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"Beautiful Stranger" is a song by American singer and songwriter Madonna. It was released on May 19, 1999, by Maverick and Warner Bros. Records as a single from the soundtrack of the film, Austin Powers: The Spy Who Shagged Me. Madonna co-wrote and co-produced the song with William Orbit. The soundtrack for Austin Powers: The Spy Who Shagged Me was a much expected release and Madonna's song was chosen by the album's executive producers to promote it. "Beautiful Stranger" has appeared on three separate Madonna greatest hits collections: GHV2 (2001), Celebration (2009) and Finally Enough Love: 50 Number Ones (2022). Musically, "Beautiful Stranger" is a psychedelic pop and disco song that features heavily reverberated guitars and bouncy drum loops. Its lyrics tell the tale of a romantic infatuation.
"Spotlight" is a song by American singer Madonna from her first remix album You Can Dance (1987). It was released as a single in Japan on April 25, 1988 by Sire Records and Warner-Pioneer Japan. Initially rejected during her True Blue album recording sessions, the song was written by Madonna, Stephen Bray and Curtis Hudson who had presented the original to the singer. The song was remixed by John "Jellybean" Benitez.
"The Look of Love" is a song by American singer Madonna from the soundtrack to the 1987 film Who's That Girl. It was released as the third and final single from the soundtrack on November 25, 1987, by Sire Records. While shooting the film, then called Slammer, Madonna had requested that producer Patrick Leonard develop a downtempo song that captured the nature of her film persona. She later wrote the lyrics and melody to the backing track developed by Leonard, and the song became "The Look of Love". Madonna was also inspired by James Stewart's performance in the 1954 film Rear Window when writing the song.
"Into the Groove" is a song recorded by American singer Madonna, and featured on the 1985 film Desperately Seeking Susan. Written and produced by both Madonna and Stephen Bray, the main inspiration behind the song was the dance floor; the singer wrote it while watching a Latin American man to whom she was attracted. Its instrumentation features synthesizers and drum machines, with Madonna's voice being double tracked on the chorus. Sexual innuendos and undertones are present throughout the lyrics, which are written as an invitation to dance with the singer. Originally written for her friend Mark Kamins, Madonna later decided to use it on the film, as one of the scenes needed a dance song. It was later added to the 1985 international re-issue of her second studio album, Like a Virgin (1984), and remixed for her compilations You Can Dance (1987), The Immaculate Collection (1990), and Finally Enough Love: 50 Number Ones (2022).
"Another Suitcase in Another Hall" is a song recorded by Scottish singer Barbara Dickson, for the 1976 concept album Evita, the basis of the musical of the same name. The musical was based on the life of Argentinian leader Eva Perón. Written by Tim Rice and Andrew Lloyd Webber, the song is presented during a sequence where Eva throws her husband's mistress out on the streets. The latter sings the track, wondering about her future and concluding that she would be fine. The songwriters enlisted Dickson to record the track after hearing her previous work.
"Bedtime Story" is a song by American singer Madonna from her sixth studio album, Bedtime Stories (1994). It was released as the third single from the album on February 13, 1995, by Maverick Records. The song was written by Björk, Nellee Hooper and Marius De Vries. She re-wrote a demo of the song to the current version, which was then produced by Madonna and Hooper. A mid-tempo electronic and house song with acid, ambient and techno influences, "Bedtime Story" has an underlying skeletal synth melody influenced by minimal trance music. The track's unconventional, electronic sound was a departure from the pop-R&B-based tracks throughout the rest of the album. Lyrically, the song talks about the joys of the unconscious world.
"Rescue Me" is a song by American singer Madonna from her first greatest hits album, The Immaculate Collection (1990). Written and produced by Madonna and Shep Pettibone, the song was released as the second single from The Immaculate Collection on February 26, 1991, in the United States, and as the third single on April 7 in the United Kingdom. A dance-pop and gospel-house track, the song is accompanied by the sound of thunder and rain, with the lyrics talking of romantic love rescuing the singer.
"You'll See" is a song by American singer Madonna from her ballads compilation, Something to Remember (1995). She wrote and produced the song with Canadian musician David Foster. "You'll See" was released on October 23, 1995, by Maverick Records as the lead single from the album. An acoustic pop ballad, "You'll See" features instrumentation from percussion, tremolo guitar and piano, while lyrically it speaks of independence after the end of a love affair.
"Gambler" is a song by American singer Madonna from the soundtrack album to the 1985 film Vision Quest. The song was written solely by Madonna, while the production was handled by John "Jellybean" Benitez at her request. It was released as the second single from the film's soundtrack album on October 3, 1985, by Geffen Records. "Gambler" was never released as a single in the United States, at the request of Madonna's own Sire Records. The music video of the song is an excerpt from the film.
"Can I Kick It?" is a song by American hip hop group A Tribe Called Quest, released in October 1990 by Jive Records as the third single from their debut album, People's Instinctive Travels and the Paths of Rhythm (1990). The song, which has a call and response chorus, was recorded in 1989, when the group members were aged 18-19. "Can I Kick It?" contains samples of "Walk on the Wild Side" by Lou Reed, "What a Waste" by Ian Dury and the Blockheads, "Spinning Wheel" by Dr. Lonnie Smith, "Dance of the Knights" by Sergei Prokofiev and "Sunshower" by Dr. Buzzard's Original Savannah Band. Phife Dawg has stated that, because of the use of the "Walk on the Wild Side" sample, the group did not receive any money from the single, with Lou Reed instead claiming the profits. The music video for the song was diected by Jim Swaffield and filmed in New York City, featuring among others De La Soul.
