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Christ after the Flagellation is an oil on canvas painting by Murillo, created c. 1665, now in the Museum of Fine Arts Boston, for which it was bought in 1953 via the Ernest Wadsworth Longfellow Fund. [1] The artist also produced a slightly later version of the scene, now in Illinois.
It first appears in the written record in the collection of Noël Desenfans, at the sale of whose collection in 1802 it was sold for £9 18 shillings, probably to Jean-Baptiste-Pierre Le Brun, then from Le Brun's collection to Pierre-Joseph Lafontaine the following year. It passed through various British art dealers during the 1850s and 1860s before being bought by Francis Cook, 1st Baronet in 1868. It passed down through the Cook family until being entrusted to the trustees of the Cook Collection on the 3rd Baronet's death in 1939. The trustees sold it to the US art dealer Jacques Seligmann and Co in 1952, who sold it on to its present owner the following year. [1]
Élisabeth Louise Vigée Le Brun, also known as Madame Le Brun and Louise élisabeth vigee Le Brun, was a French painter who mostly specialized in portrait painting, in the late 18th and early 19th centuries.
The Château de Marly was a French royal residence located in what is now Marly-le-Roi, the commune on the northern edge of the royal park. This was situated west of the palace and garden complex at Versailles. Marly-le-Roi is the town that developed to serve the château, which was demolished in 1806 after passing into private ownership and being used as a factory. The town is now a bedroom community for Paris.
Joseph Duveen, 1st Baron Duveen, known as Sir Joseph Duveen, Baronet, between 1927 and 1933, was a British art dealer who was considered one of the most influential art dealers of all time.
Ambroise Vollard was a French art dealer who is regarded as one of the most important dealers in French contemporary art at the beginning of the twentieth century. He is credited with providing exposure and emotional support to numerous then-unknown artists, including Paul Cézanne, Aristide Maillol, Pierre-Auguste Renoir, Louis Valtat, Pablo Picasso, André Derain, Georges Rouault, Paul Gauguin, and Vincent van Gogh.
Pierre-Jean Mariette was a collector of and dealer in old master prints, a renowned connoisseur, especially of prints and drawings, and a chronicler of the careers of French Italian and Flemish artists. He was born and died in Paris, and was a central figure in the artistic culture of the city for decades.
The Death of Actaeon is a late work by the Italian Renaissance painter Titian, painted in oil on canvas from about 1559 to his death in 1576 and now in the National Gallery in London. It is very probably one of the two paintings the artist stated he had started and hopes to finish in a letter to their commissioner Philip II of Spain during June 1559. However, most of Titian's work on this painting possibly dates to the late 1560s, but with touches from the 1570s. Titian seems never to have resolved it to his satisfaction, and the painting apparently remained in his studio until his death in 1576. There has been considerable debate as to whether it is finished or not, as with other very late Titians, such as the Flaying of Marsyas, which unlike this has a signature, perhaps an indication of completion.
Doughty House is a large house on Richmond Hill in Richmond, London, England, built in the 18th century, with later additions. It has fine views down over the Thames, and both the house and gallery are Grade II listed buildings. This view from Richmond Hill is the only view in England protected by an Act of Parliament.
Sir Francis Ferdinand Maurice Cook, 4th Baronet was a British artist. He was the fourth holder of the Cook Baronetcy. He was the only son of Sir Herbert Cook, 3rd Baronet, inheriting his father's titles in 1939. After World War II he dispersed the majority of the very important family collection of Old Master paintings.
Sébastien Leclerc or Le Clerc was a French artist from the Duchy of Lorraine. He specialized in subtle reproductive drawings, etchings, and engravings of paintings; and worked mostly in Paris, where he was counseled by the King's painter, Charles Le Brun, to devote himself entirely to engraving. Leclerc joined the Académie Royale de Peinture et de Sculpture in 1672 and taught perspective there. He worked for Louis XIV, being made "graveur du Roi", doing engraving work for the royal house. Leclerc also engaged in periodic work as a technical draftsman and military engineer.
La Loge is an 1874 oil painting by Pierre-Auguste Renoir. It is part of the collection at the Courtauld Institute of Art in London.
Jacques Seligmann & Co. was a French and American art dealer and gallery specializing in decorative art and antiques. It is considered one of the foremost dealers and galleries in fostering appreciation for the collecting of contemporary European art. Many pieces purchased through Jacques Seligmann & Co. now reside in the collections of fine art museums and galleries worldwide, donated to those institutions by private purchasers of work from the dealer.
Berthe Weill was a French art dealer who played a vital role in the creation of the market for twentieth-century art with the manifestation of the Parisian Avant-Garde. Although she is much less known than her well-established competitors like Ambroise Vollard, Daniel-Henry Kahnweiler and Paul Rosenberg, she may be credited with producing the first sales in Paris for Pablo Picasso and Henri Matisse and with providing Amedeo Modigliani with the only solo exhibition in his lifetime.
The Finding of Moses is a 1904 oil-on-canvas painting by the Anglo-Dutch artist Lawrence Alma-Tadema. It was one of his last major works before his death in 1912, but quickly fell out of favour; according to rumour, it was sold in the 1950s for its frame. After appreciation of Victorian painting was renewed towards the end of the 20th century, it was described in an auction catalogue in 1995 as "the undisputed masterpiece of [Alma-Tadema's] last decade, as well as a late flowering of the nineteenth-century's love-affair with Egypt". It was sold to a private collector at auction in 2010 for nearly US$36 million.
Les Femmes d'Alger is a series of 15 paintings and numerous drawings by the Spanish artist Pablo Picasso. The series, created in 1954–1955, was inspired by Eugène Delacroix's 1834 painting The Women of Algiers in their Apartment. The series is one of several painted by Picasso in tribute to artists that he admired.
Two Women with a Candle or Old Woman and Young Woman with a Candle is a 1616-1617 painting by Peter Paul Rubens, now in the Mauritshuis, The Hague, Netherlands. Its chiaroscuro shows strong influence from Caravaggio, whose work Rubens had seen during a stay in Rome.
A Young Lady in 1866 or Lady with a Parakeet is an 1866 painting by Édouard Manet, showing his favourite model Victorine Meurent, wearing a pink gown, holding a small bouquet of violettes and accompanied by an African Grey Parrot. It is an oil painting on canvas measuring 185.1 x 128.6 cm, and is now in the Metropolitan Museum of Art in New York. It and Boy Carrying a Sword were the first of Manet's works to enter a gallery collection.
The Bridge at Villeneuve-la-Garenne is an 1872 painting by Alfred Sisley, now in the Metropolitan Museum of Art in New York City.
Le Palais Ducal or The Doge's Palace is the name given to various oil paintings which depict the Doge's Palace made by Claude Monet during a visit to Venice in 1908.
The Kedleston Madonna is a c.1529 oil on canvas painting by Parmigianino, now in the Kimbell Art Museum in Fort Worth, Texas, which acquired it from the Kedleston collection in the United Kingdom in 1995.
Jean-Baptiste-Pierre Le Brun was a French painter, art collector and art dealer. Simon Denis was his pupil.