C/O Sir | |
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Directed by | Kaushik Ganguly |
Produced by | KR Movies and Entertainment / Jaspreet Kaur |
Starring | Saswata Chatterjee Indraneil Sengupta Raima Sen Sabyasachi Chakraborty Sudipta Chakraborty Kaushik Ganguly Anjan Mahato |
Cinematography | Sirsha Ray |
Edited by | Bodhaditya Banerjee |
Music by | Raja Narayan Deb |
Release date |
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Country | India |
Language | Bengali |
C/O Sir ("Care of Sir") is a 2013 Indian Bengali romantic thriller film directed by Kaushik Ganguly and produced by Jaspreet Kaur. [1] The film tells the story of a blind school teacher's life and his struggle to prevent the school from being sold. [2] [3] The lead character is played by Saswata Chatterjee. [2] It went on to Singapore Film Festival 2013.
The film is set in a boys' school in Kurseong. [1] The story revolves around the life of school teacher Jayabrata Roy, played by Saswata Chatterjee, who has gone blind due to a sudden retinal disorder. He must now rely on his sense of hearing. After becoming irritable and helpless due to the situation, how he tries to stop the school being sold and how he tackles the situation himself (as his friends are turning foes) becomes the issue of the story. [4]
For a blind man, Jayabrata's only weapon to survive is his power of hearing. And it is his constant struggle, his dilemma and his blindness which add extra dimensions to the story. The conflict between the unseen and the reality is what the film focuses on. There is also a romantic angle between Raima Sen and Saswata that the film dwells on. Raima plays a solicitor, assistant to Saswata's childhood friend essayed by Indraneil.
Director Kaushik Ganguly said in 2012 that he had planned the film "for a very long time". [1] The film was based in part on some of his personal experiences, including eight years when he worked as a school teacher and his observations of friends who are visually challenged. [2] He wrote a script for the film a long time before he started work on it, and he initially offered the role of Jayabrata Ray, the blind school teacher, to Prasenjit Chatterjee. Ultimately, he discarded his original script and started over with a new script and cast. [1] [2] He told an interviewer, "I always pen the final draft of my film after having finalized the actors." [1]
Filming of C/O Sir began on 24 September 2012 at Kalimpong in the Darjeeling district of West Bengal. Kaushik Ganguly and his crew stayed at the Deolo Tourist Lodge during the shooting which concluded on 1 October. They adjusted a few places for the shooting mainly in the Munsong area. The shooting also took place at Kurseong at Dow Hill School. The school scenes were shot in Dow Hill School and Victoria Boys' School. Ganguly's wife Churni Ganguly was a student of Dow Hill School and Ganguly's father-in-law and Churni Ganguly's father was a teacher of Victoria Boys' School. [3]
C/O Sir | ||||
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Soundtrack album to C/O Sirby | ||||
Released | 2013 | |||
Genre | Feature film soundtrack | |||
Length | 9:59 | |||
Language | Bengali | |||
Raja Narayan Deb chronology | ||||
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The music of C/O Sir was composed by Raja Narayan Deb, and the lyrics were penned by Srijato. [4] [5]
No. | Title | Singer(s) | Length |
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1. | "Chere Jaoar Gaan" | Rupankar Bagchi | 2:58 |
2. | "Themey Jai" | Arijit Singh | 4:03 |
3. | "Sleeping Piller Raat" | Bonnie Chakraborty | 2:58 |
Total length: | 9:59 |
This film was scheduled for release on 28 June 2013. [6] It received middling reviews. Reviewers for The Telegraph and In.com praised the acting and photography but found the story disappointing, particularly in the second half. [7] [8] On In.com, Amina Khatoon gave the film an overall rating of 2.5 out of 5. Khatoon said the film would "fall short of expectations" in comparison with the "mammoth success" of Ganguly's previous film, Shabdo . [8] In The Telegraph, Barun Chanda said the film was Ganguly's "most commercial film ... so far" and suggested that it demonstrated the director's "new-found maturity and confidence". [7] In the Times of India, reviewer Jaya Biswas gave it three stars out of five, praising the cinematography and saying the film was "worth a watch", while faulting the plot for a "slacken[ed] pace in second half as the director tries to tie too many loose ends in haste, making the climax predictable" and describing the music as "just about okay". [9]
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