"Sooner or Later" is a song recorded by the American singer Madonna from her soundtrack album I'm Breathless. Written by American composer Stephen Sondheim and produced by Madonna and Bill Bottrell, the song was used in the parent film, Dick Tracy. "Sooner or Later" was composed to evoke the theatrical nature and style of the film. A 1930s-style jazz ballad with piano, drum, double bass, and horns, the track conjures up the atmosphere of a smoky nightclub. Madonna sings in her lowest register accompanied by a variable pitch.
"Teardrop" is a song by English trip hop group Massive Attack. Vocals are performed by Scottish singer Elizabeth Fraser, former lead singer of Cocteau Twins, who also wrote the lyrics. It was released on 27 April 1998 by Circa and Virgin as the second single from the group's third studio album, Mezzanine (1998). A harpsichord-driven track, "Teardrop" was originally set to feature vocals from Madonna, whom Massive Attack turned down in favour of Fraser.
"Unapologetic Bitch" is a song recorded by American singer and songwriter Madonna for her thirteenth studio album, Rebel Heart (2015). It was written by Madonna, Thomas Wesley Pentz, Shelco Garcia, Bryan Orellana, Maureen McDonald and Toby Gad, with production being done by Madonna, Garcia & Teenwolf, BV, Diplo and Ariel Rechtshaid. The song's demo was leaked to the internet in December 2014, with twelve other tracks from the album. Its final version was released on December 20, 2014, with five other tracks on the iTunes store, as "an early Christmas gift" to avoid more leakage. The song was conceived while Madonna was in the studio with Diplo, who worked with the singer on more than eight songs for the album.
"Bitch I'm Madonna" is a song by American singer Madonna from her thirteenth studio album, Rebel Heart (2015), featuring guest vocals from rapper Nicki Minaj. The artists co-wrote the song with MoZella, Toby Gad, Ariel Rechtshaid, Diplo, and Sophie. It was released as the third single from the album by Interscope Records on June 15, 2015, along with a number of remixes commissioned. Produced by Madonna and Diplo, it is an EDM song with lyrics about Madonna having continuous fun because she is Madonna.
"Love on the Brain" is a song by Barbadian singer Rihanna. It was released as on 27 September 2016 by Westbury Road and Roc Nation as the fourth single from her eighth studio album, Anti (2016). Written by Joseph Angel, Rihanna, and its producer Fred Ball, "Love on the Brain" is a 1950s-and-1960s-inspired doo-wop and soul ballad. The production incorporates an orchestra consisting of guitar arpeggio, organ, and syncopated strings. The lyrics are about the highs and lows of a toxic love.
"Consideration" is a song recorded by Barbadian singer Rihanna from her eighth studio album Anti (2016). It was co-written by featured artist SZA, with Rihanna and the song's producer, Tyran Donaldson. "Consideration" is a dub-inspired hip-hop and R&B song, with a "stuttering, distorted beat", "pounding percussion", "a crunchy groove", and a "throbbing bass line" in its instrumentation. Lyrically, the song is a declaration of independence, and a desire to seek peace of mind.
"Kiss It Better" is a song by Barbadian singer Rihanna from her eighth studio album, Anti (2016). It was written and produced by Jeff Bhasker and Glass John, with additional writing by Teddy Sinclair and Rihanna. The song was serviced to radio stations in the United States on March 30, 2016, together with "Needed Me". "Kiss It Better" is a synth-rock and R&B ballad, which features influences from the 1980s and 1990s-music ballads. The song's lyrics focus on a destructive relationship that the singer finds irresistible. It also deals with themes of mending broken fences and getting back together with a lover.
"Nice for What" is a song recorded by Canadian rapper Drake from his fifth studio album Scorpion (2018). It was released by Young Money Entertainment and Cash Money Records as the second single from the album on April 6, 2018, along with its music video. The song was produced by Murda Beatz, Noah "40" Shebib and Corey Litwin with co-production handled by Blaqnmild. It features additional vocals by Big Freedia and 5th Ward Weebie. It contains a sample from "Ex-Factor", written and performed by Lauryn Hill, which itself samples "Can It Be All So Simple", written and performed by Wu-Tang Clan. The latter song also samples "The Way We Were". Therefore, Hill, the eight members of Wu-Tang Clan, and Marvin Hamlisch, Alan Bergman and Marilyn Bergman are credited among the composers.
"God Control" is a song by American singer-songwriter Madonna from her fourteenth studio album, Madame X (2019). It was written by Madonna, longtime collaborator Mirwais, and American musician Casey Spooner. Madonna and Mirwais produced the song along with Mike Dean. Lyrically the song talks about gun control and also touches on the political climate of the United States at the time. It is an experimental pop, disco, hi-NRG and electropop song and features the Tiffin Children's Chorus repeating "We lost god control" all throughout. In the music video, we can see Madonna typing "we lost gun control" and not "god control" as the song title suggests.
Good Riddance is the debut studio album by American singer-songwriter Gracie Abrams. It was released on February 24, 2023, through Interscope Records. The album was written by Abrams, with Aaron Dessner also having writing and producing credits on all songs. A deluxe edition of the album with four bonus tracks was released on June 16, 2023.
References
- ↑ Atkinson, Joe Lynch,Andrew Unterberger,Bianca Gracie,Nolan Feeney,Katie; Lynch, Joe; Unterberger, Andrew; Gracie, Bianca; Feeney, Nolan; Atkinson, Katie (2023-03-08). "Madonna's 100 Greatest Songs (Critics' Picks)". Billboard. Retrieved 2023-03-11.
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