Jacopo Amigoni, also named Giacomo Amiconi, was an Italian painter of the late-Baroque or Rococo period, who began his career in Venice, but traveled and was prolific throughout Europe, where his sumptuous portraits were much in demand.
Charles III was King of Spain in the years 1759 to 1788. He was also Duke of Parma and Piacenza, as Charles I (1731–1735); King of Naples, as Charles VII; and King of Sicily, as Charles III (1735–1759). He was the fourth son of Philip V of Spain and the eldest son of Philip's second wife, Elisabeth Farnese. He was a proponent of enlightened absolutism and regalism.
Anton Raphael Mengs was a German painter, active in Dresden, Rome, and Madrid, who while painting in the Rococo period of the mid-18th century became one of the precursors to Neoclassical painting, which replaced Rococo as the dominant painting style in Europe.
Luca Giordano was an Italian late-Baroque painter and printmaker in etching. Fluent and decorative, he worked successfully in Naples, Rome, Florence, and Venice, before spending a decade in Spain.
Aniello Falcone or Ancillo Falcone was an Italian Baroque painter, active in Naples and noted for his painted depictions of battle scenes.
The Caravaggisti were stylistic followers of the late 16th-century Italian Baroque painter Caravaggio. His influence on the new Baroque style that eventually emerged from Mannerism was profound. Caravaggio never established a workshop as most other painters did, and thus had no school to spread his techniques. Nor did he ever set out his underlying philosophical approach to art, the psychological realism which can only be deduced from his surviving work. But it can be seen directly or indirectly in the work of Rubens, Jusepe de Ribera, Bernini, and Rembrandt. Famous while he lived, Caravaggio himself was forgotten almost immediately after his death. Many of his paintings were re-ascribed to his followers, such as The Taking of Christ, which was attributed to the Dutch painter Gerrit van Honthorst until 1990.
Luis de Morales was a Spanish painter active during the Spanish Renaissance in the 16th century. Known as "El Divino", most of his work was of religious subjects, including many representations of the Madonna and Child and the Passion.
Giuseppe Fanelli was an Italian revolutionary anarchist, best known for his tour of Spain in 1868, introducing the anarchist ideas of Mikhail Bakunin.
Jusepe de Ribera was a Spanish painter and printmaker. Ribera, Francisco de Zurbarán, Bartolomé Esteban Murillo, and the singular Diego Velázquez, are regarded as the major artists of Spanish Baroque painting. Referring to a series of Ribera exhibitions held in the late 20th century, Philippe de Montebello wrote "If Ribera's status as the undisputed protagonist of Neapolitan painting had ever been in doubt, it was no longer. Indeed, to many it seemed that Ribera emerged from these exhibitions as not simply the greatest Neapolitan artist of his age but one of the outstanding European masters of the seventeenth century." Jusepe de Ribera has also been referred to as José de Ribera, Josep de Ribera, and Lo Spagnoletto by his contemporaries, early historians, and biographers.
Corrado Giaquinto was an Italian Rococo painter.
Maria Amalia was Queen of Spain from 10 August 1759 until her death in 1760 as the wife of King Charles III. Previously, she had been Queen of Naples and Sicily since marrying Charles on 19 June 1738. She was born a princess of Poland and Saxony, daughter of King Augustus III of Poland and Princess Maria Josepha of Austria. Maria Amalia and Charles had thirteen children, of whom seven survived into adulthood. A popular consort, Maria Amalia oversaw the construction of the Caserta Palace outside Naples as well as various other projects, and she is known for her influence upon the affairs of state.
Viviano Codazzi was an Italian architectural painter who was active during the Baroque period. He is known for his architectural paintings, capricci, compositions with ruins, and some vedute. He worked in Naples and Rome. He is known in older sources as Viviano Codagora or il Codagora.
Luis Egidio Meléndez (1716–1780) was a Spanish painter. Though he received little acclaim during his lifetime and died in poverty, Meléndez is recognized as the greatest Spanish still-life painter of the 18th century. His mastery of composition and light, and remarkable ability to convey the volume and texture of individual objects enabled him to transform the most mundane of kitchen fare into powerful images.
Francesc Ribalta , also known as Francisco Ribaltá or de Ribalta, was a Spanish painter of the Baroque period, mostly of religious subjects.
Andrea Vaccaro was an Italian painter of the Baroque period. Vaccaro was in his time one of the most successful painters in Naples, a city then under Spanish rule. Very successful and valued in his lifetime, Vaccaro and his workshop produced many religious works for local patrons as well as for export to Spanish religious orders and noble patrons. He was initially influenced by Caravaggio, in particular in his chiaroscuro and the naturalistic rendering of his figures.
Blas Olleros y Quintana was a Spanish figure painter and landscape painter who worked primarily in Italy as a watercolorist. He is best known for his Neapolitan scenes and Orientalist works.
Antonio DeVity was an Italian painter born in Naples. His life can be described in a few words: a big passion for painting and art and a great love for Paris, the city where his grandmother's family were originally from. He studied at the Liceo d'Arte in Naples and spent a few years in Paris, in a small attic room near Place Saint-Michel. In those years he had the opportunity to attend the “École des beaux arts”, and to appreciate those places that were often represented in his paintings, including Notre Dame, the Café de la Paix and the Moulin Rouge. During his time in Paris he first started using the pseudonym name "Antonio de Vity". This choice along with giving homage to his beloved Paris, contributed to creating an aura of mystery about the painter. After his return to Naples, Umberto founded a School which rapidly became a prestigious Art Studio, which constituted an important meeting place for artists from Southern Italy.
Francisco Pérez Sierra was a Neapolitan painter of Spanish origin. According to Antonio Palomino, he was the son of a Spanish general. He was a disciple of Aniello Falcone and Juan de Toledo. Numerous works that he painted included the Immaculate Conception, painted in 1655 in the convent of the Trinitarias de Madrid, Santa Ana conduciendo a la Virgen which is now at the Museo del Prado and Saint Joachim which is now at the Museo de Bellas Artes de Granada, he also painted Vase of Flowers in around 1690 which is now at the Royal Palace in Madrid.
Peace Never Comes is a 1960 Spanish drama film directed by León Klimovsky and starring Adolfo Marsillach, Concha Velasco and Carmen de Lirio. It is set in the years following the Spanish Civil War. A man uses his relationship with a former lover to infiltrate a group of Republican insurgents against Francoist Spain.
Elena Recco was an Italian still-life painter active in the second half of the 17th century.
