Carl William Demarest was an American actor, known especially for his roles in screwball comedies by Preston Sturges and as Uncle Charley in the sitcom My Three Sons from 1965-72. Demarest, who frequently played crusty but good-hearted roles, was a prolific film and television actor, appearing in over 140 films, beginning in 1926 and ending in the late 1970s. Before his career in movies, he performed in vaudeville for two decades.
The Hollywood Palace is an hourlong American television variety show broadcast Saturday nights on ABC from January 4, 1964, to February 7, 1970. Titled The Saturday Night Hollywood Palace for its first few weeks, it began as a midseason replacement for The Jerry Lewis Show, another variety show, which lasted only three months.
Ziegfeld Follies is a 1945 American musical comedy film released by Metro-Goldwyn-Mayer, primarily directed by Vincente Minnelli, with segments directed by Lemuel Ayers, Roy Del Ruth, Robert Lewis, and George Sidney, the film's original director before Minnelli took over. Other directors that are claimed to have made uncredited contributions to the film are Merrill Pye, Norman Taurog, and Charles Walters. It stars many MGM leading talents, including Fred Astaire, Lucille Ball, Lucille Bremer, Fanny Brice, Judy Garland, Kathryn Grayson, Lena Horne, Gene Kelly, James Melton, Victor Moore, William Powell, Red Skelton, and Esther Williams.
The Miracle Man is a 1919 American silent drama film starring Lon Chaney and based on a 1914 play by George M. Cohan, which in turn is based on the novel of the same title by Frank L. Packard. The film was released by Paramount Pictures, directed, produced, and written by George Loane Tucker, and also stars Thomas Meighan and Betty Compson. The film made overnight successes of the three stars, most notably putting Chaney on the map as a character actor.
That's Right – You're Wrong is a 1939 American musical film directed by David Butler and released by RKO Radio Pictures. The film stars Kay Kyser and his band, with a cast that included Adolphe Menjou, Lucille Ball, Edward Everett Horton, Roscoe Karns, and Ginny Simms. It was the first film to feature Kyser and his band, and its success led to their headlining several more pictures over the next five years. The title was a Kyser catchphrase, used on his radio show when a contestant correctly gave a wrong answer to a "right or wrong" question.
June Travis was an American film actress.
Wheeler Oakman was an American film actor.
Robert Edward Randall was an American film actor known under his stage name, Robert Livingston. He appeared in 136 films between 1921 and 1975. He was one of the original Three Mesquiteers. He also played The Lone Ranger and Zorro.
Street Girl is a 1929 pre-Code musical film directed by Wesley Ruggles and starring Betty Compson, John Harron and Jack Oakie. It was adapted by Jane Murfin from "The Viennese Charmer", a short story by William Carey Wonderly. While it was the first film made by RKO Radio Pictures, its opening was delayed until after Syncopation, making it RKO's second release. It was very successful at the box office, accounting for almost half of RKO's profits for the entire year.
Riders of the Whistling Skull is a 1937 "Three Mesquiteers" Western B-movie of the weird western genre starring Bob Livingston, Ray "Crash" Corrigan, and ventriloquist Max Terhune with his dummy Elmer. It was directed by Mack V. Wright, produced by Nat Levine and released by Republic Pictures. The film is based on the 1934 novel by William Colt MacDonald.
You're a Sweetheart is a 1937 American musical film directed by David Butler and starring Alice Faye, George Murphy and Ken Murray. It was produced and distributed by Universal Pictures who had Alice Faye on loan from 20th Century Fox to headline the film. It was remade in 1943 under the title Cowboy in Manhattan.
Love Before Breakfast is a 1936 American romantic comedy film starring Carole Lombard, Preston Foster, and Cesar Romero, based on Faith Baldwin's short story Spinster Dinner, published in International-Cosmopolitan in July 1934. The film was directed by Walter Lang from a screenplay by Herbert Fields assisted by numerous contract writers, including Preston Sturges.
Frisco Jenny is a 1932 American pre-Code drama film directed by William A. Wellman and starring Ruth Chatterton and Louis Calhern. Its story bears a resemblance to Madame X (1929), Chatterton's previous hit film.
Bells of Rosarita is a 1945 American musical Western film starring Roy Rogers and directed by Frank McDonald.
The Girl Said No is a 1937 American musical comedy film produced by Andrew L. Stone and Edward L. Alperson for Grand National Pictures and directed by Andrew L. Stone. The screenplay was written by Betty Laidlaw, Robert Lively and Andrew L. Stone. The film stars Robert Armstrong, Irene Hervey and Paula Stone. It uses musical numbers from Gilbert and Sullivan operas, and the story is about a shady bookie who is in love with a greedy dance hall girl and schemes to get her back after she rejects him. Along the way, he revives a failing Gilbert and Sullivan troupe.
Kick In is a 1922 American silent crime drama film produced by Famous Players–Lasky, distributed by Paramount Pictures, and starring Betty Compson and Bert Lytell. The picture was directed by George Fitzmaurice, who previously directed a 1917 film version of the story. Both films are based on Willard Mack's 1913 play that was produced on Broadway in 1914 starring John Barrymore. The supporting cast features Charles Ogle, who had played the first screen Frankenstein's monster in the original 1910 version of Frankenstein.
The Garden of Weeds is a 1924 American silent drama film directed by James Cruze and starring Betty Compson. It is based on the Broadway play Garden of Weeds by Leon Gordon and Doris Marquette. Famous Players–Lasky produced and Paramount Pictures distributed.
Anything for a Thrill is a 1937 American crime film directed by Leslie Goodwins and written by Joseph O'Donnell and Stanley Lowenstein. The film stars Frankie Darro, Kane Richmond, June Johnson, Ann Evers, Johnstone White and Horace Murphy. The film was released on June 15, 1937, by Conn Pictures Corporation.
