Canadian Women's Movement Archives

Last updated

The Canadian Women's Movement Archives (CWMA) (French : Archives canadiennes du mouvement des femmes (ACMF)) is an archival collection documenting the second women's liberation movement in Canada. The collection includes archival documents in various media dating from the 1960s to the 1990s. The collection has been housed at the University of Ottawa Library's Archives and Special Collections since 1992.

Contents

Origins of the collection

Buttons from the Canadian Women's Movement Archives. ARCS Items Collection Macarons.png
Buttons from the Canadian Women's Movement Archives.

When the Toronto-based feminist periodical, The Other Woman: A Revolutionary Feminist Newspaper, ceased publication in 1977, its editor-in-chief, Pat Leslie, decided to keep the files and related documents, initially storing them within her Toronto apartment. Leslie and several of her feminist colleagues subsequently established the foundations of what would become the Canadian Women’s Movement Archives collection. They reached out to other gender equality activists and organizations across Canada, asking for donations of all record formats and types that documented feminist history from 1960. [1] The original group of volunteers formed a collective called the Women's Information Center (WIC) and obtained provincial status as a non-profit organization. After applying for and receiving a community development grant, the CWMA collective rented office space at the corner of Spadina Avenue and College Street in Toronto where they made the CWMA collection available to researchers. Members of the collective corresponded with feminist individuals and organizations, requesting copies of their publications and archives. In 1992, facing funding shortages, the CWMA collective donated the entire collection to the University of Ottawa Library. The CWMA collection is now housed at the University of Ottawa Library Archives and Special Collections.

People involved

From 1983, Pat Leslie, Nancy Adamson, Sandy Fox, Weisia Kolansinka and Lorna Weir helped build and manage the CWMA as members of the Toronto Women's Information Centre (WIC) collective. Various collective members contributed to managing the CWMA before it was transferred to the University of Ottawa in 1992. Further collective members include Jane Abray, Karen Dubinsky, Sandy Fox, Debbie A. Green, Luanne Karn, Andrea Knight, Anne Molgat, Beth McAuley, Joanne Pelletier, Margaret Shepherd, Miriam Ticoll, and Tori Smith. [2]

Feminist periodicals from the Canadian Women's Movement Archives. Periodiques de la collection des Archives Canadiennes du Mouvement des Femmes.jpg
Feminist periodicals from the Canadian Women's Movement Archives.

Content of the collection

The items in the collection are in a variety of formats and include textual documents, graphic documents, sound, and video recordings, as well as objects such as banners, T-shirts, buttons and ephemera. The collection is made up of 11 series: organizations, individuals, photographs, buttons, posters, conferences, thematic files on women's liberation, textile documents, sound recordings, ephemera, and various documentary resources. The collection also includes a feminist periodicals collection [3] of over 1,400 titles.

Key features of the collection

The CWMA collection’s original mandate was to preserve women's achievements and activist history, so that women’s experiences, actions, and demands could be passed on to future generations. As Pat Leslie explains: "must we allow our daughters to suffer the same mistakes as ourselves because we neglected to provide a continuity of ideas? Keeping ‘useless’ pieces of paper is never a waste of time. Nothing, nothing which relates to our movement should be thrown away ". [4]

The CWMA collective members consciously chose unconventional archiving practices to represent the collective nature of second wave feminism in Canada, organizing series by individuals and organizations, rather than following the archival principle of provenance. The arrangement of series by multimedia formats also prominently features photographs, posters, buttons, and banners relating to the social protest movement. Its origins and history are not unlike other alternative archives that developed from North American counterculture movements of the 1960s: examples include the Lesbian Herstory Archives in Brooklyn, New York, and The ArQuives in Toronto, Ontario.

Impact and legacy of the collection

The CWMA collection is a key reference source for researchers interested in the history of second wave feminism in Canada. The CWMA collection also provided the basis for the University of Ottawa Library's Women’s Archives which features approximately 170 archival fonds of women and organizations that worked to improve the status of women across Canada. The University of Ottawa Library Archives and Special Collections have developed several virtual exhibitions [5] featuring the CWMA collection: Women and Politics; Our Bodies, Our Stories; Women at Work; The Pro-Choice Movement in Canada. Some of the CWMA collection’s items have also been featured in external exhibitions: the plate from the Morgentaler Clinic in Toronto is currently on display at the Canadian Museum of History in Gatineau; buttons from the CWMA collection have been borrowed during the exhibition Trailblazing: Women in Canada since 1867, [6] curated by Kei Seiling Waterloo Region Museum (September 2017 to January 2018); periodicals and brochures has been featured in the exhibition Desire Lines. Displaced Narratives of Place [7] at Artexte Gallery in Montreal in 2022.

Inspired by the CWMA initiative as well as by Margaret Fulford’s national resource guide on Canadian feminist archives, [8] the University of Ottawa Archives and Special Collections developed a Canadian Women's Movements Portal [9] as part of the 5-year funded Women’s Archives Initiative aimed at bringing increased attention to the archives. Launched on March 8, 2023, [10] the bilingual French-English tool enables researchers to locate existing Canadian archival collections on women's activism from the 1960s to the present day. The portal also documents the history of women’s activism. [11]

Related Research Articles

Feminist separatism is the theory that feminist opposition to patriarchy can be achieved through women's separation from men. Much of the theorizing is based in lesbian feminism.

