues about abortion, sexuality and the Philippine Catholic society.
Mona Lisa Yuchengco is a Filipino-American community activist, publisher and filmmaker. She was born in Manila, Philippines and moved to San Francisco in 1982 with her two sons. Yuchengco graduated from Assumption College with degrees in Liberal Arts and Education and earned a master's degree in Business Administration from Ateneo University.
The FAMAS Award for Best Director is one of the major FAMAS Awards, given to the film director who has shown great artistic instincts, choices and excellence in assembling his or her motion picture. The FAMAS Best Director is chosen from the Filipino films shown in the previous calendar year that were screened by the FAMAS. As of the 55th FAMAS Awards, four women have picked up the award, namely Fely Crisostomo, Marilou Diaz-Abaya, Laurice Guillen and Lupita Aquino (Kashiwahara); and twenty-six men.
The 6th Metro Manila Film Festival was held in 1980.
Noon at Ngayon: Pagsasamang Kay Ganda is a 2003 Filipino drama film directed by Marilou Diaz-Abaya and written by Ricky Lee. Noon At Ngayon tells the story of four friends who reunite after many years of separation. The film examines how dreams are shattered and changed through the years because of life's troubles and how these people reconciled with their pasts to lead better lives in the present. The film is a sequel to Diaz-Abaya's 1982 film, Moral and was released on August 13, 2003, under Star Cinema.
Ikaw ang Pag-ibig is a 2011 religious family-drama film written and directed by Marilou Diaz-Abaya and released by Star Cinema with the Archdiocese of Caceres and Marilou Diaz-Abaya Film Institute and Arts Center. It commemorates the tercentenary of the devotion to Our Lady of Peñafrancia, the patroness of the Bicol Region in the Philippines. It is the last film directed by Diaz-Abaya before she died in 2012. The film was released on September 14, 2011.
Working Girls is a 2010 Filipino comedy film remake directed by Jose Javier Reyes. The film stars Eugene Domingo, Jennylyn Mercado, Iza Calzado, Cristine Reyes, Bianca King, Eula Valdez and Ruffa Gutierrez.
Of the Flesh is a 1983 Philippine horror drama film directed by Marilou Diaz-Abaya. It was adapted and written by Ricky Lee from the legal story "To Take a Life" by Teresa Añover Rodriguez and produced by Benjamin G. Yalung. Set in the 1930s, during the American colonial era, it tells the story of a newly-wed couple Narcing and Puring who arrive from Manila in the town of Mulawin, a place filled with violent and tragic pasts, a place likened to Hell by its storyteller, played by Charito Solis. Settling in Mulawin, they will witness misfortunes and violence, including rape, incest, parricide, and tyranny perpetrated by the cruel Gusting.
Muro-Ami is a 1999 Filipino adventure drama film directed by Marilou Diaz-Abaya. It stars Cesar Montano as Fredo, a ruthless captain of 150 muro-ami divers, who employ illegal fishing practices, such as pounding and crushing corals to scare fish, driving them towards the nets. It depicts one of the worst forms of child labor in the illegal fishing system.
Milagros is a 1997 Filipino drama film directed by Marilou Diaz-Abaya. The film stars Sharmaine Arnaiz in the title role.
Moral is a 1982 Filipino coming-of-age drama film directed by Marilou Diaz-Abaya and written by Ricky Lee. It is the second in a loose trilogy of feminist films by Diaz-Abaya and Lee which discusses women's issues, along with Brutal (1980) and Karnal (1983). Set in contemporary times in the Philippines, the film stars Lorna Tolentino, Gina Alajar, Sandy Andolong and Anna Marin as a group of friends and follows the course of their lives over the course of several years after they graduate from college. A "loosely structured, observational drama", the film discusses several topics that Diaz-Abaya and Lee saw as taboo at the time, such as abortion, rape, and gender inequality in the context of the changing morals of the time. This is Seven Star Productions' last feature film.
Redeem Her Honor, also known locally as Kapag May Katwiran... Ipaglaban Mo!: The Movie, is a 1995 Philippine legal drama anthology film written by Ricky Lee and directed by Marilou Diaz-Abaya. It is the film adaptation of the legal drama Kapag May Katwiran... Ipaglaban Mo!, aired on ABS-CBN. Presented and narrated by Atty. Jose C. Sison, the presenter of the mentioned television program, the film is divided into two separate segments, both tackling real-life criminal cases of rape. The first segment stars Sharmaine Arnaiz, Ronaldo Valdez, Nida Blanca, and Elizabeth Oropesa while the second and last segment stars Chin Chin Gutierrez, Joel Torre, Ricky Davao, and Gina Alajar.
May Nagmamahal Sa'yo, internationally released as Madonna and Child, is a 1996 Philippine drama film directed by Marilou Diaz-Abaya from a screenplay written by Ricky Lee and Shaira Mella Salvador. Starring Lorna Tolentino, Ariel Rivera, and Stefano Mori, the film revolves around a woman who returned from working overseas and began to search for her missing son whom she gave up for adoption at the orphanage years earlier. It also stars Claudine Barretto, Gina Pareño, Renato del Prado, Jaclyn Jose, Tom Taus Jr., Emman Abeleda, Rolando Tinio, Archie Adamos, and Lilia Cuntapay.
Ang Ika-Labing Isang Utos: Mahalin Mo Asawa Mo is a 1994 Philippine drama film directed by Marilou Diaz-Abaya from a screenplay written by Jose "Butch" Dalisay. Starring Aiko Melendez, Gabby Concepcion, Zsa Zsa Padilla, Maricel Laxa, and Edu Manzano, the film revolves around a woman who became a victim of domestic violence committed by her husband. It is one of the films directed by Diaz-Abaya that depicts issues about the plight of women who became victims of abuse and violence.