Christopher Wilson (7 October 1874 - 17 February 1919) was a British composer and conductor best known for his theatre music.
Wilson was born in Melbourne, Derbyshire, into a musical family. His mother and grandmother were both accomplished pianists, and his uncle, Francis William Davenport, was a professor at the Royal Academy of Music.[1] He showed early musical promise as a composer and performer (piano, organ, violin, viola). In 1889 he won the first choral scholarship at Derby School. In 1892 he became a student at the Royal Academy of Music under Alexander Mackenzie, where he was awarded the Mendelssohn Scholarship in 1895.[2]
There followed a period of study abroad, with Franz Wüllner in Cologne, Heinrich von Herzogenberg in Berlin and Charles-Marie Widor in Paris.[3] His Suite for String Orchestra was first performed while he was in Cologne,[4] (the first such performance of English music at a principal concert there since Arthur Sullivan)[3] and published by the German publishers Schott in 1899.[5] It shows the influence of the Grieg and Tchaikovsky suites for string orchestra, and perhaps of Parry in "mock baroque" mode[6], whose Lady Radnor's Suite was first performed in London in 1894.[7] A modern recording of Wilson's work was issued in 2021.[8]
His working life was mostly as a composer and musical director for the theatre. His scores included incidental music to F. R. Benson's production of the Orestean Trilogy (1904),[9]Rudolf Besier's The Virgin Goddess (1906),[10]Oscar Asche and Edward Knoblock's Kismet (1911),[11]Josephine Preston Peabody's The Piper (1911),[12] and music for many Shakespeare plays as produced by Asche, Benson, Otho Stuart and Ellen Terry. One of the most notable of these was The Taming of the Shrew, co-produced by Asche and Stuart at the Adelphi Theatre in 1904.[13] During this period Wilson was living at 30, Bedford Street in London, off the Strand.[14]
Other works outside the theatre include a second suite for strings, two string quartets, a piano quartet, two violin sonatas, a setting of Robert Browning's Prospice, and a choral mass.[15] He also composed the music for the Winchester National Pageant, held at Wolvesey Castle in 1908.[16][17]
Wilson died of heart failure at the age of 44 in 1919.[3] His book Shakespeare and Music, compiled from a series of articles he had written for The Stage in the year before his death, was published posthumously in 1922.[18]
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