<span class="mw-page-title-main">The ArQuives</span> Canadian organization that preserves historical LGBT materials

The ArQuives: Canada's LGBTQ2+ Archives, formerly known as the Canadian Lesbian and Gay Archives, is a Canadian non-profit organization, founded in 1973 as the Canadian Gay Liberation Movement Archives. The ArQuives acquires, preserves, and provides public access to material and information by and about lesbian, gay, bisexual, transgender, queer, and two-spirit communities primarily in Canada.

<span class="mw-page-title-main">Schlesinger Library</span> Research library at the Radcliffe Institute for Advanced Study, Harvard University

The Arthur and Elizabeth Schlesinger Library on the History of Women in America is a research library at Harvard Radcliffe Institute at Harvard University. According to Nancy F. Cott, the Carl and Lily Pforzheimer Foundation Director, it is "the largest and most significant repository of documents covering women's lives and activities in the United States".

<span class="mw-page-title-main">Labadie Collection</span> Michigan anarchist library collection

The Labadie Collection at the University of Michigan, originating from the collection of radical ephemera built by Detroit Anarchist Jo Labadie, is recognized as one of the world's most complete collections of materials documenting the history of anarchism and other radical movements from the 19th century to the present.

Off Our Backs was an American radical feminist periodical that ran from 1970 to 2008, making it the longest-running feminist periodical in the United States. Marilyn Salzman-Webb and Marlene Wicks were among Off Our Backs original founders, creating the periodical in Washington, D.C. as a response to what many felt was an underrepresentation of the women’s liberation movement in mainstream media. It was a self-sustaining periodical edited and published by a collective of women consisting mainly of volunteers who practiced consensus decision-making. Reporting on feminism related topics, the periodical transitioned from a monthly to a bi-monthly newspaper, and ultimately to a quarterly magazine before financial difficulties led to its termination in 2008.

<span class="mw-page-title-main">The Woman-Identified Woman</span>

"The Woman-Identified Woman" was a ten-paragraph manifesto, written by the Radicalesbians in 1970. It was first distributed during the Lavender Menace protest at the Second Congress to Unite Women, hosted by the National Organization for Women (NOW) on May 1, 1970, in New York City in response to the lack of lesbian representation at the congress. It is now considered a turning point in the history of radical feminism and one of the founding documents of lesbian feminism redefining the term "lesbian" as a political identity as well as a sexual one.

The Combahee River Collective (CRC) was a Black feminist lesbian socialist organization active in Boston, Massachusetts, from 1974 to 1980. The Collective argued that both the white feminist movement and the Civil Rights Movement were not addressing their particular needs as Black women and more specifically as Black lesbians. Racism was present in the mainstream feminist movement, while Delaney and Manditch-Prottas argue that much of the Civil Rights Movement had a sexist and homophobic reputation.

The Lesbian Organization of Toronto was a lesbian organization founded in 1976 and disbanded in 1980. The group was Toronto's first openly lesbian feminist group, and its members elected to open Canada's first Lesbian Centre.

The Canadian Federation of University Women (CFUW) is a non-partisan, voluntary, self-funded organization with over 6,600 members and 94 Clubs, located in every province across Canada. Founded in 1919, CFUW works to improve the status of women by promoting public education, human rights, social justice, and peace. Every year, CFUW Clubs award over $1 million in scholarships to girls and women pursuing post-secondary studies. Clubs also provide lifelong learning opportunities and fellowship to its members, with hundreds of lecture series, book clubs, and interest groups. Members are involved in community-based activities and advocacy on a wide range of issues, including gender-based violence, early learning and child care, the environment, and women's health.

<span class="mw-page-title-main">Laura X</span> American Feminist and Human Rights Activist

Laura X is a women's rights advocate. Laura X changed her name in 1962 to Laura Shaw Murra, which remains her legal name. She took the name Laura X on September 17, 1969, to symbolize her rejection of men's legal ownership of women and the anonymity of women's history, which she said was stolen from women and girls. She declared that, like Malcolm X, "I don't want to have my owner's name, either."

Women's Art Resources of Minnesota (WARM) is a women's art organization based in the U.S. state of Minnesota. It was founded in 1976 as Women's Art Registry of Minnesota, a feminist artist collective. The organization ran the influential WARM Gallery in downtown Minneapolis from 1976 to 1991.

Marusya Bociurkiw is a Canadian born, Ukrainian film-maker, writer, scholar, and activist. She has published six books, including a novel, poetry collection, short story collection, and a memoir. Her narrative and critical writing have been published in a variety of journals and collections. Bociurkiw has also directed and co-directed ten films and videos which have been screened at film festivals on several continents. Her work appears in the collections of the National Gallery of Canada, the National Archives of Canada, and many university libraries. She founded or co-founded the media organizations Emma Productions, Winds of Change Productions, and The Studio for Media Activism & Critical Thought. She currently lives in Toronto, Ontario, Canada where she is an associate professor in the RTA School of Media Studies, Toronto Metropolitan University. She teaches courses on social justice media, activist media production, and gender/race/queer theories of time-based and digital media. She is also Director of The Studio for Media Activism & Critical Thought at Toronto Metropolitan University.

