Caillebotte is a surname. Notable people with the surname include:
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Gustave Caillebotte was a French painter who was a member and patron of the Impressionists, although he painted in a more realistic manner than many others in the group. Caillebotte was noted for his early interest in photography as an art form.
Yerres is a commune in the southeastern suburbs of Paris, France. It is located 18.3 km (11.4 mi) from the center of Paris.
In two-dimensional works of art, such as painting, printmaking, photography or bas-relief, repoussoir is an object along the right or left foreground that directs the viewer's eye into the composition by bracketing (framing) the edge. It became popular with Mannerist and Baroque artists, and is found frequently in Dutch seventeenth-century landscape paintings. Jacob van Ruisdael, for example, often included a tree along one side to enclose the scene. Figures are also commonly employed as repoussoir devices by artists such as Paolo Veronese, Peter Paul Rubens and Impressionists such as Gustave Caillebotte.
Paris Street; Rainy Day is a large 1877 oil painting by the French artist Gustave Caillebotte (1848–1894), and is his best known work. It shows a number of individuals walking through the Place de Dublin, then known as the Carrefour de Moscou, at an intersection to the east of the Gare Saint-Lazare in north Paris. Although Caillebotte was a friend and patron of many of the impressionist painters, and this work is part of that school, it differs in its realism and reliance on line rather than broad brush strokes.
Homme au bain may refer to:
The Balcony is an 1868-69 oil painting by the French painter Édouard Manet. It depicts four figures on a balcony, one of whom is sitting; the painter Berthe Morisot, who married Manet's brother Eugène in 1874. In the centre is the painter Jean Baptiste Antoine Guillemet. On the right is Fanny Claus, a violinist. The fourth figure, partially obscured in the interior's background, is possibly Léon Leenhoff, Manet's son. It was exhibited at the Paris Salon of 1869, and then kept by Manet until his death in 1883. It was sold to the painter Gustave Caillebotte in 1884, who left it to the French state in 1894. It is currently held at the Musée d'Orsay, in Paris.
Vue de toits is an oil painting by French impressionist Gustave Caillebotte executed in the winter of 1878 and 1879. The canvas measures 81 by 65 centimetres. It was originally gifted by Caillebotte's brother in 1894 to the Musée du Luxembourg, then transferred to the Musée du Louvre in 1929. In 1947, it was moved to the Galerie nationale du Jeu de Paume, which held many impressionist works in France after World War II. In 1986, it was transferred again to the Musée d'Orsay in Paris, where it is currently displayed. The painting is one of the few Caillebotte works that have remained in public view since the artist's death in 1894.
Martial Caillebotte (1853–1910) was a French photographer and composer who was also one of the "Fathers of Philately", entering the Roll of Distinguished Philatelists in 1921.
Les raboteurs de parquet is an oil painting by French Impressionist Gustave Caillebotte. The canvas measures 102 by 146.5 centimetres. It was originally given by Caillebotte's family in 1894 to the Musée du Luxembourg, then transferred to the Musée du Louvre in 1929. In 1947, it was moved to the Galerie nationale du Jeu de Paume, and in 1986, it was transferred again to the Musée d'Orsay in Paris, where it is currently displayed.
Les Orangers is an oil painting by French impressionist Gustave Caillebotte. The canvas measures 155 by 117 centimetres. It was acquired by Audrey Jones Beck and was part of a collection that was on a long-term loan to the Museum of Fine Arts, Houston, before the collection was donated to the museum in 1999. The painting now hangs in the museum building named for Beck.
Le Pont de l'Europe is an oil painting by French impressionist Gustave Caillebotte completed in 1876. It is held by the Musée du Petit Palais in Geneva, Switzerland. The finished canvas measures 125 by 181 centimetres.
Young Man at His Window is a painting of 1875 by the French Impressionist Gustave Caillebotte (1848–1894). The oil on canvas painting measures 117 by 82 centimetres.
A Balcony in Paris is an oil on canvas painting by the French Impressionist painter Gustave Caillebotte. It was completed ca. 1880–81. The dimensions of the painting are 55.2 by 39 centimeters. It is housed in a private collection.
Homme au bain is an 1884 oil painting by French Impressionist Gustave Caillebotte.
The Portrait of Richard Gallo is an oil on canvas painting by French painter Gustave Caillebotte in the Nelson-Atkins Museum of Art, Kansas City, Missouri. The painting measures 97 × 116 cm. and dates from 1881, and is part of a series of seven portraits of Richard Gallo, one of the best childhood friends of the artist, composed between 1878 and 1884.
"This series demonstrates with great artistic coherence how personal contribution of the artist to express an impressionistic point of view on the modern world".
Place de Dublin is a street in the 8th arrondissement of Paris. According to the book Dictionnaire historique des rues de Paris by French Historian Jacques Hillairet the street was named after Dublin, the capital city of the Republic of Ireland. It was notably depicted in French artist Gustave Caillebotte's painting Paris Street; Rainy Day.
Argenteuil is an 1874 oil on canvas painting by Édouard Manet (1832-1883), first exhibited at the Paris Salon of 1875. It is one of Manet's first works to qualify fully as an Impressionist work, due to its naturalistic subject and its bold palette, such as the blue of the river, mocked by the Figaro journalist Jean Rousseau as "in the foreground, Argenteuil jam on an indigo river" It is now in the Musée des beaux-arts in Tournai, Belgium.
Regatta at Molesey near Hampton Court is an 1874 painting by Alfred Sisley, now in the Musée d'Orsay, to which it was allocated in 1986. It was left to the French state by the painter and collector Gustave Caillebotte in 1894 and previously hung in the Musée du Luxembourg (1896-1929), the main building at the Louvre (1929-1947) and the Louvre's galerie du Jeu de Paume (1947-1986).
Regatta at Argenteuil is a c. 1872 painting by Claude Monet, now in the Musée d'Orsay. It was left to the French state in 1894 by the painter and collector Gustave Caillebotte.