Lucius Tarquinius Superbus was the legendary seventh and final king of Rome, reigning 25 years until the popular uprising that led to the establishment of the Roman Republic. He is commonly known as Tarquin the Proud, from his cognomen Superbus.
According to Roman tradition, Lucretia, anglicized as Lucrece, was a noblewoman in ancient Rome. Sextus Tarquinius (Tarquin) raped her and her subsequent suicide precipitated a rebellion that overthrew the Roman monarchy and led to the transition of Roman government from a kingdom to a republic. After Tarquin raped Lucretia, flames of dissatisfaction were kindled over the tyrannical methods of Tarquin's father, Lucius Tarquinius Superbus, the last king of Rome. As a result, the prominent families instituted a republic, drove the extensive royal family of Tarquin from Rome, and successfully defended the republic against attempted Etruscan and Latin intervention.
Lucius Junius Brutus was the semi-legendary founder of the Roman Republic, and traditionally one of its first consuls in 509 BC. He was reputedly responsible for the expulsion of his uncle the Roman king Tarquinius Superbus after the suicide of Lucretia, which led to the overthrow of the Roman monarchy. He was involved in the abdication of fellow consul Tarquinius Collatinus, and executed two of his sons for plotting the restoration of the Tarquins.
Nathaniel Lee was an English dramatist. He was the son of Dr Richard Lee, a Presbyterian clergyman who was rector of Hatfield and held many preferments under the Commonwealth; Dr Lee was chaplain to George Monck, afterwards Duke of Albemarle, but after the Restoration he conformed to the Church of England, and withdrew his approval for Charles I's execution.
The Rape of Lucrece (1594) is a narrative poem by William Shakespeare about the legendary Roman noblewoman Lucretia. In his previous narrative poem, Venus and Adonis (1593), Shakespeare had included a dedicatory letter to his patron, the Earl of Southampton, in which he promised to compose a "graver labour". Accordingly, The Rape of Lucrece has a serious tone throughout.
The gens Junia or Iunia was one of the most celebrated families of ancient Rome. The gens may originally have been patrician, and was already prominent in the last days of the Roman monarchy. Lucius Junius Brutus was the nephew of Lucius Tarquinius Superbus, the seventh and last king of Rome, and on the expulsion of Tarquin in 509 BC, he became one of the first consuls of the Roman Republic.
Publius Valerius Poplicola or Publicola was one of four Roman aristocrats who led the overthrow of the monarchy, and became a Roman consul, the colleague of Lucius Junius Brutus in 509 BC, traditionally considered the first year of the Roman Republic.
Arruns Tarquinius was one of the sons of Lucius Tarquinius Superbus, the last King of Rome. Ancient sources differ as to whether he was the second or third son. In the earliest accounts, passed through fragments of the first Roman historian, Fabius Pictor, he is the third son. According to Livy and Dionysius of Halicarnassus, he is the second son. Modern historians doubt the historicity of the specific actions attributed to Arruns and other members of his dynasty, regarding them as highly embellished by later accounts.
The gens Tarquinia was a plebeian family at ancient Rome, usually associated with Lucius Tarquinius Priscus and Lucius Tarquinius Superbus, the fifth and seventh Kings of Rome. Most of the Tarquinii who appear in history are connected in some way with this dynasty, but a few appear during the later Republic, and others from inscriptions, some dating as late as the fourth century AD.
Demaratus, frequently called Demaratus of Corinth, was the father of Lucius Tarquinius Priscus, the fifth King of Rome, the grandfather or great-grandfather of Lucius Tarquinius Superbus, the seventh and last Roman king, and an ancestor of Lucius Junius Brutus and Lucius Tarquinius Collatinus, the first consuls of the Roman Republic.
Sextus Tarquinius was one of the sons of the last king of Rome, Lucius Tarquinius Superbus. In the original account of the Tarquin dynasty presented by Fabius Pictor, he is the second son, between Titus and Arruns. However, according to Livy and Dionysius of Halicarnassus, he was either the third or first son, respectively. According to Roman tradition, his rape of Lucretia was the precipitating event in the overthrow of the monarchy and the establishment of the Roman Republic.
The architectural form of theatre in Rome has been linked to later, more well-known examples from the 1st century BC to the 3rd Century AD. The theatre of ancient Rome referred to a period of time in which theatrical practice and performance took place in Rome. The tradition has been linked back even further to the 4th century BC, following the state’s transition from monarchy to republic. Theatre during this era is generally separated into genres of tragedy and comedy, which are represented by a particular style of architecture and stage play, and conveyed to an audience purely as a form of entertainment and control. When it came to the audience, Romans favored entertainment and performance over tragedy and drama, displaying a more modern form of theatre that is still used in contemporary times.
Nationality words link to articles with information on the nation's poetry or literature.
Arruns, also spelled Aruns, is an Etruscan praenomen, thought to mean "prince." Various figures in Roman history were known by this name, including:
Brutus is a Latin surname, which usually refers to Marcus Junius Brutus, one of the assassins of the Roman dictator Julius Caesar.
In Rome's early semi-legendary history, Tarquinia was the daughter of Lucius Tarquinius Priscus, the fifth king of Rome,. Her father, Lucius Tarquinius Priscus, gave her in marriage to Servius Tullius, the sixth king of Rome. She was the mother of Lucius Junius Brutus, who overthrew the monarchy and became one of Rome's first consuls in 509 BC. She had another son, who was put to death by Superbus after he took the Roman rule from Servius.
The overthrow of the Roman monarchy was an event in ancient Rome that took place between the 6th and 5th centuries BC where a political revolution replaced the then-existing Roman monarchy under Lucius Tarquinius Superbus with a republic. The details of the event were largely forgotten by the Romans a few centuries later; later Roman historians presented a narrative of the events, traditionally dated to c. 509 BC, but it is largely believed to be fictitious by modern scholars.
Lucius Junius Brutus; Father of his Country is a Restoration tragedy play by Nathaniel Lee from 1680. It depicts the life of Roman statesman Lucius Junius Brutus. It was first staged at the Dorset Garden Theatre by the Duke's Company.
The Conquest of Taranto is an 1817 musical drama written by William Dimond with music composed by Michael Kelly. It appeared at the Theatre Royal, Covent Garden on 15 April 1817. The original cast featured Junius Brutus Booth as Rinaldo, William Macready as Valencia, Charles Mayne Young as Aben Hamet, Daniel Egerton as Gonzales, Sarah Booth as Oriana and Kitty Stephens as Rosalind. Macready was reportedly dissatisfied with his role, coveting that of Rinaldo, and unsuccessfully offered thirty pounds the Covent Garden manager Thomas Harris to release him during rehearsals. The first Dublin performance was at the Crow Street Theatre on 5 August 1817. It also appeared at the Federal Street Theatre in Boston and other American venues.
The Sibyl, or The Elder Brutus is a tragedy by the English writer Richard Cumberland. Written but not performed or printed in his lifetime, it was included in the posthumous collections of his works published in 1813. Inspired by the Cumaean Sibyl, it depicts the overthrow of the Roman monarchy. On 3 December 1818 it premiered at the Theatre Royal, Drury Lane in London. John Howard Payne substantially reworked the piece for production while Edmund Kean played the role of Brutus. It was performed and published under the title Brutus.