<span class="mw-page-title-main">Atria Institute on gender equality and women's history</span>

Atria, institute on gender equality and women's history is a public library and research institute in Amsterdam dedicated to research and policy advice on gender equality and to the documentation and archival of women's history. Its previous names were International Information Centre and Archive for the Women's Movement (IIAV) (1988-2009) and Aletta, Institute for Women's History (2009-2013).

The Congress of Canadian Women was a feminist organization created in March 1950 by the merger of several organizations, including the Housewives and Consumers Association. It was affiliated with the Women's International Democratic Federation. The Congress lobbied for women's equality including measures such as equal pay and public daycare. Rae Luckock was the organization's founding president. Former Labor-Progressive Party Member of Parliament Dorise Nielsen was also involved in founding the organization. The CCW was largely led by women associated with the communist Labor-Progressive Party and was also involved with the peace movement during the Cold War, facilitating meetings between people from the Soviet Union and Canadians, by inviting them to visit Canada.

<span class="mw-page-title-main">Women's liberation movement in North America</span>

The women's liberation movement in North America was part of the feminist movement in the late 1960s and through the 1980s. Derived from the civil rights movement, student movement and anti-war movements, the Women's Liberation Movement took rhetoric from the civil rights idea of liberating victims of discrimination from oppression. They were not interested in reforming existing social structures, but instead were focused on changing the perceptions of women's place in society and the family and women's autonomy. Rejecting hierarchical structure, most groups which formed operated as collectives where all women could participate equally. Typically, groups associated with the Women's Liberation Movement held consciousness-raising meetings where women could voice their concerns and experiences, learning to politicize their issues. To members of the WLM rejecting sexism was the most important objective in eliminating women's status as second-class citizens.

Black Wimmin: When and Where We Enter, organized by the Diasporic African Women’s Art Collective (DAWA), was a travelling exhibition that circulated in Canada in 1989. It is considered to be the first Canadian exhibition to feature only the work of Black women artists, and it was the first to be organized and curated by Black women curators.

<span class="mw-page-title-main">Almanda Walker-Marchand</span>

Almanda Walker-Marchand was a Canadian feminist and founder of the Fédération des femmes canadiennes-françaises.

Anne Zelensky is a French feminist activist and author. She is known for being a prominent figure in the Mouvement de libération des femmes, which took place in 1970 that advocated to consolidate fundamental rights for women in France.

Lorraine Fontana is an American lesbian activist and founder of the Atlanta Lesbian Feminist Alliance.

References

  1. Lalonde, Michele, Grassroots organizing of the Women’s Liberation Movement in Canada, 2022. https://www.uottawa.ca/giving/grassroots-organizing-womens-liberation-movement-canada (Viewed on December 11th, 2023)
  2. Adamson, Nancy, Canadian Women’s Movement Archives/Archives canadiennes du mouvement des femmes, Rise-Up! Feminist Archives: https://riseupfeministarchive.ca/activism/organizations/canadian-womens-movement-archives-archives-canadiennes-du-mouvement-des-femmes-cwma-acmf/ (Viewed on December 11th, 2023)
  3. "Canadian Women's Archives' Periodical Collection". University of Ottawa Library's Catalog. Retrieved 2023-12-19.
  4. Lalonde, Michele, Op. cit., https://www.uottawa.ca/giving/grassroots-organizing-womens-liberation-movement-canada (Viewed on December 11th, 2023)
  5. "Exhibitions". University of Ottawa Library's Archives and Special Collections. Retrieved 2023-12-19.
  6. "Trailblazing - Women in Canada since 1867". Waterloo Region Museum. 2020-06-10. Retrieved 2023-12-19.
  7. "Desire Lines. Displaced Narratives of Place". Artexte Gallery, Montreal, January 20 - March 25, 2023. 2023-01-11. Retrieved 2023-12-19.
  8. Fulford, Margaret. The Canadian Women’s Movement, 1960-1990: A Guide to Archival Resources. ECW Press, 1992.
  9. "The Canadian Women's Movements Portal". University of Ottawa Library Archives and Special Collections. Retrieved 2023-12-19.
  10. New Canadian Women’s Movements Portal: documenting women’s history from coast to coast, University of Ottawa Library. https://www.uottawa.ca/library/news-all/canadian-womens-movements-portal (Viewed on December 11th, 2023)
  11. The Canadian Women’s Movements Portal hosted by the University of Ottawa Library. https://www.youtube.com/watch?v=6zl5D4D9bdg&si=DaRRyB-g-1kEdm8I (Viewed on December 11th, 2023).

  1. "Canadian Women's Movement Archives (CWMA) collection - University of Ottawa - Archives and Special Collections". arcs-atom.uottawa.ca. Retrieved 2023-12-19.